Watching War on the Twenty-First Century Stage: Spectacles of Conflict.

The intelligent design of the analytical sections punctuates Finburgh's coherent and balanced discussion of an astonishingly wide array of British theatre productions after 9/11. The analysis of I Alice Bell i profits from the fact that Finburgh only writes about productions that she has been able to attend, and she beautifully describes the dynamics of the theatre event. [Extracted from the article]