Art.

The venerable old societies, like the British Artists and the Old Water-Color and the Institute, continue unperturbed in their venerable old ways, opening shows as like as could be to those they have been opening throughout the long, peaceful years of their existence, suggesting no comment or criticism that has not been made a hundred times before. Artist Roger Fry has chosen this moment to break out with an exhibition of fifty-three exercises in Abstract and other Design, some built up about bus tickets and bits of marbled paper with the diligence, but hardly the spontaneity, of the child who has just received his first present of a toy paint-box.