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The enduring effects of COVID-19 have called into question many of the assumptions upon which media and cultural studies rest, including a fundamental mode of perception: the sense of smell. In dialog with the field of sensory studies, this paper traces digital smell loss (anosmia) communities from pre-pandemic Facebook groups to mid-pandemic TikTok challenges. This article considers digital smell loss communities on TikTok as imitation publics characterized by repetition. Via replicable TikTok challenges, digital smell-loss communities reckoned with the unmooring effects of a seemingly mild symptom. By exploring how formulaic smell-loss challenges generated support and facilitated community-building, this article demands greater attention to a sense often considered 'disposable'. [ABSTRACT FROM AUTHOR]

The article examines the historical development of the Socialist Workers Party (SWP) and "Socialist Worker" newspaper in Great Britain. It states that while the newspaper has failed to realize its goal to reach a mass readership within the working class, it became an influential publication. It adds that its strong attachment to Leninist principles has provided them the flexibility to the changing environment from the early 1960s to the current period of recession and mass unemployment.

This paper explores how writers in the South Korean broadcasting industry have collectively struggled against their precarious working conditions and faced distinctive difficulties in taking their collective actions, including unionization. Based on semi-structured, in-depth interviews with 23 research participants, this paper examines why and how these South Korean writers have established various forms of collective worker organization: from a professional association to informal grassroots communities, to a women-only trade union, to two unions of media workers who are freelance or on contract. I argue that the activism of these writers reflects the intersection of different identities, ranging from women to freelancers to cultural workers and that their activism promotes the idea that working creatively, autonomously and equitably should be recognized as a basic labour right. [ABSTRACT FROM AUTHOR]

The article engages with biometric data gathering technologies as part of migration infrastructures for the monitoring and control of migration. It explores power and agency by paying attention to the complexity of readings, interpretations, and storytelling of illegalised migrants in the Moria and Kara Tepe camps, in the Island of Lesvos in Greece, as they received their bureaucratic legal papers and discussed developments in their 'cases'. Borrowing from feminist and feminist security studies scholarship, the article argues for an understanding of data gathering and sharing infrastructures as material. It suggests that the datafication of migrants' bodies constitutes a manifestation of power that 'enacts' the migrant body as a subject of power but also produces counter self-subjectifications. The article also suggests an understanding of subject agency as the 'capacity to act' within contexts of power. Such a position on the agency of illegalised migrants allows us to examine the emergence of solidarities and alliances and to understand and contextualise not only actions that seem to be questioning and rejecting power, but also those that accept it and internalise it as a strategy of survival and of bettering one's life chances. [ABSTRACT FROM AUTHOR]

This paper investigates the role of social media in mobilizing environmentalism amid authoritarian restrictions, focusing on the Vietnam coastal pollution of 2016. It contributes to current academic debates by showing how elements that are apparently mundane and irrelevant become the stage for political action within social media. We examined the interface of connective actions (social media activism) – collective actions (protests) and the role of food symbolism in translating digital activism into physical resistance that bridges the distance between rural and urban areas. Data were collected from Facebook and Twitter, as well as semi-structured interviews, policy documents, and national newspapers and broadcasts. Food symbolism, exemplified by #ichoosefish, helped personalize grievances and materialize protest actions amid the government's countermeasures. The results further show that by using social media, especially Facebook, the activists managed to rationalize their political engagement in a non-participatory context and mobilize protests during political restrictions by arguing that their 'apolitical' actions were motivated by food-based grievances associated with personal, environmentalist and nationalist concerns. Food symbolism is thus essential in transitioning from connective actions to collective actions. [ABSTRACT FROM AUTHOR]

This paper examines the significance of On the Wire, a BBC local radio programme, that provides a unique lens through which to examine changes in local radio, music radio in general and public service broadcasting. The paper provides a concise history and an account of the On the Wire, along with an explanation of its impact. The paper offers reasons for the programme's enduring appeal, including its ability to change and adapt, its emphasis on the local in a global context and its innovative approach to audience participation. The paper concludes by positing that the history of On the Wire provides valuable insights for broadcasters in general, highlighting key aspects that radio programmes can learn from its approach. By showcasing the possibilities of what local radio, music radio and public service broadcasting can be, On the Wire sets a positive example for what radio can achieve. [ABSTRACT FROM AUTHOR]

The way in which we describe processes of automation, the digital society and the technology companies that deliver many of its services carry implicit and sometimes contradicting values and ideas about the society envisioned. In this paper, we are interested in unfolding some of the metaphors that guide political discourses on digitalisation in Denmark, particularly those related to the nexus between the welfare state and the market. We propose that metaphorical analysis of policy documents serves to tease out and confront the implicit values and tensions related to how welfare ideologies are reconciled with market logics. This carries important messages about the Danish government's imaginary of digitalisation and citizens, such as which role citizens are expected to play vis-à-vis digital services and welfare provisions. This paper argues that in contrast to the EU's declared goal of human-centric digitalisation, the Danish government relies on metaphors that are technology-centric rather than human-centric. [ABSTRACT FROM AUTHOR]

The article presents a reprint of the article "Paper Tiger Television: smashing the myths of the information industry every week on public access cable," by Deedee Halleck, which appeared in "Cultures in Transition." It explores the history and strategies of the public access series within Paper Tiger Television Inc. in New York City. It discusses the series' view of the culture industry. It also examines how a publication covered in Paper Tiger is enmeshed in the transnational corporate world.

In this paper I discuss the affordances and popularity of the short-video app TikTok from an audience studies point of view. I do so by drawing on findings from ethnographic fieldwork with young adult TikTok users based in the United Kingdom that was conducted in 2020 and 2021. I trace how using the app, specifically scrolling through the TikTok For You Page, the app's algorithmic content feed, became a fixed part of the everyday routines of young adults. I show how TikTok appealed to them as a convenient means of escape and relief that they were unable to find elsewhere during and beyond times of lockdown. Further, I highlight the complex nature of TikTok as an app and the active role that users play in imagining and appropriating the app's affordances as meaningful parts of their everyday social life. Closing the paper, I reflect on future directions of TikTok scholarship by stressing the importance of situated audience studies. [ABSTRACT FROM AUTHOR]

Situated within the field of platform governance studies, this paper shares findings from an 'autoethnography of automated powerlessness', drawing from the researcher's disempowering experience of being a heavily moderated social media user. Using theoretical frameworks blending affordances and World Risk Society theories, this paper contextualises my experiences of moderation of my pole dance instructor, activist and blogger account @bloggeronpole from February to October 2021 within social media's broader de-platforming of nudity and sexuality, finding fallacies within platforms' own affordances, which lack mechanisms to aid or rehabilitate de-platformed accounts. With little to no information from platforms about the details of their moderation, qualitative, ethnographic and autoethnographic explorations of their governance are all users currently have to fight and understand their puritan, patriarchal censorship of nudity and sexuality, which are often conflated with risk. This study concludes with recommendations for different options for better, more equal and community focused moderation. [ABSTRACT FROM AUTHOR]

This article analyzes how news management strategies coupled with journalistic conventions affect news coverage of the Asamblea Ciudadana Ambiental de Gualeguaychú in Argentina, a social movement against the establishment of two paper mill plants on the Rio Uruguay. Since 2003, the Asamblea has received wide attention in local and national news. Media advocacy has been central to the Asamblea's political goals. This case offers an opportunity to examine the role of the news media in the definition of environmental risk in a country with weak environmental policies and a weak tradition of environmental reporting. News coverage of the Asamblea confirms the media's penchant for sensational and dramatic events. Also, it suggests that the mainstream media does not necessarily portray social movements negatively. Because the media largely relies on official sources in setting news frames, shifting views about the movement among political elites on news events take attention away from structural processes and environmental policies. [ABSTRACT FROM AUTHOR]

The No. 1 Ladies' Detective Agency is both a successful series of novels and a television series which ran for one series on the BBC in 2008. While the books have been criticised on a number of aspects, including its representation of Botswana, the television series has received very little academic attention at all. The television series was an international co-production between the United States, United Kingdom and South Africa, using a mix of American and South African actors in regular and recurring roles with British guest artists and production team despite being shot in Botswana. While the main features of the adaptation were primarily related to a reordering of vignettes from the books into the series, the television series added in a new character, the camp, gay hairdresser BK. At the time the series was airing, same-sex sexual activity was illegal in Botswana though that has since been changed. As such, this paper will discuss the addition of this liminal character into the series through close reading of the text and paratexts (including industrial context). Ultimately the paper will contextualise the addition with regard to both national and sexual identity and debates surrounding African queer identities. [ABSTRACT FROM AUTHOR]

This paper seeks to question whether and how instrumentalization of refugees by states impacts their media representations, based on the example of a border spectacle that took place in March 2020, when Turkey unilaterally opened its borders to the West, causing hundreds to flock to the land border with Greece and to the coasts of the Aegean Sea. In many ways, this ended up as a failed border spectacle, especially for international publics: Turkey appeared neither as a strong state nor as a benefactor of asylum-seekers. Yet, the paper claims, the spectacle nonetheless led to an ordering of the visibility of asylum-seekers that cannot be captured on the victim-threat spectrum across which they are usually represented. Examining Turkish mainstream TV evening news as well as state agencies' Twitter accounts, the paper traces how Greece was made hypervisible through the use of three frames (humanitarian, legalistic and moralistic) and asylum-seekers were reduced to extras (figurants) in the process. Such an ordering of visibility facilitated the re-moralization of instrumentalization of refugees and may have accordingly shaped the response-ability of citizens. The figure of the extra enables us to link refugee visibilities to splintering moral geographies of asylum. [ABSTRACT FROM AUTHOR]

Populism has become a widely used concept in both academia and the media. The term's popularity has encouraged scholars to question how it is applied and to theorize on the consequences of its use. However, there is little empirical research on the temporal and cross-country changes in the use of the term in the public sphere. This article analyses the significations given to the terms 'populism' and 'populist' in six countries' daily newspapers over a period of nearly two decades. It presents the results of a quantitative content analysis of texts (N = 3252) published in legacy daily papers in Finland, Sweden, the United States, the United Kingdom, the Netherlands and Turkey in the years 2000–2018. The article shows how the salience, meanings and perceived repercussions of 'populism' change over time and vary between the countries. The study reveals how, towards the end of the 2010s, the term is increasingly used in the context of right-wing populism and as a reference to political ideas that are detrimental to democracy. The results are examined in the context of developing academic discussions regarding the effects of 'populism' becoming a ubiquitous signifier in the media. [ABSTRACT FROM AUTHOR]

Creative labour studies has yielded much critical insights from workers' experiences of 'precarity' and 'self-exploitation' with increasing neo-liberalization. This important work's overwhelming focus on the critique of neoliberalism based on Euro American case studies risk overlooking insights that can be gained from other socio-geopolitical contexts. Drawing on a mix of ethnographic observations and interviews with transnational media producers in Singapore working at the margins of the mainland Chinese media industry, this paper teases out how intersecting cultural, economic and geopolitical power relations manifest in transnational creative labour working under the shadows of both the West and a rising China. Expanding on conceptions of emotional labour and precarity as serving neoliberal structures, I highlight how these producers' experiences go beyond the economic connotations of precarity to capture what I call affective precarity – a felt sense of spatial-temporal dissonance confronting marginalized media workers. I also consider how such emotional labour can constitute a form of critique. [ABSTRACT FROM AUTHOR]

Graffiti is widely used in social movements globally, yet media and communication research disproportionately focus on the role of social and new media technologies in protest movements. In this paper I ask why university students – a tech-savvy generation – resorted to graffiti and why campus graffiti were not widely circulated on social media during the Hong Kong anti-Extradition Law Amendment Bill (ELAB) protests. I argue that graffiti enables dispersed resistance and is one way to mobilize, voice dissent, and preserve memory in an increasingly surveilled and evolving repressive media environment. I pursue this argument by analyzing graffiti photographed on university campuses during the anti-ELAB protests. Situating graffiti within protest culture in Hong Kong, I conclude that graffiti are not always circulated on digital/social media to reach a broader audience. In times of crises, not reaching a wider audience is a manifestation of dispersed resistance in a hybrid media environment. [ABSTRACT FROM AUTHOR]

Contending with the structural erasure and appropriation of their land, culture, history, and traditions imposed by the settler state, Palestinians have adopted/adapted traditional cultural elements to further their nationalist aspirations and assert their rights as Palestine's Indigenous people. In the diaspora, Palestinians practice and perform the dabke folkdance, as a tool of anti-colonial memory maintenance and knowledge transfer. In this context, the dabke has been (re)shaped to keep up with the invasive nature of settler colonialism, by evolving to protect indigeneity, resist imagined settler geographies, and represent an embodied landmark of Palestinian existence and history. In this paper, we examine the digital platforms of a diasporic dabke dance academy in Ontario, Canada, highlighting the innovations of using social media to broadcast the teachings and performance of dabke while promoting Palestinian cultural continuity against settler colonialism. We employ the theoretical framework of sumud, a specifically Palestinian mode of steadfast anti-colonial being/becoming to explain that the performance of dance, and the subsequent broadcasting via digital social media platforms is an innovative approach to counter settler colonialism. Cultural and community leaders such as dancers, teachers, and choreographers celebrate Palestinian resilience, resistance, and restoration, while mobilizing global solidarities through social media and dance. [ABSTRACT FROM AUTHOR]

The emergence of 24/7 cable news channels within the US revolutionized news consumption, offering viewers accessibility beyond fixed broadcast schedules. While the phenomenon began with CNN, competitors quickly emerged, targeting different political ideologies and mirroring the heightened polarization that has altered American society. Cable news channels must market themselves effectively to their audiences through distinctive product differentiation strategies. Understanding these approaches provides insights into information dissemination, political communication, and audience engagement dynamics. This paper aims to conduct a formal media analysis of current self-promotional advertisements across the big three cable news networks within the US to derive insights into contemporary differentiation strategies crucial for monitoring the industry's technological transition. As the rest of the world has begun to wrestle with increased polarization, this analysis will be relevant to anticipating how non-US news sources use ideology and values to position themselves within highly competitive markets. [ABSTRACT FROM AUTHOR]

The entertainment industry is driven to sell certain commodities transnationally, particularly in a world where borders are becoming increasingly diffused through the access afforded by the Internet. Media content is easily consumed, making cultural exporting fast and easy. Similar tropes and plot have been replicated in the East Asian film and TV industry, perhaps in hopes of replicating the success. This paper looks at the manufacture of ideal masculinities within East Asia, particularly China. From ex-members of K-pop group EXO to the successful TV series, cross-influence of East Asian popular culture is prominent. Through this paper, I look at the influence of K-dramas on the Chinese TV industry and particularly the manufacturing of a militarized masculinity on Chinese TV. Far from portraying brute and fearsome soldiers, ideal masculinity on TV is portrayed as "steely exterior but gentle internally" and thus desirable romantic partners to heterosexual women. By exploring the basic conception of Chinese masculinity, I then discuss representations of militarized masculinity on the silver screen (Wolf Warrior II) and C-dramas, with particular focus on the series, You Are My Hero (2021). [ABSTRACT FROM AUTHOR]

TikTok continues to be the top downloaded app in many countries around the world as the short video consumption craze continues. But TikTok has also come under harsh scrutiny for its Chinese origins and data security. For TikTok, the journey of globalization has involved a painful contest with governments, geopolitical manoeuvrers, and, ultimately, finding platform regulation loopholes. TikTok's sister app, Douyin, shares identical digital architectures, but follows different trajectories of development in China. Through interviews with Chinese influencers and media practitioners, along with a content analysis of policy documents and industry reports, this paper identifies and analyzes the borderline practices that have occurred on Douyin – including content transfers, and algorithmic platformization – and evaluates the potential for these practices to be replicated on TikTok. [ABSTRACT FROM AUTHOR]

TikTok, one of the most downloaded apps in the world, has been banned in India since June 2020, following military clashes on the India-China border. This article focuses on government narratives of the TikTok ban in the Indian media and situates the issue within the broader geopolitical framework of deteriorating Sino-Indian relations and attempts for digital sovereignty. At a time of strong nationalist discourses dominating the political and social communication in India, it is perhaps unsurprising that the narratives have been seen outside India as protectionism. However, this paper argues that the digital sovereignty in the Indian context is not exclusionary but aims to create a robust digital infrastructure that is critical for economic development and self-reliance. Highlighting the lessons from India, this paper concludes the following: (i) digital sovereignty is a form of discourse which does not imply any specific policy, (ii) digital sovereignty relates to user control over their data, however, the role and limits of the State is not clearly defined and (iii) digital platforms are highly vulnerable to changing geopolitics in which their existence is not determined by user-platform interactions but by international relations. [ABSTRACT FROM AUTHOR]

The impact of iconic imagery on policymaking during humanitarian crises is oft-discussed within the literature. When rapid humanitarianization or sudden policy shifts emerge, researchers seek to identify why. One potential explanation is that of 'focusing events' – sudden, harmful events which destabilize political consensuses and elevate marginal agendas. While focusing events have been used to explain the impact of large-scale accidents and disasters, this paper extends their usage to activist-generated events such as the iconization of images of the drowned Syrian toddler, Alan Kurdi, during the 2015 migrant crisis. In exploring the Kurdi images' impact on US media and political discourses of asylum, this paper finds that asylum-related discourses became increasingly sympathetic and domestically focused, eventually culminating in the announcement of an increase in resettlement targets for Syrian migrants. By expanding conceptualizations of focusing events to cases such as Kurdi's, this paper supplements understandings of the agenda-setting function of iconic imagery. [ABSTRACT FROM AUTHOR]

This paper argues that the current disinformation studies literature lacks any sustained analysis of a crucial element in any communication campaign – its sources of funding. The paper argues that crowdfunding platforms are arguably better networked and 'cross platform enabled' than most social media sites to spread disinformation. And that disinformation actors have weaponized crowdfunding to amplify and sustain the spread of their grievances and forms of disinformation. The paper offers a rich qualitative study of a set of election fraud and 5G themed campaigns on the GoFundMe crowdfunding platform. The study questions how networked content and financial appeals in the crowdfunding pitch can contribute to the disinformation literature and potential solutions. [ABSTRACT FROM AUTHOR]

China's Social Credit System (SCS) has been widely considered a centralized surveillance project, whereas recent research found multiple scoring systems co-existing in various fields at multiple administrative levels and in diverse forms. Despite the broadened view toward the complexity of SCS, these research projects continue to focus on SCS mainly as political and digital control mechanisms. Instead, this paper is interested in the social and cultural meanings of SCS constructed in the media, both at the national and local levels. Based on the analyses of news reports since the year 2003, when the term SCS was officially coined, this paper examines the historical narratives about SCS, including its rationales, stakeholders, and intended goals/tasks. It argues that the SCS construction has been a societal project anchored in a distinct moral orientation of financial credit. While credit systems are often used to classify consumers and financial subjects in Western contexts, the case of Chinese SCS shows that the moral dimension of financial credit scoring has enabled its spread into other non-financial domains. Also, the institutionalization of such moral standards is considered an effective approach to addressing various socio-economic and ethical issues that have long baffled economic development and social justice in China's reform era. [ABSTRACT FROM AUTHOR]

In this paper we prompt a re-reading of Assistive Technology (AT) as a media system that organizes disability in the framework of digital health-care and the platform society. Drawing on disability media studies and organization studies, we investigate how the arrival of big tech and digital platforms in the field of AT reconfigures ways to account for, classify and potentially discriminate against disability. We argue that this new configuration can be explained as a shift from a biopolitical model – oriented toward disability normalization – to an ethopolitical model, oriented toward optimization and health enhancement. In the conclusions, we put forward the concept of ethopolitical media and discuss the implications of this for wider debates in media and cultural studies which deal with the relationship between media, health, and self-care. [ABSTRACT FROM AUTHOR]

The article critically examines 'Telling China's Story Well' (TCSW), a popular propaganda campaign slogan proposed by Chinese President Xi Jinping in 2013. Drawing on theories about storytelling and propaganda and using the COVID-19 as a contextualised example, the paper discusses how the slogan was adapted into 'Telling China's Anti-pandemic Story Well' to mobilise domestic and external propaganda of the Chinese Communist Party (CCP) during the pandemic. We argue that TCSW should be understood as a well-crafted political watchword which promotes and commands strategic narratives of doing propaganda. It has the rhetorical power to integrate and reinvigorate domestic and external propaganda, and to facilitate their convergence. Adapting this slogan to mobilise propaganda campaigns of national or global importance and interest demonstrates the CCP's ambition to harness strategic storytelling to improve the coherence, effectiveness and reputation of its propaganda at home and abroad. [ABSTRACT FROM AUTHOR]

This paper presents a reflective examination of challenges to design and communication from the current digital revolution, using the prism of a 1980s television advertisement for the Yellow Pages. Originating at the same time as the height of the desktop publishing revolution, the advert illuminates a transitional period in the evolution of digital technology and media communications, marked by changing user practices and experiences. The advert's storyline follows a young man's quest to convert an old cine film (of his father) to videotape for his mother's birthday, in the process showcasing the impending shift from analogue to digital technologies and encapsulating the multifaceted implications and transitional challenges of the period. The hybrid setting of technologies, alongside the tensions, confusion and ambiguities of different stakeholders metaphorically symbolises and can be contrasted alongside, the challenges impacting the design, media and communications industry of the period and can inform reflection on contemporary challenges. Engaging with the narrative, the Yellow Pages advert is used as a creative device which functions as a cultural, historical, narrative lens with which to contrast against contemporary (and future) transitional challenges within the digital revolution. [ABSTRACT FROM AUTHOR]

Visual messaging is a cornerstone of campaign strategies of political parties and candidates that can complement and amplify the effects of the written/spoken word. Through a thematic analysis of the Facebook ads of the two main political parties during the 2021 West Bengal assembly elections in India, this paper shows the interplay of identity, ideology, and gender in the visual communication strategies of political parties on Facebook as they tried to mobilize voters in an intensely polarized context. Both the incumbent and the opposition parties framed issues in their visual campaigns that were culturally situated; these issues centered around identity and ideology while simultaneously emphasizing strong leadership with gendered rhetoric. Our findings contribute to the advancement of theoretical understanding of political personalization, highlighting the intricate interplay between gender, ideological inclinations, and cultural identity, all of which profoundly influence the personalization process in the context of an intensely polarized election campaign. [ABSTRACT FROM AUTHOR]

This paper proposes that LGBT+ mainstreaming on reality television programme Strictly Come Dancing creates space for audience demand for radical, authentic representations of same-sex desire and intimacy, both of which challenges normative representations of ballroom dancing. Integrating concepts of normativity and authenticity explored in existing scholarship, I argue against the encountering through a defensive stance, of reality TV's normalization of queer narratives to promote authentic, inclusive representation. Focusing on dance-themed British reality TV programme for family entertainment, I draw on a queer reading of 285 newspaper articles on Strictly Come Dancing's same-sex dance partnerships and 35 interviews with LGBT+ equality dancers in the United Kingdom, to conclude that active engagement with mechanisms of normalization can open up spaces for a reclamation of queer representation in its authenticity. The article makes a contribution to media and cultural studies and queer television scholarship through a troubling of anti-normativity, proposing a working with normativity to achieve queer inclusivity. [ABSTRACT FROM AUTHOR]

Presents the Muslim cultural enlightenment with the discovery of paper, the printing press and communication technologies. Notion of `ilm'; Methodology of hadith collection, criticism and transmission; Manufacture of paper; Conscious communication in the Qur'an; Publication industry; Authority and control of ulama over the Qur'an; Changes brought about by information technologies.

The article explores the smaller circulations of papers in Great Britain which are produced by small socialist organizations. It states that the newspapers including "Black Dwarf" and "Red Republican" have emerged as the mouthpiece of militant sections of the working class. It also points out that the success of the journalism in the country happened from 1923 to 1924.

Sharenting – a new term emerged over the past 10 years – refers to the practice of sharing textual and audiovisual contents concerning children online by their parents or guardians, potentially impacting the construction of children's digital identity before they can reach the age of consent. Based on a passive virtual ethnography carried out comparatively in Italian-speaking and English-speaking virtual communities focusing on children's wellbeing and health, this paper offers an empirical contribution to the study of sharenting. While contributing to the wider debates on the practices and discourses about sharing in digital media, this paper provides an analysis of how online and offline parenting cultures affect sharenting practices; how the consequences of sharenting are addressed in online communities; and how the privacy vs openness tension about sharing contents is negotiated by parents with regards to their own and children needs even in terms of digital security. [ABSTRACT FROM AUTHOR]

This paper analyses how immigrants are understood by Swedish alternative media and the role that Islamophobia plays, if at all, in these representations. What is remarkable is that although all articles were sampled explicitly to discuss Ukraine, the analysis showed that Muslim immigrants figured with unexpected frequency throughout. The value of these two immigrant groups were antagonistically contrasted through arguments of alleged differences in culture and geographical origin, perceived legitimacy as asylum seekers, and in terms gratitude and supposed level of threat to Swedish society. With this, the unity that is formed around Islamophobia trumps any nationalist views of the Swedish nation state as particularly superior or white and the social and economic consequences which are usually believed to be at risk due to immigration. By extension, the war in Ukraine is articulated as a matter of whiteness and works to exploit war for strengthening the transnational far right. [ABSTRACT FROM AUTHOR]

Blood on the ice. Cheers when the injured athlete stands and limps off the field. Comebacks, backflips, and back injuries. Celebrity athletes are punished and rewarded for their abilities, including their ability to perform while injured or work through pain. Injuries, illness, disablement, and even death are not uncommon in celebrity culture broadly and the field of competitive sports more specifically. While critical disability studies often attends to disabled celebrities, less research and critical attention has been paid to the disablement of celebrity and the expectation and performance of injury or illness understood through the lens of ablenationalism. Focusing on international figure skating and the 2022 Winter Olympics, this paper offers a supercripping of athletic celebrity by interrogating how gender, race, age, and nationality impact a global audience's view of vulnerability, risk, and harm. Analyzing media coverage of the event alongside popular discourse uncovers the impact of nationalism, white supremacy, and patriarchy on sports narratives and celebrity cultures of debilitation and disablement. [ABSTRACT FROM AUTHOR]

This paper questions the dominant attention economy and media abundance framework in media studies by questioning the mediated politics of 'media scarce' communities and individuals. Focusing on the armed wing of the African National Congress (MK), the paper questions how media scarcity affects a group's ability to engage in public campaigns, given their lack of historical media documentation. The paper analyzes how the MK developed various media tactics to overcome their lack of media documentation, both during the fight against the Apartheid state and in present day campaigns for military veterans' rights. [ABSTRACT FROM AUTHOR]

This paper examines the mobile app BeReal, a popular social media platform, and challenges its claim to fame as a uniquely authentic platform. Through a critical analysis of the app's user experience and an exploration of popular discourse among social media users regarding its design, I seek to assess this claim. BeReal promotes authenticity, or "being real," through the act of users posting interesting content on demand and in real time. The app enforces this authenticity by imposing restrictions: users can only post once a day, at a specific time determined by BeReal, and in one take. Violating these rules triggers a judgment system that notifies other users when posts are made late or retaken. Despite the platform's promise of enabling users to express their true selves through its restrictive functionality, I argue that its version of authenticity instead intensifies the need for external curation due to an "always-on" mentality. [ABSTRACT FROM AUTHOR]

This essay explores the potential of digital mourning for activists and social movements, enabling them to navigate the injuries inflicted by hegemonic powers and harness these experiences as a meaningful force for social change. Through a literature review of scholarly works on mourning within digital platforms, the article identifies theories and characterizations that foster critical reflections on the significance of these online instances. Moreover, by presenting three examples of digital mourning activism (Black Lives Matter, COVID-19 protests, and the Arab Spring), the paper highlights the significance of digital platforms as spaces for collective mourning, shaping public opinion, building collective memory, and driving activism beyond the digital realm. Overall, this essay aims to contribute to a deeper understanding of digital mourning as an empowering tool for activism, shedding light on its role in facilitating meaning-making processes and fostering the potential for profound social change in the face of systemic challenges and injustices. [ABSTRACT FROM AUTHOR]

Like other consumers of 'low-brow' genres, self-help readers elicit polarized views in the literature. While little research to date has focused specifically on self-help readers with a history of mental illness, existing commentary reveals a particular tension: on the one hand, clinical researchers report positive outcomes for depressed readers engaged in bibliotherapy programs using self-help books, similar or superior to medication or talk therapy; on the other, scholars of media and culture express misgivings about the quality of self-help texts and highlight the negative potential of therapeutic discourse for individual readers and audiences more generally. By asking what actual readers do with self-help books, however, my research suggests an altogether more complex interaction between readers and the books they choose and use – especially as they navigate experiences of mental illness. Leveraging a reader-response heuristic in which I interviewed a cohort of Australian readers, this paper details some of the ways in which habitual consumers of self-help books describe their own interpretive activities, problematizing previous research that either emphasizes or downplays the significant expertise of vernacular audiences. [ABSTRACT FROM AUTHOR]

Focusing on the fact that digital media commodities are easily reproduced once initially produced, this paper explains, against the backdrop of Marxist insights, just how these commodities are produced, distributed, and consumed in the current digital media environment. Working with Marx's definition of the value of commodities as the social labor time required for their production, we can thereby define the value and price of reproduced digital media commodities as zero, but the market price of these commodities as in fact constituting the Marxist monopoly price. These determinations are then supported by a review of the ways valueless digital media goods are commodified in a monopolistic real world. The approach here, borrowing from Marx's research methods, starts from commodity analysis to explain comprehensively the wider political and economic system of capitalism. This viewpoint of the inherent value of media products is foreign to neoclassical economics as well as to mainstream media and communication studies embracing the utility theory of value. [ABSTRACT FROM AUTHOR]

This short paper discusses people's news experiences before, during and after societal crisis situations, contributing with a sequential typology outlining the three phases ritual check-in, shocked immersion and regained stability. Theoretically, we draw on classical contributions to media studies and sociology, particularly the concepts of ritual communication and ontological security. Empirically, we build on qualitative interview studies with news audiences in Norway, spanning 5 years and different crisis cases including political turmoil, the COVID-19 pandemic and climate change. We underline the significance of emotional distancing to regain stability, and identify crises lacking start- and endpoints as particularly difficult to navigate. These insights should instigate further debate about our understanding of news audiences in a tumultuous world, particularly relevant to scholarship on news use and avoidance. [ABSTRACT FROM AUTHOR]

This paper reflects on the impact of dating apps' removal of ethnicity filters on racial minority users. Many scholars, mass media, and dating app users believe that ethnicity filters mark an institutional endorsement of racism which is embedded in digital infrastructure. Accordingly, they have called for the removal of these filters. This advocacy is based on the assumption that expressions of racial preference are inherently racist. In the summer of 2020, many dating apps removed ethnicity filters to show solidarity with the Black Lives Matter movement. However, I argue that racial minorities often express intra-racial desires through ethnicity filters to valorize their own sexual capital, evade discrimination or fetishization, and gain sexual opportunities. Consequently, removing the ethnicity filter makes it harder for racial minorities to connect. Even worse, it creates a culture of compulsory interracial intimacy, exposing minority users to more vulnerability and racial trauma. Moreover, the lack of discussion on whether to remove filters other than ethnicity reveals the negligence of intersecting oppressions on dating apps. Thus, this paper highlights the need to be more attentive to racial minorities' alternative uses of filters for self-empowerment, and to intersectional oppressions that should be tackled in designing inclusive dating apps. [ABSTRACT FROM AUTHOR]

The impact of social media use on youth subcultures, such as graffiti writers, has been rapid and dramatic, bringing with it a number of significant transformations that present both opportunities and challenges. This paper explores the impact of the Internet and social media on a community of graffiti practitioners. I argue that the rise and uptake of online social networking platforms such as Instagram and You Tube have offered a range of affordances to the practice of graffiti writing. These affordances include: greater accessibility to graffiti culture; learning opportunities; and opportunities for wider distribution and curation of graffiti pieces. Simultaneously, social media challenges the significance of 'community', that is, the physical social interaction afforded by participation in real world graffiti crews. The findings suggest that while there are tangible benefits from the use of the Internet and uptake of social media by the graffiti writing community, it is the physical communal bonds experienced within a graffiti crew that are vital to the wellbeing and continuity of the culture. This paper contributes to our understanding of how social media affects youth more broadly and specifically how social media platforms are transforming the experience of youth subcultural practice. [ABSTRACT FROM AUTHOR]

In recent years, LGBT issues have received substantial media attention and engendered heated public debate in Ghana. This paper analyzes the prejudiced construction of LGBT issues in the Ghanaian news media and how this contributes to a discriminatory discourse that demeans LGBT people and puts them at the periphery of Ghanaian society. The study employs a critical discourse analysis framework and a dataset of 385 articles, comprising news reports, op-ed pieces, and editorials. The analysis reveals that news content on LGBT issues is biased and inflammatory, and it frames LGBT people as expendables and undesirables. This is realized by exploiting three discourses, or forms of othering, that culminate into the (re)production and naturalization of moral panic: a discourse of amorality/immorality and societal destruction, a discourse of alienization, and a discourse of medicalization or pathologization. The paper concludes with a call for a more balanced and ethically/socially responsible news reporting, especially since LGBT issues in Ghana hold implications for national cohesion and security. [ABSTRACT FROM AUTHOR]

Though politics and promotion have never been completely separate, the convergence between the two spheres is increasingly prominent in today's digital culture. To broaden our understanding of such promotional politics in social media, this paper examines commercial collaborations between four Swedish influencers and two private companies that offer services enabled by specific neoliberal reforms during recent decades, and how they strive to present these services in a way that attracts an affluent but socially conscious middle-class. It argues that the political potential of influencers might not always be as spokespersons for a cause or party, but rather as 'ideological intermediaries' who promote a lifestyle to be inspired by, and aspire to. The analysis identifies the discourses that influencers draw on to achieve the promotional and ideological outcomes of commercial collaborations, as well as the authenticity labour that they perform in the texts. Further, the paper analyses how notions of authenticity also impact audiences' interpretation and politicization of the collaborations, in the comment sections to the sponsored blogposts. [ABSTRACT FROM AUTHOR]

This paper analyzes the role of print media in framing incidences of sexual harassment in public transport; particularly in the context of Bangladesh, where gender-based violence is highly prevalent in the public sphere. This article uses Douglas' cultural theory to reflect on media practices and its institutional power to reframe the social problem through risk and blame attribution. We conducted a discourse analysis of 71 news articles extracted from four of the widely circulated and influential newspapers of Bangladesh. Our findings reveal that the hegemonic discourse of gender-based violence in public transport is systemic and/or primarily reliant on legal recourse. By contrast, discourses presenting sexual harassment as symptomatic of broader gender inequality is less frequent. Moreover, these media platforms belong to an assemblage of patriarchal social-power holders that collaborate with established law and order to facilitate a blame game, thereby relieving the same stakeholders of ownership and accountability. Given the power of news media in constructing meta-narratives of safety (and nudging policymakers), journalists must tread responsibly on issues of blame, women's safety, and their rights to the city. [ABSTRACT FROM AUTHOR]

Bridging the theory of affective labor and reproductive labor, this paper proposes "affective reproduction" as a critical framework to analyze the unpaid work of volunteer content moderation. Findings from this study problematize the one-sided focus on streamers in the extant literature on platform labor vis-à-vis live-streaming. It contends that fan moderators help streamers reproduce the live-streaming atmosphere as friendly, pleasant, and relevant, facilitating Internet celebrities' money-making. This study contributes to studies of digital labor in two ways: 1) it expands the labor and work perspective to the study of content moderation and discloses the indirect value-generating nature of this work; 2) the designation of moderator in Chinese live-streaming platforms reveals a new form of work organization that exploits digital intimacy, transforming platform users into non-professional, secondary cultural workers. The proposed framework is applicable to various forms of participatory media, in which users are encouraged to manage and regulate their peers. [ABSTRACT FROM AUTHOR]

TV dramas that focus on food and eating reflect the popular trend of single culture, with a rising number of single-person households among the younger generation in South Korea. Analyzing Let's Eat (tvN), the South Korean food drama series that specifically focus on eating scenes, this paper uses the framework of survivalism and the popular discourse of healing to examine how eating alone as a social and cultural phenomenon represents the psychological turn in neoliberalism. In its three seasons, Let's Eat reflects how eating alone becomes a practice of endurance and resilience that encourages the younger generation to stay positive, even during an enervated state of mind, to bounce back, and to ultimately spring forward. I argue that Let's Eat reflects how survivalism especially requires the marginalized population of women in precarious employment to reflect and grow confidence without considering the problems of structural inequality. Let's Eat shows the younger generation's struggle and lack of societal support, perpetuating neoliberalism's focus on individual effort and blaming individuals for their enervation. [ABSTRACT FROM AUTHOR]

This paper aims to contribute to the ongoing discussions on authoritarian populism and the media, from the lens of the political economy of ownership. In contrast to studies that consider the link between media and authoritarian populism by focusing on the discursive structures of populist communication, this study analyses changes in the structure of news media ownership in four European countries that have been subject to authoritarian populism. By employing social network analysis, a methodology rarely used in media ownership research, we reveal how news media ownership concentration as well as changes in ownership structures have provided favorable conditions for the rise and endurance of authoritarian populism. Our study covers ownership developments during the period 2000 to 2020, in Austria, Hungary, Slovenia, and Turkey where authoritarian populist tendencies have been evident, albeit to varying degrees. Conclusions are drawn to illustrate how authoritarian populist actors in the sample countries not only capitalize on prevailing news media ownership structures, but also proactively intervene in ownership relations in order to increase influence over the diffusion of information. [ABSTRACT FROM AUTHOR]

Social media platforms evolved into significant arenas for comprehending crises, hardships, violence, and murder. This paper contributes to the discourse within the intersection of social media and crime by delving into the narratives through which people pour meaning online into tragedies with personal significance. When people experience life-changing events, some go through a process of "sense-making" to fully understand the events and their implications, and reach closure. Processes of "sense-making" become increasingly public and collaborative through stories people tell on social media. Still, a dearth of literature exists that systematically examines these stories as conduits for infusing meaning into tragedies. This article bridges this gap by analyzing the narratives emanating from Facebook groups commemorating Tair Rada and advocating for justice for Roman Zadorov, who was convicted with her murder. These narratives not only challenge Zadorov's culpability but also recount the sequence of events leading to the tragedy. Furthermore, they delve into the identity and motivations of the perpetrator(s), resuscitating neglected lines of police investigation and occasionally introducing alternative narratives. To establish their narratives' credibility, authors employ a range of strategies such as integrating source materials, employing categorical language, and cultivating an atmosphere of personal witnessing or knowledge acquisition. [ABSTRACT FROM AUTHOR]

As Brexit negotiations continue to draw criticism nearly two years on from the UK's withdrawal from the European Union, many media outlets have concentrated on making sense of what has been dubbed the 'Brexit circus'. In particular, significant media attention has been directed towards obstacles to Brexit's progression, such as the issue of the border between Ireland and Northern Ireland and the 'backstop' arrangement. Through an examination of different media efforts to explain the border issue, this paper will discuss how conventional reporting methods have been unable to make this issue comprehensible to the individual. This paper will suggest that a hypertextual aesthetic form would provide a more effective means of making sense of the complexity of the border issue and its relationship to global political and economic structures. However, an understanding of the border issue also requires an understanding of the affective reality of life in this region and the history upon which this reality is founded. In this manner, this paper also argues that representational regimes capable of conveying affective realities could contribute important experiential dimensions to efforts to render dominant political and economic structures both cognisable and contestable. [ABSTRACT FROM AUTHOR]