Ethographic ubiquity: original fake, expanded codex, transurban subject, performative doll

My essay presents the emerging of fake as a concept that does not mean false, but a post-dualistic mix of false/truth. The relation between digital culture and ubiquitous subjectivity is fundamental during its process; in the same way, the relation between aura and reproducibility cannot be determined dialectically as Benjamin did. Digital auratic reproducibility is the contemporary context and communicational metropolis is characterized by spontaneous and public performance: so, my conclusion is an analysis of some “living” doll and their uncanny presence.