Politique des récits médiatiques et esthétique de l’émancipation

An initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discourse analysis in tension, with a view to analysing the critical reflexivity of the reader-writers of media narratives. Our visit to the theories of reception shifts the focus from the consideration of active or passive individualities to the de-subjectivised question of enunciation, taking up the practices of reading-writing, which are played out at the interface of the political and the aesthetic. This confrontation opens up a space where the dominant discourse on art, which supports an aesthetic ideology, gives way to an aesthetics of emancipation.