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Why would artists favor free streaming?

Authors :
Maya Bacache-Beauvallet
François Moreau
Ramadan Aly-Tovar
Marc Bourreau
Centre d'Economie de l'Université Paris Nord (CEPN)
Université Paris 13 (UP13)-Université Sorbonne Paris Cité (USPC)-Centre National de la Recherche Scientifique (CNRS)
Télécom ParisTech
Economie Gestion (ECOGE)
Institut interdisciplinaire de l’innovation (I3, une unité mixte de recherche CNRS (UMR 9217))
École polytechnique (X)-Télécom ParisTech-MINES ParisTech - École nationale supérieure des mines de Paris
Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École polytechnique (X)-Télécom ParisTech-MINES ParisTech - École nationale supérieure des mines de Paris
Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)
Département Sciences Economiques et Sociales (SES)
Centre National de la Recherche Scientifique (CNRS)-École polytechnique (X)-Télécom ParisTech-MINES ParisTech - École nationale supérieure des mines de Paris
Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)
Centre National de la Recherche Scientifique (CNRS)-Université Sorbonne Paris Cité (USPC)-Université Paris 13 (UP13)
Source :
Journal of Cultural Economics, Journal of Cultural Economics, Springer Verlag, 2020, 44, pp.255-280. ⟨10.1007/s10824-019-09358-z⟩, Journal of Cultural Economics, Springer Verlag, In press
Publication Year :
2020
Publisher :
HAL CCSD, 2020.

Abstract

While streaming services are becoming the dominant way to consume recorded music, professional musicians remain divided in their opinion toward streaming, especially toward free (ad-supported) services that generate very low royalties. This paper is one of the first attempts to analyze empirically the drivers of the artists’ opinion on free streaming. Using survey data from more than 1100 French professional musicians, we emphasize that beyond their individual preferences, four main determinants affect the opinion of artists on free streaming: (1) Free streaming stands as a discovery tool that helps consumers to explore the music catalogue beyond stars and already well-known artists; (2) free streaming generates a positive externality on the live music market; (3) the contractual situation of the artist also matters, since the biggest recording companies obtain much more favorable conditions in revenue sharing from streaming services; (4) the opinion of artists is also shaped by the consumption habits of their fans.

Details

Language :
English
ISSN :
08852545 and 15736997
Database :
OpenAIRE
Journal :
Journal of Cultural Economics, Journal of Cultural Economics, Springer Verlag, 2020, 44, pp.255-280. ⟨10.1007/s10824-019-09358-z⟩, Journal of Cultural Economics, Springer Verlag, In press
Accession number :
edsair.doi.dedup.....a5f4aa047a29102a24278a205aaa9132