Everything in Its Right Place.

''Infinite Line,'' Sarah Sze's midcareer solo show at Asia Society Museum, promised a new angle on Ms. Sze's mesmerizing, minutely detailed installations. And it delivers one, though the art -- much of it made for the occasion -- doesn't always rise to the challenge. The show makes the case that Ms. Sze, who is Chinese-American, has been profoundly influenced by many forms of Asian art. It also emphasizes her drawings, which have rarely been exhibited, and encourages you to see her three-dimensional artworks as drawings in space. [ABSTRACT FROM PUBLISHER]