Assembling the sea: materiality, movement and regulatory practices in the Cardigan Bay scallop fishery.

This paper investigates the controversy around scallop dredging in Cardigan Bay, Wales. The area’s scallop fishery was relatively small until the 1980s but has seen dramatic increases in catches in the past five years. Concerns have been raised about the effect of increasing fishing effort, especially for its potential impacts on the Bay’s population of bottlenose dolphins, which were the basis of its designation as a Special Area of Conservation. I show that the controversy is not merely about human management of an endangered fish stock, but also involves the actions of scallops, dolphins, the sea, seabed, fishing technologies and regulatory practices. I also show that the events in Cardigan Bay frequently are co-produced by events and actions further afield. These topics are examined through the lens of assemblage theory, with which geographers have yet to widely engage. This emphasizes heterogeneity and emergence, and encourages a focus on processes of (de)territorialization. In the paper, I contrast the territorializing practices of regulatory regimes with the smoothing movements of dolphins, the sea and the seabed, showing how the actions of these nonhumans complicate attributions of environmental harm. Through this, the paper addresses the lack of attention paid to the sea by cultural geographers, particularly through a focus on materiality and multi-dimensionality. [ABSTRACT FROM PUBLISHER]