Cultural Continuity And Change Through Ceramic Ethnoarchaeology: A Comparative Analysis Of Rang Mahal And Contemporary Pottery In Nohar, Hanumangarh District, Rajasthan.

This paper explores the role of ceramics in human societies throughout history and the production techniques and cultural meanings of ceramics in different regions and time periods. The study focuses on Nohar, Hanumangarh, and employs qualitative research methods, including ceramic ethnoarchaeology analysis and comparative analysis, to analyse the collected data. The data were obtained through participant observation, interviews, documentation methods, archival research, and historical documents. The results show that ceramic production in Nohar embodies an intricate and rooted process, where clay takes centre stage as the foundational medium. The artisan's profound knowledge of distinct clay types and their attributes forms the cornerstone of this craft. The study also reveals the practical and aesthetic functions that ceramics have fulfilled in human societies over time and the variations in production techniques and cultural meanings of ceramics across different regions and time periods. The implications of these findings are significant for understanding the cultural continuity and change in human societies and for preserving the traditional knowledge and practices of pottery-making. Overall, this study sheds light on the importance of ceramics as an ancient artistic expression and tangible link to our shared past and highlights the need to preserve and promote traditional pottery-making practices for future generations. [ABSTRACT FROM AUTHOR]