So delicate yet so strong and versatile - the use of paper in objects conservation.

A large variety of acid-free Asian and Western papers offer objects conservators numerous applications in their work. Not only have objects conservators borrowed this extraordinary material - paper - from the field of paper conservation but they have also adopted many of the well-developed methods and techniques of handling and manipulating it in their 3-D treatments. Paper meets all material criteria in modern conservation practice, including reversibility, strength, inertness, long-term stability, minimal change in color over time, and compatibility with the original artwork. Additional attractive characteristics are that it is light weight, non-toxic, hydrophilic, it conforms well to surfaces, and is not affected by the solvents typically used. Also, the cost of paper varies but is not excessively high. Finally, having the option of using paper in sheet, fiber or powder form - either in a dry or wet state - allows for even wider applications. This article is a survey of the wide range of applications of paper in objects conservation. Its use can have two very different functions. It can serve as a restoration material, thereby remaining with the artwork after the treatment is complete, and as a tool during treatment, thereby not remaining with the artwork after the treatment is complete. [ABSTRACT FROM AUTHOR]