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152. Writers and despots: Gichingiri Ndigirigi's collection of critical essays on African dictators
153. The Yeoman and the city
154. Ulysses, the poetics of tragedy, and a new mimesis
155. Henry James's apocalyptic prophecy: British Empire, biblical revelation, and 'The Beast in the Jungle'
156. Social corrections: Hoccleve's La Male Regle and textual identity
157. Consuming beauty: aesthetic experience in Katherine Mansfield's 'The Garden Party'
158. Land questions
159. Responding to 'our fall': women novelists and the Civil War
160. Transparent lies and the rearticulation of agency in Our Mutual Friend
161. A. Mary F. Robinson's The New Arcadia: aestheticism and the fin-de siecle social problem poem
162. Sermons out of rags: constitutionalism, conspiracy theory, and 'reading' The Scarlet Letter in Hawthorne's 'Custom-House'
163. Representing history and printing the book of magic
164. 'Out of it': Conrad's fantasy world
165. Angels of the slum: women and slumming in Margaret Harkness's In Darkest London
166. Beauty and truth: the Shakespearean proto-text for Keats's 'Grecian Urn'
167. New paradigms in francophone literature and redefining francophone women writers
168. Sparkling mourning
169. Divided narratives, unreliable narrators, and The Sense of an Ending: Julian Barnes, Frank Kermode, and Ford Madox Ford
170. 'I could make some money': cars and currency in The Great Gatsby
171. The Punch Line for Nineteenth-Century Women.
172. "work might be Electric Rest": Rereading Dickinson's Dao through Emerson.
173. Cinéma Trouvé: The City as a Moving Image.
174. Thomas Hardy's Far from the Madding Crowd.
175. The Mixed Chinese Images as the Oriental Other and the Occidental Savior in John Steinbeck's Novels.
176. The "Madness" of What Wasn't Known Then: Reading Orphan of Asia through the Lens of Memory.
177. From "Purified with Fire" to "That Impression of Permanence": Holgrave's Conversion in The House of the Seven Gables.
178. Close Reading an Archival Object: Reflections on a Postcard from Salvador Dalí to Stefan Zweig, Circa 1938.
179. Hidden in Plain View: Family, the Western, and the Syntax of Genre in A History of Violence.
180. Railed in by a Maddening Reason: A Reconsideration of Septimus Smith and His Role in Virginia Woolf's Mrs. Dalloway.
181. Refiguring Clarissa in Godwin’s Caleb Williams.
182. An Italian in English: The Translingual Case of Francesca Marciano.
183. "Too Much Yeats": Alice McDermott's Charming Billy and an Irish Poet's American Legacy.
184. "On the Extreme Brink" with Charlotte Brontë: Revisiting Jane Eyre's Erotics of Power.
185. Rhetorical Bodies in Nahum Tate's King Lear and Ingratitude of a Common-Wealth.
186. Guardians of Order and Declarations of Independence: Roth's The Ghost Writer, Hawthorne's "My Kinsman, Major Molineux," and the Diary of Anne Frank.
187. Natural and Nurtured Affinities: The Importance of Goethe' s Friendship with Schiller to the Development of His Science.
188. Henry James's Apocalyptic Prophecy: British Empire, Biblical Revelation, and "The Beast in the Jungle".
189. Who Reads Literature?
190. The Queer Art of Self-Actualization.
191. The Politics and Promises of Early African American Print Cultures.
192. Contemporary Black Atlantic Variations on the Slave Narrative.
193. The Significance of Aesthetic Voids in Cinema.
194. The City Symphony Film and Urban Modernism: Stasis in the Cities of the 1920s and 1930s.
195. Avant-Doc 2 Challenges Cinema Studies to Be Useful (Again).
196. Must We Burn Tolkien?
197. Joan of Arc, Remembered.
198. Invasion of the Copyright Trolls.
199. James Fenimore Cooper: The Maiden and the Veil in The Last of the Mohicans.
200. At Home in the Body: Cosmopolitanism in Naipaul's "One out of Many".
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