La fotografía: una herramienta central en la producción historiográfica católica pampeana.

We analyze in this paper the use of photography in the Catholic historiography of La Pampa in general, and we particularly focus on the production of a group of priests who, from the 1920s onwards, have built the 'official history' of the Catholic Church in the region. The works by Roberto Tavella (1924), Lorenzo Massa (1967), Cayetano Bruno (1983), and Roberto Tavella and Celso Valla (1974) belong in that construction, in which the photographs tend to empirically support what the written text strives to state: that the Church was a central component in the civilizing process of La Pampa. [ABSTRACT FROM AUTHOR]