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Copyright of Kirchliche Zeitgeschichte: Internationale Zeitschrift für Theologie und Geschichtswissenschaft is the property of Vandenhoeck & Ruprecht GmbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Opium was a major cash-crop in nineteenth-century India. Over a million peasants cultivated poppy for the British-Indian government, which held a monopoly over the production of the drug and could thus keep the prices paid to the cultivators at an extremely low level. The major question this paper seeks to answer is why so many peasants cultivated this laborious crop despite a clear lack of financial incentives. This problem is tackled by applying two approaches from development economics, i. e. interlinked transactions and Kaushi Basu’s triadic relations model. [ABSTRACT FROM AUTHOR]

The German indophilia between 1790 and 1820 is an impressive example for the contemporary project of an encompassing and relational historiography of mankind. India became an important reference point within the process of German cultural self-assurance and positioning. Here, especially pictures, drawings and poetic forms of expression played a crucial role and they clarify a pictorial style of early German ethnography itself. This article's detailed analysis of ethnographic pictures of India illuminates a figurative and relational entanglement between Indian and European contexts. The visual practices of cutting, pasting and transferring shed light on colonial structures, political exchange and identity politics. Within these tense figurations the ethnographic picture composes a particular knowledge, which centrally relies on visualized categories that have to be ‚typical‘, ‚ideal‘, and ‚characteristic‘. Hence, early ethnography has to be understood as both a text-picturegenre and a research activity. [ABSTRACT FROM AUTHOR]

The article discusses the usefulness of the concept of cultural translation by analyzing the cross-cultural exchanges and communication of two missionaries, the German Benjamin Schultze and the Tamil Daniel Pullei, in 18th-century Tranquebar, India. After providing a brief overview of Christian missionary work in India since the 16th century, it describes Schultze's and Pullei's activities as dubashi, or translators and interpreters. It particularly emphasizes how the position of translator between cultures equipped both with agency and a certain degree of power.