Krystof Kieślowski's Inner World: Exploring Film Editing as Sites of Memory.

The article examines how Krystof Kieślowski's film editing techniques merge external and internal realities to convey deeper truths about human experience and memory. It argues that Kieślowski's approach to editing, while initially rooted in documentary realism, evolves to explore and represent the inner psychological and metaphysical worlds of his characters.