An Interview with Donald Berman.

The article delves into the unique aspects of Charles Ives's "Concord" Sonata, particularly its various performance options and revisions, including the incorporation of changes made by Ives up to and beyond 1947. It mentions despite resistance from John Kirkpatrick towards later editions, the recording notably features Ives's First Transcription from "Emerson" as the opening, chosen for its rhapsodic quality.