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Mouler, tirer, modifier, mouler à nouveau. Rodin et le moulage
- Source :
- In Situ, Vol 28 (2016)
- Publication Year :
- 2016
- Publisher :
- Ministère de la Culture et de la Communication, 2016.
-
Abstract
- In the context of an artist’s studio, the term ‘moulding’ (moulage) should be limited to the operation which involves making a mould. The object produced from this mould is a ‘proof’ or ‘test’ (épreuve), a stage, or the result in a process of creating a work of art. Using the moulding and proof casting techniques traditionally employed by sculptors, Rodin with the help of his moulders, developed a range of new practices, showing great freedom of inspiration: multiplying copies and variations, using different materials, assembling different test casts...
Details
- Language :
- French
- ISSN :
- 16307305
- Volume :
- 28
- Database :
- Directory of Open Access Journals
- Journal :
- In Situ
- Publication Type :
- Academic Journal
- Accession number :
- edsdoj.28273874251b4743ad9eb167af37c8f5
- Document Type :
- article
- Full Text :
- https://doi.org/10.4000/insitu.12743