Improvements in transaural synthesis with the Moore-Penrose pseudoinverse matrix

Transaural synthesis using loudspeakers is a powerful technique for conducting binaural hearing experiments while avoiding myriad problems caused by headphones. It is the most promising method to test binaural hearing for listeners using cochlear implants. Transaural synthesis is typically implemented using crosstalk cancellation, a technique whereby the left-channel signal and right-channel signal are adjusted so that reproduction by two synthesis loudspeakers results in near perfect transmission of the target left and right signals to the left and right ears (or processor microphones). Crosstalk cancellation has enabled precise experimental control over the stimulus delivered to each ear. Unfortunately, the 2×2 matrix inversion required for crosstalk cancellation can occasionally introduce spuriously large amplitudes for specific frequencies into the adjusted signals. These large amplitudes lead to perceptually salient tones. We demonstrate through simulation and experiment in a real room that adding a third loudspeaker and solving the resulting 2×3 problem using the Moore-Penrose pseudoinverse matrix yields dramatically fewer large amplitudes in the resulting adjusted waveforms. We have also conducted experiments to investigate the 2×3 system's robustness to inadvertent listener motions.Transaural synthesis using loudspeakers is a powerful technique for conducting binaural hearing experiments while avoiding myriad problems caused by headphones. It is the most promising method to test binaural hearing for listeners using cochlear implants. Transaural synthesis is typically implemented using crosstalk cancellation, a technique whereby the left-channel signal and right-channel signal are adjusted so that reproduction by two synthesis loudspeakers results in near perfect transmission of the target left and right signals to the left and right ears (or processor microphones). Crosstalk cancellation has enabled precise experimental control over the stimulus delivered to each ear. Unfortunately, the 2×2 matrix inversion required for crosstalk cancellation can occasionally introduce spuriously large amplitudes for specific frequencies into the adjusted signals. These large amplitudes lead to perceptually salient tones. We demonstrate through simulation and experiment in a real room that adding a ...