Beyond Representationalism: The Performative Materialities and Affective Dimension of Lin Tianmiao's the Proliferation of Thread Winding.

This paper reexamines the meanings and values of Lin Tianmiao's (born 1961) The Proliferation of Thread Winding (1995) through an analysis of its materialities. Lin's Thread Winding has received much attention in feminist discourse, which tends to draw attention to the symbolic manifestations embedded in the act of winding, and in textiles and domestic objects—techniques and materials often associated with "women's work" within certain Western feminist critiques of women's art. This paper moves beyond the gendered lens of interpreting Lin's art, which has built on symbolic and metaphorical readings of the underlying visual representations, and instead turn to investigate how her work can be understood from the perspective of its discursive materialities, through which the art objects produce material signs (phenomenological effects) that indicate its previous process of art making. Drawing upon new materialist theories and the notion of affect, this paper understands the materialities of Lin's work as dynamic phenomena, emerging from ongoing intertwining relationships between human and nonhuman agencies. It examines how Lin's work constitutes a series of inquisitive investigations into multiple processes of making, and how affective qualities and critical knowledge can materialize in and through this process. [ABSTRACT FROM AUTHOR]