INTO THE UNKNOWN KNOWN: IMAGES OF DEPERSONALIZED PEOPLE IN POST-SOCIALIST FOUND FOOTAGE FILMS.

The article talks about the emergence of found and archival footage-based cinema as a widespread nonfiction subgenre that invites us to recognize these works as recycled images. The focus of the article is on two works, 'Revue' and 'Into the Unknown,' and how these films recycle archival images of socialist people while considering the purpose that these images once bore and how these works cinematically reflect their heterotopian bonds with collective memory today.