Can Xue's Avant-Garde Novels Frontier and The Last Lover: Representatives of Her International Acclaim.

This paper examines Can Xue’s 残雪 avant-garde novels Frontier (Bianjiang 边疆) and The Last Lover (Zuihou de qingren 最后的情人) in the context of her international acclaim. Renowned for fragmented plots, dreamlike narratives, and ambiguous settings, Can Xue's works often blur the line between reality and the subconscious, evoking similarities to magical realism. By addressing the universal themes that transcend cultural and national boundaries, her writing has garnered broad reputation outside China. Through an analysis of two of Can Xue’s most discussed novels, this paper illustrates how her works resonate more strongly with international audiences than with her domestic readership. [ABSTRACT FROM AUTHOR]