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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article "The Matrix of the Argentine Secondary School. Comparative Historical Analysis between the 19th and 20th Centuries" by Felicitas Acosta, published in Cuadernos de Educación, examines the secondary school in Argentina from a historical and comparative perspective. The author uses the Theory of World Culture and studies on the internationalization of schooling to analyze the configuration, expansion, and organization of the secondary school in the country. The notion of Institutional Model is highlighted as a tool to understand the processes of genesis and change in the secondary school. The article analyzes transnational historical trends and the processes of configuration of educational systems, and mentions the humanistic schools of the 15th century as a model of institution from which the secondary school originated. The transformations in the secondary school in the 20th century are also mentioned, and the origins of the Argentine secondary school are analyzed. The continuous expansion of the secondary school is highlighted, but also a high dropout rate. [Extracted from the article]

Why is animation such a central aesthetic in today's epistemic environment and when did viewers begin to accept animation's veracity, despite looking nothing like photorealism or anything one would witness directly? This article explores the techno-cultural reasons for the rise of animated non-fiction in the last 15 years. The article covers animated non-fiction's relation to image production technologies and image manipulation; documentary and surveillance culture; the information age and big data; machine vision, machine perception and AI; and finally, the virtualization of culture. [ABSTRACT FROM AUTHOR]

Copyright of ANIAV: Revista de Investigación en Artes Visuales is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Through access to the Gabriel García Márquez correspondence between 1961 and 1971, it is now possible an understanding of what the author named the destiny of his "epistolary literature": that of the demythologization of his work and his lifetime. Far from being dissappointing, the end result is an adjacent version of myths and stories told over the decades, a version in the double genre of testimony and nonfiction. Three myths are intended to be dispelled: that of the pauperized writer, One Hundred Years of Solitude as a spontaneous generation work and the self-proclaimed anti-intelectualism of the author. [ABSTRACT FROM AUTHOR]

Copyright of Recial is the property of Universidad Nacional de Cordoba, Centro de Investigaciones, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The working hypothesis of this article maintains that immersive productions developed in recent years, based on immersive technologies (360 videos and VR) exhibit a certain degree of consolidation in their productive practices, formalizing their own language and narrative grammar. Interactively specific. To meet this objective, we analyze, from a qualitative approach, a set of nonfiction works, designed to be experienced and explored through VR viewers. The results show that spatiality stands as the specificity of the medium, while highlighting the maturation of the use of immersive languages for the production of contemporary works. [ABSTRACT FROM AUTHOR]

Copyright of RED - Revista de Educación a Distancia is the property of Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of BRAC: Barcelona, Research, Art, Creation is the property of BRAC: Barcelona, Research, Art, Creation and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Colombiana de Educación is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article "Drugs, Violence, and Protection in Mexico: Historical Nexus and Nothing Natural" analyzes the history of drug trafficking in Mexico from the Mexican Revolution to the present day. The author seeks to restore the history of drug trafficking from perspectives ignored by official history and collective memory. The book explores topics such as consumption, legislation, violence, and social effects related to the illicit drug market. It also challenges the traditional narrative by highlighting stories of characters like Leopoldo Salazar Viniegra and Ignacia Jasso La Nacha. The article mentions the involvement of the Federal Security Directorate and the Federal Judicial Police in the protection networks of drug trafficking, as well as US interventionism in the drug market in Mexico. [Extracted from the article]

In 1924 a revolutionary uprising took place in Vera de Bidasoa and its outskirsts, in the hands of a group of Spanish anarchists and refugees who crossed the French border. The second part of Pío Baroja's La familia de Errotacho (1932) narrates these events in a non fiction novel avant la lettre. A close reading of some formal aspects of the text and a comparison between the story and historical facts triggers a reflection on the problematic nature of this hybrid genre, the author's personal and ideological motivations and the reception of the novel in the context of the Spanish Republic. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objective: This article analyzes the book I Heard You Paint Houses, translated into Spanish as El irishman. Hoffa, case closed. The book reconstructs various events in the recent history of organized crime and politics in the United States and presents a new version of the death of union leader Jimmy Hoffa. Methodology: is an analysis and interpretation of a non-fiction work that is systematically contrasted with other similar works. The text locates the historical background of Francis Sheeran's biography on Hoffa, presents some of the most relevant facts of the development of the mafia in the United States between 1957-1990 and the debates generated by the book. It serves as a pretext to return to analyzes of the relationships between fiction and non-fiction in the social sciences. Results: The result of the analysis is that this book presents a plausible version of the facts due to the handling of the sources, the verification of the facts and because it has not yet been refuted with new evidence. [ABSTRACT FROM AUTHOR]

Taking into account the long-distance bonding of two Peruvian women activists with the discourses and collectives of the First International Feminine Congress of Buenos Aires, the article focuses on the advances and setbacks of their emancipatory projects. A counterpoint reading between Alvarado's novel Nuevas Cumbres and the papers she and Dora Mayer presented at the 1910 Buenos Aires congress, as well as other non-fiction texts, reveals the problems they faced in forging the interclass alliances needed for the development of feminism in their country. [ABSTRACT FROM AUTHOR]

Copyright of Dixit. Comunicación, Profesión, Conocimiento is the property of Universidad Catolica del Uruguay Damaso Antonio Larranaga and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Oceánide is the property of Spanish Society for the Study of Popular Culture (SELICUP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Texto Livre / Texto Livre: Linguagem e Tecnologia is the property of Revista Texto Livre: Linguagem e Tecnologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios sobre el Mensaje Periodistico is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of IC: Revista Científica de Información y Comunicación is the property of Universidad de Sevilla, Departamento de Periodismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tejuelo: Didáctica de Lengua y Literatura is the property of Tejuelo. Didactica de la Lengua y la Literatura. Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tejuelo: Didáctica de Lengua y Literatura is the property of Tejuelo. Didactica de la Lengua y la Literatura. Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mediaciones Sociales is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)