Habiter la frontière entre le militantisme musical latino-américain et l'art subventionné canadien.

In this text, pianist Daniel Áñez outlines his activities as a programmer and project manager. He focuses on his artistic mission to promote contemporary Latin American music. He also describes his contrasting perceptions of the paradigms and motivations of musicians in Bogotá and Montreal. On a more personal note, this article discusses his experiences and "status changes" in relation to his transition from student to international student, and then to self-employed musician. [ABSTRACT FROM AUTHOR]