A semiotic evaluation of musical meaning in the works of Igor Stravinsky : decoding syntax with markedness and prototypicality theory

MLA

McKay, Nicholas Peter. A Semiotic Evaluation of Musical Meaning in the Works of Igor Stravinsky : Decoding Syntax with Markedness and Prototypicality Theory. Jan. 1998. EBSCOhost, widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsble&AN=edsble.286527&authtype=sso&custid=ns315887.

APA

McKay, N. P. (1998). A semiotic evaluation of musical meaning in the works of Igor Stravinsky : decoding syntax with markedness and prototypicality theory.

Chicago

McKay, Nicholas Peter. 1998. “A Semiotic Evaluation of Musical Meaning in the Works of Igor Stravinsky : Decoding Syntax with Markedness and Prototypicality Theory,” January. http://widgets.ebscohost.com/prod/customlink/proxify/proxify.php?count=1&encode=0&proxy=&find_1=&replace_1=&target=https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&scope=site&db=edsble&AN=edsble.286527&authtype=sso&custid=ns315887.