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The article focuses on English playwright Aphra Behn and her dramatic canon. Topics include importance of text selection in non-traditional authorship-attribution studies, sub-genres are of almost equal importance in reducing experimental noise, Behn constrains the selection of dramatic texts to only comedies, and editorial interpolation that must be removed by deferring to the earliest edition for stylistic studies.

Focuses on Spenser's creation of a unique literary icon of greed's destructiveness by pairing the personified sin of avarice with a camel. Connections of Spenser's idea on Redcrosse's degradation; What Spenser wants to signify by including camel as the emblem in the procession of the `Seven Deadly Sins.'