El etnógrafo como contrabandista. Tráfico de imágenes, propagación de conceptos y usos de la cultura material en la obra de Alfred Métraux.

The present paper develops a few hypotheses regarding the traffic of material culture in Latin America and its impact, both in the field con anthropologic knowledge and in the artistic vanguards of the first half of the twentieth century. The circulation networks that supported the exchange of images and objects between ethnographers and institutions that supported their research allow for the reconstruction of the itineraries followed by those objects, the footprints of those trajectories in the construction of knowledge, the demarcation of disciplinary fields and the transgression of epistemological frontiers, associated to the emergence of new aesthetic objects and sciences such as anthropology. [ABSTRACT FROM AUTHOR]