'Ballast, worthless, expendable': how Breslau's Schlesisches Museum der Bildenden Künste disposed of a painting by Max Liebermann in 1942 and how deaccessions of modern art played a role at German museums during the Nazi period

Details

Database :

OAIster

Notes :

application/pdf, English

Publication Type :

Electronic Resource

Accession number :

edsoai.on1473766408

Document Type :

Electronic Resource