'La voce del Padrone': echi di un demagogo radiofonico

This paper considers the 1934 experimental radio work In Linea by Livio Castiglioni and Renato Castellani. A sound-collage characterized by an abstract approach to combining music and noise, In Linea nevertheless offered listeners a clear metaphor for fascist political education. The play’s three sections move from a dark, noisy chaos, within which arises an anxious, belligerent crowd that can be calmed only by a clear, authoritative voice offering a new path forward. At the heart of In Linea is a fervent belief in the power of the authoritative radiophonic voice. This paper examines the nature of this voice on the radio, asking what it meant to represent the most controversial and powerful radio voice of all – the voice of Mussolini himself. The stakes of such a representation cannot be overstated, given that radio broadcasts of the Duce’s speeches were the primary way that most Italians listened to and engaged with their heroic leader. This paper argues that the persistent focus on Mussolini’s image has led scholars to disregard the symbolic power held by the dictator’s voice, a voice that was both magnified and transformed through its transmission over the radio.