MODELI OPISA FILMSKE GRAĐE U ARHIVIMA I KNJIŽNICAMA: USKLAĐIVANJE U PRAVILNIKU ZA OPIS I PRISTUP GRAĐI U KNJIŽNICAMA, ARHIVIMA I MUZEJIMA.

Objective: In the paper, we analyze and compare archival and bibliographic models for the description of moving images. We present the solutions resulting from the harmonization of the models, which have been implemented in the Croatian Code for description and access to resources in libraries, archives, and museums. Approach: Harmonization is a data modeling method which relates two or more data models in a way that fosters their interoperability. In the first part of the paper we analyze some of the main properties of moving image resources and identify the requirements for an adequate description of these properties within the context of fundamental tasks of both archives and libraries. We continue with the analysis of the models of description contained in the relevant archival and bibliographic norms (EN 15907, The FIAF Moving Image Cataloguing Manual, FRBR, IFLA LRM) and mapping of their entities. The mapping is based on structural, semantic, and terminological analysis. Results: The comparison has revealed that the models are structurally consistent, which significantly facilitates their harmonization, and that they largely coincide terminologically and semantically, but with several significant differences. The differences are explained by the fact that in the management of film collections, archives and libraries are guided by somewhat different goals and tasks, which eventually leads to different approaches to resource description. The solutions incorporated in LAM Code are based on model alignment and complementation. Limitations: The analysis is limited to the entities related to moving image resources (work, expression/variant, manifestation, item). Other entities or relationships that may be of interest to the user (e.g. agents, places, events, etc.) are not covered in this paper. Application: The solutions based on the results of this analysis are incorporated into the instructions of the LAM Code. They may serve as a starting point for a consistent description of moving image resources in archives and libraries, while also taking into consideration specific contexts of each of these types of institutions. Value: The paper is a contribution to a possible cooperation of archives and libraries in the field of standardization of descriptive metadata, which helps enhance the availability of the moving image heritage, especially in a digital environment. [ABSTRACT FROM AUTHOR]