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« JE NE SÇAY QUOY D'ÉCLATTANT ET DE NOIR » Rhétorique du clair-obscur et émergence du sujet dans Les Peintures morales de Pierre Le Moyne (1640 et 1643).
- Source :
- Revue Bossuet; 2022, Issue 13, p51-76, 26p
- Publication Year :
- 2022
-
Abstract
- <i>Copyright of Revue Bossuet is the property of Classiques Garnier and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
- Subjects :
- JESUITS in art
ANAMORPHOSIS (Visual perception)
OPTICAL illusions
VISUAL perception
Subjects
Details
- Language :
- French
- ISSN :
- 21178844
- Issue :
- 13
- Database :
- Complementary Index
- Journal :
- Revue Bossuet
- Publication Type :
- Academic Journal
- Accession number :
- 160816566