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Despite convincing arguments by mathematicians, philosophers, sociologists and machine learning practitioners to the contrary, there remains a widespread notion amongst many members of the general public (and some practitioners) that mathematics is neutral, that it is free from human values. One reason why this notion persists is that we lack clear-cut examples that demonstrate how mathematics and values are intertwined. In this paper, we offer one such example. In particular, we show that when sharing four biscuits between three people, several possible mathematical and ethical frameworks can be used. We demonstrate that different solutions--hiding one biscuit, arbitrarily sharing the extra biscuit, randomizing allocation, dividing the extra biscuit into three parts, and successively dividing it into smaller and smaller parts--involve different mathematical methods and evoke different human values. We discuss the construction of quantum biscuit splitting devices and the use of machine learning to divide biscuits. We argue that the multitude of different mathematically-correct solutions to this problem (each with its own ethical justification) might influence the values held by practicing mathematicians. The example we propose here has been used in teaching to help students understand why mathematics cannot be cleanly separated from human values. [ABSTRACT FROM AUTHOR]

The artist's vision helps decide what should be created; the mathematician's insight what can be created. Yet most people view art as merely decoration, or a reflection of existing reality, while they think of mathematics as just a tool for accurate scientific description. Can more people learn to value and enjoy both art and mathematics? And spend a lifetime exploring them and appreciating them for their own sakes? [ABSTRACT FROM AUTHOR]

Existing literature widely reports on the value of collaborations between mathematicians and mathematics educators, and also how complex those collaborations can be. In this paper, we report on four collaborations that sought to address what mathematics is and who gets to do it. Drawing on the literature and from the careful and intentional work of the collaborators, we offer a framework to capture the richness of those collaborations -- one that acknowledges the importance of acknowledging and welcoming the extensive personal and professional experience of each person involved in the collaboration -- and a look at how collaborations built with that intentionality and acknowledgment can be impactful for students and institutions and be personally and professionally rewarding for the collaborators. [ABSTRACT FROM AUTHOR]

In this paper we propose a thematic focus on aesthetics in the context of an interdisciplinary collaboration between mathematics and literature (Language Arts) as a way to further students’ reflections on and deeper understanding of what characterizes the two subjects. Furthermore, we argue that approaching aesthetics through the perspective of literacy can potentially strengthen students’ understanding of ways of thinking particular to specific (academic) disciplines; ways of thinking that are otherwise often hidden when teaching focuses on more pragmatic aspects. G. H. Hardy’s A Mathematician’s Apology from 1940 serves as the recurring illustrative example in our discussions of the pedagogical potentials of an interdisciplinary rendezvous between mathematics and literature. [ABSTRACT FROM AUTHOR]

As mathematicians, we often fail to appreciate the opportunities open to us when we teach developmental mathematics. One such opportunity is that we may deepen our understanding of mathematics that we have taken for granted. This paper contains a brief case study concerning what we have learned about operations, inverses, and exponents in the process of teaching beginning algebra. Our inquiry takes us from student questions about signed numbers, through the category of rings, to the world of Lie groups and Lie algebras. [ABSTRACT FROM AUTHOR]

Mathematics has often been referred to as an art. For some it is “the purest of the arts”, where the mathematicians’ art is “asking simple and elegant questions about our imaginary creations, and crafting satisfying and beautiful explanations”. Yet with classroom time given primarily to “covering the curriculum”, testing, and practicing problem-solving procedures, students’ opportunities to appreciate the aesthetic dimension of mathematics are often limited. To promote a responsive environment in an effort to enable students to become artists of their own mathematics experience, I consider in this paper two facets of the mathematics classroom. Content-wise I make the argument that students need to see problem-clarifying strategies in conjunction with problem-solving techniques, as the former are essential for making progress when engaging a mathematics problem where an explicit solution is not apparent. The other facet aiming to promote student agency is providing them opportunities to work with their own practical/professional concerns as students so as to become more creative and productive artists of their mathematics experience. [ABSTRACT FROM AUTHOR]

We report on the top ten mathematicians with the highest number of articles, citations, and students, based on data from MathSciNet and the Mathematics Genealogy Project. [ABSTRACT FROM AUTHOR]

In this article we explore mathematical allusions in Herman Melville’s novel Moby-Dick. We argue that both the quantity and sophistication of these allusions are evidence for Melville’s high level of mathematical knowledge and ability. We discuss some of the most compelling mathematical imagery, as well as giving background on the several mathematicians and mathematics books mentioned in the novel. We also include some biographical details supporting the assertion that Melville had an unusually good mathematical education. [ABSTRACT FROM AUTHOR]

Too often mathematics is viewed by students and the general public alike as a set of formulas and techniques. However, mathematicians know that it involves so much more than banal procedures and requires deep thought and creativity. In this work we introduce an activity designed to make creative mathematical exploration accessible to young students and still interesting for those with many years of mathematical training. Popular culture often references the nautilus shell as an example of a golden spiral in nature. While many mathematicians assert this claim is false based on the formal definition, others have provided potential avenues for a relationship between the spiral created in the nautilus shell and the golden ratio. We spell out this debate and ask students to explore this question and see what patterns they can find in the nautilus shell. Might an alternative frame give the nautilus shell a golden hue or is it really just fool's gold?. [ABSTRACT FROM AUTHOR]

Mathematics and statistics are both important and useful subjects, but the former has maintained prominence in the American education system. On the other hand, statistics is more prevalent in daily life and is an increasingly marketable subject to know. This article gives a personal history of one mathematician’s bumpy road to learning and teaching statistics. Additionally, arguments for how and why to include statistics in the K-12 and college curricula are provided. [ABSTRACT FROM AUTHOR]

This is the story of how a mathematical problem was discovered. Although it was never solved, it gave great joy to the discoverer. [ABSTRACT FROM AUTHOR]

In a section about research, we make the case that intentional, structured reflection on the mathematical research process, by mathematical researchers themselves, would result in better mathematicians doing better mathematics. As supporting evidence, we describe the Flavors and Seasons project. In a section about teaching, we describe the contemplative education movement and share personal experiences using meditation in the math classroom. We conclude with an explicit proposal for elucidating the experiential context of mathematics, in both research and teaching environments. [ABSTRACT FROM AUTHOR]