Репертоарни политики към българската драматургия в периода 1945-1968

Total control over all processes was one of the most distinctive features of state cultural policies in theatre during the communist era. This control was most systematically and carefully exercised with regard to theatre texts and the repertoire. The requirement for the prioritized presence of contemporary Bulgarian plays in the repertoire was valid throughout the entire period. The text outlines the policies towards Bulgarian dramaturgy, tracing which of these policies were consistent throughout the entire period and how they were nuanced over the different years. It also examines the results and consequences of these policies on the development of Bulgarian drama during that time. [ABSTRACT FROM AUTHOR]