You can’t be Shakespearean talking about the institutionalisation of sex offenders: Creativity and creative practices of multilingual doctoral writers

The enigma of creativity is rarely discussed in doctoral education, yet it nestles snugly against the term originality, a key criterion for thesis assessment. This article engages with this occluded topic through an investigation of how four L2/multilingual PhD candidates studying in the Faculty of Arts in an Australian university perceive the presence of creativity in their doctoral writing. It also explores how and when these writers feel they can be creative in their writing practices. Methodological approaches included a workshop program designed around the concept of creativity for Arts doctoral students, followed by individual and group interviews. The findings indicate that while each doctoral writer actively engaged with the idea of creativity they also encountered social, cultural, political and other environmental barriers. These constraints often led to a lack of writer agency which, in turn, led to self-censorship. Nevertheless, several enablers to their creativity were uncovered with participants recognising the usefulness of learning specific writing practices and other strategies to allow creativity to emerge in their work. The article also offers a model of creativity that may provide a useful starting point for others to use in understanding the highly complex role creativity holds for doctoral writing.