FEATHERS FLYING: AVIAN POETICS IN HESIOD, PINDAR, AND CALLIMACHUS.

This paper treats a topos found in Greek poetry from the archaic to the Hellenistic period, involving a confrontation between antagonistic and contrasting species of birds. Tracing the continuities and distinctions among the uses of the conceit in Hesiod, Pindar, and Callimachus, I argue that on each occasion it serves poets as a means of articulating their literary personae and the ethical, stylistic, and generic choices shaping their compositions. Not just a means of poetic polemic, self-definition, and self-positioning, the avian terms used within the conceit also come to figure in the literary critical vocabulary of the late fifth century and its redeployment in Hellenistic times. [ABSTRACT FROM AUTHOR]