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LA MOSTRA COME MONTAGGIO. IDEOLOGIE ESPOSITIVE DELLA FOTOGRAFIA (1920-1929).

Authors :
Borselli, Daniel
Source :
INTRECCI d'Arte; 2022, Issue 11, p91-101, 11p
Publication Year :
2022

Abstract

<i>Copyright of INTRECCI d'Arte is the property of Universita di Bologna, Dipartimento delle Arti visive, performative e mediali, Alma Mater Studiorum and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)

Details

Language :
Italian
ISSN :
22407251
Issue :
11
Database :
Complementary Index
Journal :
INTRECCI d'Arte
Publication Type :
Academic Journal
Accession number :
161542891
Full Text :
https://doi.org/10.6092/issn.2240-7251/16219