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Fair Heroes and Heroines, Dark Commoners-Colorism in Bangla Films
- Publication Year :
- 2020
- Publisher :
- Zenodo, 2020.
-
Abstract
- In human society there exists colour based variation. In many ethnicities, colour variation is associated with beauty and attractiveness prevails in society. In dominant endogamous societies within an ethnicity, these characteristics are preserved and highly prioritized as markers of physical attractiveness in that ethnicity. Such dominant groups within an ethnicity dominate others, among other things, in terms of public portrayal, places, spaces and various opportunities on the basis of characteristics largely possessed and hence prized by dominant groups and are held up as aspiration goals to the rest. People who have fairer skin tone as compared to the darker skin tone tries to dominate other in terms of public portrayal. These public portrayals are clearly seen in the case of visual mass media like cinema and advertisement. This paper explores whether such skin colour tone based bias exists in case of Bangali ethnicity. The skin tone of heroes and heroines of popular Bangla films produced in West Bengal was taken as a proxy to explore the nature of skin colour tone based bias (if any), in case of the Bangla mother tongue population, the 5th largest mother tongue population in the world. We found that the heroes and heroines have significantly lighter skin tones than other males and females of same ethnicity who are portrayed in a film. The results suggest that there exists significant skin colour based bias in the selection of heroes and heroines in Bangla films.<br />{"references":["Maddox, K.B. (2004). Perspectives on racial phenotypicality bias. Personality and social psychology review : an official journal of the Society for Personality and Social Psychology, Inc, 8 4, 383-401 .","Hunter, M. (2007). The Persistent Problem of Colorism: Skin Tone, Status, and Inequality.","Fink, B., Grammer, K., & Thornhill, R. Human (Homo sapiens) facial attractiveness in relation to skin texture and color. Journal of Comparative Psychology, 115(1), 92– 99. https://doi.org/10.1037/0735-7036.115.1.92(2001).","Srinivas, L. (2002). The active audience: spectatorship, social relations and the experience of cinema in India. Media, Culture & Society, 24(2), 155– 173. https://doi.org/10.1177/016344370202400201","Jha, S., & Adelman, M.(2009). Looking for Love in All the White Places: A Study of Skin Color Preferences on Indian Matrimonial and Mate-Seeking Websites. Studies in South Asian Film & Media, 1(1), 65–83. https://doi:10.1386/safm.1.1.65_1","Shevde, N. (2008). All's Fair in Love and Cream: A Cultural Case Study of Fair & Lovely in India. Advertising & Society Review 9(2), doi:10.1353/asr.0.0003.","C. Connolly and T. Fleiss, \"A study of efficiency and accuracy in the transformation from RGB to CIELAB color space,\" in IEEE Transactions on Image Processing, vol. 6, no. 7, pp. 1046-1048, July 1997.","Singh, P. (2014). Positive Psychology in the Indian Film Industry: A Promising Area of Research. Indian Journal of Positive Psychology; Hisar, 5(3), 329-331."]}
- Subjects :
- bepress|Social and Behavioral Sciences|Psychology
L
SocArXiv|Social and Behavioral Sciences|Psychology|Cognitive Psychology
Bangali
bepress|Social and Behavioral Sciences|Psychology|Cognitive Psychology
Skin tone
Cie-L*a*b* colour space model
Tollywood
bepress|Social and Behavioral Sciences
Bangla
Colorism
SocArXiv|Social and Behavioral Sciences
SocArXiv|Social and Behavioral Sciences|Psychology
Cinema
Subjects
Details
- Language :
- English
- ISSN :
- 07357036
- Database :
- OpenAIRE
- Accession number :
- edsair.doi.dedup.....1328b85803011c5a9c99699d1a2be232
- Full Text :
- https://doi.org/10.5281/zenodo.3773453