Back to Search Start Over

Mouler, tirer, modifier, mouler à nouveau. Rodin et le moulage

Authors :
François Blanchetière
Source :
In Situ, Vol 28 (2016)
Publication Year :
2016
Publisher :
Ministère de la Culture et de la Communication, 2016.

Abstract

In the context of an artist’s studio, the term ‘moulding’ (moulage) should be limited to the operation which involves making a mould. The object produced from this mould is a ‘proof’ or ‘test’ (épreuve), a stage, or the result in a process of creating a work of art. Using the moulding and proof casting techniques traditionally employed by sculptors, Rodin with the help of his moulders, developed a range of new practices, showing great freedom of inspiration: multiplying copies and variations, using different materials, assembling different test casts...

Details

Language :
French
ISSN :
16307305
Volume :
28
Database :
Directory of Open Access Journals
Journal :
In Situ
Publication Type :
Academic Journal
Accession number :
edsdoj.28273874251b4743ad9eb167af37c8f5
Document Type :
article
Full Text :
https://doi.org/10.4000/insitu.12743