‘EVERY CITIZEN IS A COP WITHOUT THE UNIFORM’.

This essay explores the question of sexualization in Hindi-Urdu cinema by arguing for an analysis of the effects of the movement-image-sound as sets of habituations at the level of the sub-individual, in the shocks both disrupting and producing sensorimotor schemas, and thus for a media assemblages approach to the new angry young man genre in Bollywood that thinks through the politico-ontological implication of flashbacks and interruptions in these films. [ABSTRACT FROM AUTHOR]