Mulholland drive and society of the spectacle.

Like two sides of the same coin, Betty is what Diane wants to be, and Rita is what Diane wants to have. Betty may be Diane's ideal ego, but Rita also signifies Diane's desire while she contends with rejections in her real life by Camilla Rhodes as well as by the film industry. Keywords: ambiguity; dream narrative; identity fluctuation EN ambiguity dream narrative identity fluctuation 391 397 7 09/26/23 20230901 NES 230901 I Mulholland Drive i (2001) is often considered David Lynch's greatest masterpiece. It is this reductive process of removing Camilla's identity that forms the basis of "Rita" in Diane's unconscious, because Rita - Camilla's doppelgänger in Diane's dream - does not have an identity. [Extracted from the article]