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Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Religião e Sociedade is the property of Instituto de Estudos da Religiao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CPC is the property of Revista CPC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CPC is the property of Revista CPC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Museologia e Patrimônio is the property of Museologia e Patrimonio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The city of Santos, SP, Brazil, has 434 thousand inhabitants, of whom 10% live in substandard housing conditions, such as slums, stilt houses, and tenements. Since the 19th century, tenements have been a problem in the city. Despite the establishment of social housing policies during the 20th century, from the Retirement and Pensions Institute to the Minha Casa, Minha Vida program (a Brazilian social housing program for low-income families), it is still a major issue. Starting in 2003, the City Hall has created projects for restoring the downtown historical heritage. The project Alegra Centro (an initiative to revitalize and develop the historical area in Santos, SP) generated conflicts, as many historical buildings in the protected areas had been occupied as tenements for many decades. What are the possibilities for heritage preservation projects in conjunction with an efficient social housing policy?. [ABSTRACT FROM AUTHOR]

Copyright of Pixo: Revista de Arquitetura Cidade e Contemporaneidade is the property of Pixo Revista de Arquitetura Cidade e Contemporaneidade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pixo: Revista de Arquitetura Cidade e Contemporaneidade is the property of Pixo Revista de Arquitetura Cidade e Contemporaneidade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CPC is the property of Revista CPC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pixo: Revista de Arquitetura Cidade e Contemporaneidade is the property of Pixo Revista de Arquitetura Cidade e Contemporaneidade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Linhas is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Following the proclamation of the Monarchy, in Porto, monarchists from Lisbon also carried out an attempt to reinstate the Monarchy in the capital city and in the rest of the country, on January 22, 1919. It became known as the “Revolta de Monsanto”. The assault on the monarchist positions by Republican forces dictated the failure of the revolt and, indirectly, caused the failure of the proclamation of the Monarchy in the north. The research presented here aimed to reveal, through a quantitative and qualitative approach, the structure of the iconographic discourse that the Portuguese Illustration built about this historical episode. It was assumed as hypothesis that the discourse of the Portuguese Illustration aligned with the republican power, since the publication coated the republican triumph with a dose of epicness and valued the "brave" and "martyrs" of the Republic. [ABSTRACT FROM AUTHOR]

From an exhibitions of descriptive narratives of the Tupinambá People social organization in Brazil and from anthropological interpretations, this scientific work takes a critical approach to the presentation of gender relations in the word-village, identifying characteristics of the power coloniality, knowledge and gender that broke the indigenous community web and hid their autonomy. Brings up the creation of gender and race categories as legitimate exercise of power, understanding that the modernity optics remains nowadays through one bourgeois republic matrix. Identifies a reproduction of a modern discourse by the Democratic State, despite the recognition of the indigenous as subjects of the law, proposing one new interpretation of the present problem. Presents the return of autonomy based on pluralism, seeking the recognition of diversity as individuality and collectivity and, as a rupture, intends to fight for the existence of a State that restores its own jurisdiction and the internal community forum, which guarantees the deliberation of the peoples and allow the people themselves to build their historic project. The operationalization of the search is made with a sociological-juridical method, as well as by the analysis of secondary quantitative data and the bibliographic review for the theoretical basis decolonial. [ABSTRACT FROM AUTHOR]

Copyright of Geopolitica(s): Revista de Estudios Sobre Espacio y Poder is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Diversitas Journal is the property of Diversitas Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of PARC Pesquisa em Arquitetura e Construção is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Arqueologia is the property of Revista de Arqueologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This research aimed to analyze how social relations are reproduced in public spaces in the cities of Cuiabá and Vila Bela da Santíssima Trindade during the colonial period. Using the discussions proposed by HENRI LEFEBVRE (1992) on the recognition of urban space as a social product, the approach of this work is based on the perception that the colonial period was responsible for forging in Mato Grosso a society derived from the historical conditions built by the colonization process Portuguese, whose main objective was to ensure the possession of the land and promote the exploitation of the mineral wealth existing in this territory based on the population established there. We also seek to work with the discussions proposed by CERTEAU (2014) whose importance is present in the approach that it carries out on daily life, pointing out that space is a practiced place. We also use the framework supported by SOBARSO (2006) in which the space is perceived as one that carries values of its sociais formation. Thus, we understand that the reproduction of social relationships occurs in the daily exchanges and in the coexistence between the different categories of people who lived and circulated in the colonial territory. [ABSTRACT FROM AUTHOR]

This article investigates how Latin American theology sees the historical Jesus and builds his theology from it, as well as observing the implications for society. To do this, it is necessary to understand what this Historical Jesus is. The Historical Jesus is understood as the result of scientific interdisciplinary research, which is characteristic of the third phase of the research on Jesus, the third quest. Thus, it is noted that Latin American theology welcomes the results of this research on Jesus and from this builds his theology, having an important task, discussing faith and history. In this way, Latin American theologians will understand that the Historical Jesus is the basis of faith, so the starting point for a Latin American Christology must be the historical Jesus. Thus, since the historical observation of Jesus, Jesus is understood during a context of oppression and injustice, which applies his message to these contexts. Considering that the message and life of Jesus is imbued with various social, economic, political, and ideological aspects, the theology presented in Latin America must also be involved in a fight against oppression and social injustice, since the political and social context of Latin America is imbued with various types of oppression, exploitation, and injustice. [ABSTRACT FROM AUTHOR]

Copyright of Pixo: Revista de Arquitetura Cidade e Contemporaneidade is the property of Pixo Revista de Arquitetura Cidade e Contemporaneidade and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Muiraquitã: Revista de Letras e Humanidades is the property of Muiraquita and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Trabalhos em Lingüística Aplicada is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of O Ideário Patrimonial is the property of Centro Transdisciplinar das Arqueologias do Instituto Politecnico de Tomar and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Portuguesa de Filosofia is the property of Revista Portuguesa de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Patrimônio e Memória is the property of Centro de Documentacao e Apoio a Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Intervention in ancient buildings with historical and architectural value requires traditional techniques, such as the use of lime mortars for internal and external wall renderings. In order to ensure the desired performance, these rendering mortars must be rigorously specified and quality controls have to be performed during application. The choice of mortar composition should take account of factors such as compatibility with the substrate, mechanical requirements and water behaviour. The construction schedule, which used to be considered a second order variable, nowadays plays a decisive role in the selection of the rendering technique, given its effects upon costs. How should lime-based mortars be specified? How much time is required for the application and curing of a lime-based render? This paper reflects upon the feasibility of using traditional lime mortars in three-layer renders inside churches and monasteries under adverse hygrothermal conditions and when time is critical. A case study is presented in which internal lime mortar renderings were applied in a church in Northern Portugal, where the very high relative humidity meant that several months were necessary before the drying process was complete.

The artillery of the Portuguese galleon, Santissimo Sacramento, has played an important part in the study of early modern gunfounding, in particular through the researches of John Guilmartin who has revisited this collection of cannons, updating the interpretation in the light of new discoveries. However this work has concentrated on the ballistics and technological aspects of the guns rather than in their historic importance. In the course of research into Elizabethan gun supply, the author located a number of records which throw light on the six of the cannons from the vessel. The Santissimo Sacramento was a 60-gun galleon, the flagship of the Company of Brazil, who sank during a storm near Bahia in May 1668 coming from Portugal to Brazil. The wreck was discovered in the 1970s and then investigated by an archaeological team under the auspices of the Brazilian Navy.

The present work is an invitation to the reader interested in knowing a little more about the history of the small island on which, during the sixteenth century, Nicolas Durand de Villegagnon adventured to establish a French colony. Situated in a strategic location, at the entrance to Guanabara Bay, various transformations have taken place during the four hundred and fifty years of occupation since Fort Coligny was established, from the arrival of Villegagnon, in 1555, to the construction of the present-day installations at the Naval School.

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Thesis Juris is the property of Revista Thesis Juris and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Considerando a relevância do desenvolvimento de estudos que visam a compreender as condições ambientais favoráveis à formação do bolor, este artigo apresenta uma análise do desempenho da superfície interior de uma parede voltada ao exterior em uma edificação histórica na cidade de Pelotas, RS. A superfície selecionada apresentava formação de bolor, confirmada por uma análise microbiológica. Com o objetivo de compreender as condições ambientais que favoreceram a formação do bolor na superfície naquele ambiente, foram aplicados dois métodos de análise das condições higrotérmicas da superfície: o primeiro considera o regime de transferência de calor estacionário; e o segundo, por simulação computacional, considera o regime de transferência de calor transiente. Os resultados obtidos confirmaram a possibilidade da formação de bolor, levando em conta, principalmente, os aspectos de umidade próxima à superfície da parede e temperatura superficial interna. Para o desenvolvimento desta análise foram consideradas as observações das normas brasileiras NBR 15220: desempenho térmico de edificações: parte 2 (ABNT, 2005), da NBR 15575: edificações habitacionais de até cinco pavimentos (ABNT, 2008b) e da norma alemã DIN 4108-3: isolamento térmico e economia de energia em edifícios (2001).