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The article analyzes the interpretations of the mobilizations and shaping of Catholic crowds in Argentina during the first half of the twentieth century. First, the text identifies the performative effects of the "classical paradigm" of secularization. Secondly, the article proposes relocating the contributions of the political approach, conceived in the context of the 1980s, in a broader explanatory framework, open to recent contributions of social and cultural history. To this end, the paper proposes a model based on the concept of crowd with the aim of discussing different dimensions of the phenomenon, highlighting its multifaceted nature. [ABSTRACT FROM AUTHOR]

We analyze in this paper the use of photography in the Catholic historiography of La Pampa in general, and we particularly focus on the production of a group of priests who, from the 1920s onwards, have built the 'official history' of the Catholic Church in the region. The works by Roberto Tavella (1924), Lorenzo Massa (1967), Cayetano Bruno (1983), and Roberto Tavella and Celso Valla (1974) belong in that construction, in which the photographs tend to empirically support what the written text strives to state: that the Church was a central component in the civilizing process of La Pampa. [ABSTRACT FROM AUTHOR]