Crossing the Line: Cristóbal de Villalpando and the Surplus of Script.

In 1706 Cristóbal de Villalpando signed a painting with an unusual, intensive calligraphic flourish, and sent it from Mexico City far to the north. This essay describes Villalpando's decision to invest so much pictorial energy in letterforms against this geographic backdrop. Doing so reveals several social registers in which writing had taken on particular professional charge, and opens on to a yet broader artistic sensitivity to writing: its forms and modes of production. The Spanish Empire's extensive bureaucracy of paper made imperial subjects highly sensitive to script's visual and material qualities, such that Villalpando and his fellow artists could capitalize upon them both to produce meaning within their pictures, and to engineer particular constructions of self. In juxtaposing distinct domains of writing – notarial, educational, performative – with paintings, this essay stakes a methodological claim for considering the archive, broadly conceived, as a place just as important for looking as for reading and transcription. [ABSTRACT FROM AUTHOR]