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Copyright of Íkala: Revista de Lenguaje y Cultura is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mediterranean Journal of Communication / Revista Mediterránea de Comunicación is the property of Revista Mediterranea de Comunicacion / Mediterranean Journal of Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Fonseca: Journal of Communication is the property of Revista Fonseca Journal of Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Modern photojournalism is built around the "myth of the war correspondent", a construction that hinders the visibilization of women. This article retrieves the name of four Basque female photojournalists, the only women in local news in a period that was marked by the terrorist organization 'ETA'. Through several in-depth interviews, the article approaches the conditions of production of their work, which was determined by the Basque conflict, the changes in the graphic codes of visual journalism, and their own experience as women. [ABSTRACT FROM AUTHOR]

Copyright of Questiones Publicitarias is the property of Universitat Autonoma de Barcelona and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia y Comunicación Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Retos: Nuevas Perspectivas de Educación Física, Deporte y Recreación is the property of Federacion Espanola de Asociaciones de Docentes de Educacion Fisica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A recent strategy known as "femvertising" appears to seek to end the sexism that has always accompanied much of advertising. It not only proposes overcoming sexist paradigms, but also incorporates elements of female empowerment. However, it is not exempt from risks, given its ambivalent nature and the gender interests it invokes. This paper reflects on the theoretical aspects of "femvertising" and employs a case study as a way to approach this type of advertising, on which there is hardly any literature. The conclusions suggest that this is a complex phenomenon that requires deeper analysis in order to diagnose its commitment to equality. [ABSTRACT FROM AUTHOR]

Techniques of discourse analysis in the media have undergone a great evolution thanks to the 'framing' theory, but over time it has been perceived that the researchers' studies could include high levels of subjectivity. To solve this problem, more objective methodologies have been developed, adapting statistical techniques to the examination of the main frames; cluster analysis being one of the most significant elements within these processes. More recent methods, such as text mining, propose the analysis to be entirely done through computer algorithms with morphological knowledge of different languages. This article approaches the state of the art of these methodologies, their most outstanding tools and the computer softwares that help in the statistical analysis of framing, with the aim of systematizing the options that are currently available for communication research. [ABSTRACT FROM AUTHOR]

This paper analyzes the influence of "Lifestyle Press" (women/men) in the construction of youth identity. The main objectives are to know the media consumption of these magazines among girls and boys, as well as perceptions about the influence in their lives. In addition, the manuscript focuses on the conceptualization of the women/men magazines to review the categories that support it. The method is based on a classical instrument of reception studies, an online questionnaire. The representative sample involved 1,003 young people aged 18 to 25 living in Spain. The main conclusions are that young people say they do not consume these magazines and they are not affected by discourse in their life decisions, although they believe it affects others. The findings provide contributions to the epistemological issues and suggest some reasons that may explain the answers of boys and girls. [ABSTRACT FROM AUTHOR]

Despite the formal assumption of the principal of equality between men and women, social research is concerned with the existence of a regressive metadiscourse within cultural industries. It consists of a set of messages that instrumentalize feminist rhetoric to hide antifeminist positions through ambiguity and confusion. Academic texts still lack the theoretical impulse to unveil and conceptualize these notions, which challenge the emancipatory ethics of feminism and also women's freedom. This paper intends to contribute to the elaboration of an epistemological framework to be applied in further research, offering examples through the analysis of television series such as Sex and the City, Desperate Housewives, Mad Men, or Girls. [ABSTRACT FROM AUTHOR]

Sociology has been interested in the Reality Show genre since its inception, due to its alleged construction of a televised sociological experiment. The social sciences have placed their focus on dimensions of the phenomenon such as the collective experience of participants and viewers; its influence on lifestyle, perception and consumption; its challenges to the boundaries between the private and the public; and the legitimacy of television to display intimacy. The concept of truth acquires vital importance within a genre that must be defined as hyperreal in the sense given to the term by Baudrillard, since reality is replaced by image, substituted by its symbolic representation. However, the liturgy of humiliation that has started to appear in the most recent programs in this vein is very real, with a growing degree of sensationalism, symbolic violence, and banality. [ABSTRACT FROM AUTHOR]

Copyright of Papers: Revista de Sociologia is the property of Universitat Autonoma de Barcelona and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociologias is the property of Universidade Federal do Rio Grande do Sul and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyzes the representation of gender violence in the local press in Spain, where one thousand women have been killed in the last fifteen years. The fieldwork allows us to conclude that, even though the printed press has played a key role in raising awareness of the general public and in situating the political debate, a serious improvement is necessary in a coverage that is still unsatisfactory. [ABSTRACT FROM AUTHOR]

Copyright of Revista Anagramas is the property of Editorial Universidad de Medellin and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Oceánide is the property of Spanish Society for the Study of Popular Culture (SELICUP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)