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Copyright of Trans/Form/Ação is the property of Trans/Form/Acao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista del Centro de Investigación Flamenco Telethusa is the property of Centro de Investigacion Flamenco Telethusa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Sociología is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mediterranean Journal of Communication / Revista Mediterránea de Comunicación is the property of Revista Mediterranea de Comunicacion / Mediterranean Journal of Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In recent years, a trend has been observed in advertising where brands position themselves on the internet without fully complying with the regulatory framework in Mexico. As a case study, the use of front-of-package labeling in influencer content in the digital campaign #ParaVariar by Sidral Mundet was examined. Through iconographic-semiotic analysis, the content produced by five influencers was reviewed to identify how front labeling is displayed and what its function is within the advertising narrative. The results show that these contents tend to hide the front-of-package labeling and do not explicitly indicate that it is a paid collaboration. [ABSTRACT FROM AUTHOR]

This article discusses a study on the factors influencing the competitiveness of the cultural industry in Anhui Province, China. The study uses Porter's Diamond Model and examines the mediating effect of government support. The findings show that factors such as demand conditions, related and supporting industries, and firm strategy and rivalry have a significant relationship with culture industries. However, factors like factor conditions and chances do not have a significant relationship. The study suggests that government support plays a crucial role in promoting the development of culture industries in Anhui Province. The government should focus on reform and innovation, provide support for various funds, invest in the growth of the cultural industry, develop talent, and encourage foreign trade to enhance competitiveness. [Extracted from the article]

This article presents an empirical study on the cultural industry competitiveness in Anhui province, China, based on the Diamond Model. The study analyzes the current situation and identifies influencing factors for cultural industry competitiveness in Anhui province. The results highlight the overall competitiveness factor and industry operation factor as driving factors, and suggestions are provided to improve cultural industry competitiveness. The study contributes to the formulation of differentiated policies and the coordinated development of cultural industry competitiveness in different regions of Anhui province. [Extracted from the article]

In recent years, the creative industry has become important for the world economy; due to this, various countries have begun to analyze, distinguish and direct public policies to strengthen the cultural and creative industries; as well as, provide them with legal support and legal protection from Intellectual Property. In view of this, the article presents the concepts of culture, cultural industry, creative industry, public policies, and cultural public policies; likewise, a comparison is made between the treatment of the cultural and creative industries at the level of public policies and legal accompaniment/protection at the level of intellectual property in Peru and countries that are inside and outside the South American region. It is noted that the creative and cultural industries in Peru are treated jointly and have a greater incidence in the cultural industries; which determines that it is relegated in relation to the advances in the strengthening and promotion of the creative industries around the world. Consequently, the implementation of an exclusive public policy for the creative industries that include intellectual property as an important pillar of its strengthening and promotion is suggested. [ABSTRACT FROM AUTHOR]

What does the approval in the entrance exam and entering courses at public universities mean for women? For some of these young women, it may mean escaping an oppressive family environment towards an academic space that still offers places to exercise critical thinking about class and gender inequalities linked to capitalism with slave roots. The objective of this article is to present the invention of a group device in psychoanalysis entitled "Roda de Conversa sobre Sonhos" (Conversation Cicle about Dreams) and to analyze two dream narratives and the group associative processes shared in two meetings that occurred in 2021. To this end, we discuss the theoretical matrices that supported the creation of the proposal and the three ways of treating dream material: singular, interpsychic accompanied by criticism of culture and prospective. The data produced was analyzed concerning the critical reading of feminist philosophers and psychoanalysts on patriarchy. On the one hand, it was possible to consider that the cultural industry affects dreams, shaping people's attitudes based on sexism and the expectation of salvation through romantic love. On the other hand, the associative chains indicated criticism of the social constraints that hinder female freedom. [ABSTRACT FROM AUTHOR]

Copyright of Revista del Centro de Investigación Flamenco Telethusa is the property of Centro de Investigacion Flamenco Telethusa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper is part of a broader sociological investigation and on this research what is intended is to studies the narration of television advertising; which is produced to persuade the poor informal and impoverished working classes to consume through informal credit in Costa Rica. Particularly, this academic-scientific paper analyzes advertising, which is conceived as cultural artifacts produced by the advertising industry, then these were the object of a critical political analysis of the image. One of the most important conclusions that the study yielded was the understanding that advertising, as a powerful social fact, operates in a cultural-symbolic key and as an ideological suture in the face of a social, economic and culturally unequal daily life. In addition to advertising as an artifact, a cultural instrumentalized certain mythical elements of the Costa Rican idiosyncrasy to reproduce the capitalist cultural system and also reproduce and update certain parts of the country's nationalist myth. [ABSTRACT FROM AUTHOR]

Copyright of Comunicação, Mídia e Consumo is the property of Escola Superior de Propaganda e Marketing and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista HISTEDBR on-line is the property of Universidade Estadual de Campinas - Portal de Periodicos Eletronicos Cientificos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This research aims to determine the variables that influence the choice of attending live music events. For this purpose, the Cultural Consumption Survey (ECC), developed in Colombia by the National Administrative Department of Statistics (DANE), is used to find a descriptive profile of the attending individual and develop an econometric probit model that explains the influence that the different variables have on attendance probability. The results do not differ from other studies in that there is a high probability that young and single individuals attend this type of event. However, it is highlighted that all levels of education are positive and significant, people attend in all regions of the country, they engage in all activities, and there is participation from minority ethnic sectors. [ABSTRACT FROM AUTHOR]

The entry of the 21st century has transformed the world of sport in tune with the socioeconomic dynamics resulting from neoliberalism. This article proposes, on the one hand, a discussion about the validity of sport as a cultural industry in terms of its roots and social impact, as well as its ability to spread values. And, on the other hand, it shows a specific case study, that of City Football Group, the main sports conglomerate worldwide, with eleven clubs on four continents. This conglomerate crosses the borders of football to reach large companies outside the sports sector, including the media. [ABSTRACT FROM AUTHOR]

In whose hands do we trust to determine what quality cinema is? Based on this premise, the jury committee of the San Sebastian Film Festival is analyzed, as responsible for determining which the best productions are. The methodology used is the analysis of the content of its website and a sample of 24 people in the 2021 edition. The conclusions will show that there are more women than men, with higher university studies, active in film production and with little experience as jurors. The analysis leaves the door open for debate on the composition of these committees. [ABSTRACT FROM AUTHOR]

Several opinion studies warn that, among the Chilean public, there is a growing belief that the news media are subservient to outside powers. Therefore, for those people, the press would not correctly represent reality or the people's interests. However, recent studies show that editorial homogeneity is not as frequent as some may believe and that journalists do not feel pressured in their work. To explain this gap between citizens' distrust of media and the reality of their editorial production, we proposed a model based on the concepts of framing, cultural industry, and ideological apparatus. We conclude that there is a media distrust frame in popular culture, which is challenging to deactivate because, like any frame, it's embedded in our brains. [ABSTRACT FROM AUTHOR]

This essay scrutinizes the interpretation made by the Brazilian extreme right about George Orwell’s 1984 book. We argue that it is inadequate to name such an interpretation as ‘conservative’. The current work of Bolsonaro’s intellectuals allows us to see how Western classic conservative thoughts are transformed and canonized in a reactionary way. Furthermore, the duel of dystopias wielded by far-right ideologues also gives us access to a cultural industry in which products are trying to captivate a potentially ultra conservative audience. [ABSTRACT FROM AUTHOR]

Copyright of Historia y Comunicación Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay sought to identify the existence of a link between the television series The Handmaid's Tale and social events in Brazil in recent years. This dystopia is an adaptation of the homonymous book by Margaret Atwood, originally published in 1985. For this reason, this study analyzed the structural and diegetic aspects employed in the construction process of the series, pointing out the use of techniques that allow for greater dialogue between the production and the spectator (Jost, 2012; Williams, 1979; 1992). In addition, the receptivity of the "media active" public was also analyzed (Jenkins, 2008), due to the interactions and sociability supported by social media, which allow for greater involvement between the series and your audience. As a result, observed The Handmaid's Tale as part of the current culture of television series, from its dialogue with social movements and its transformation into a symbol of struggle and resistance against the spread of far-right governments and conservative ideologies, which aim to delegitimize social progress. [ABSTRACT FROM AUTHOR]

Copyright of Administração: Ensino e Pesquisa is the property of Administracao: Ensino e Pesquisa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Podcasting is torn between enabling participatory cultures thanks to the personal and cultural expression of independent podcasters, or being an industry promoted by the journalistic media and the "platform" of the communication market. The case of the sociocultural context of Puerto Rico also faces this issue, and it is of interest to identify the stable and regular offer of native podcasts made by the independent podcasting sectors and the journalistic industry. Based on the theories of participatory culture and the political economy of cultural industries, this research provides the first in-depth exploratory analysis of the podcast offer related to Puerto Rico based on a corpus or a sample of 815 podcasts according to data from the Observatory of Podcast of Puerto Rico. The quantitative content analysis methodology is applied to characterize these podcasts according to 11 variables: title/name, creator/user or media group/operator, own production for the network or not, theme, genre or narrative format, year of the start of production, number of episodes, average duration of the episodes, frequency of publication, authorship/presentation and hosting platform. The results show that independent podcasters are available in the user of 743 native podcasts (723 are amateurs and 20 are from journalistic media). Independent podcasts make up a space for cultural self-expression against mainstream culture. However, journalistic brands linked to the press such as El Nuevo Día, El Vocero and Metro Puerto Rico promote the native podcast of news. Anchor concentrates accommodation and favors cultural intermediation. [ABSTRACT FROM AUTHOR]

The main purpose of this bibliography qualitive research is to analyze and compare, using the Frankfurt Critical Theory through the lenses of Theodor Adorno, two different music genres: Caipira music and Sertanejo music. The genres listed were analyzed based on the theory proposed by Adorno and Simpson about mainstream music relating to categories such as: standardization, pseudo-individualism, presentation of material and children's speech. The Objective was to demonstrate the potential effects of the Cultural Industry in each of these genres and highlight which one has a higher contribution factor on a person's upbringing. It's possible to conclude that, although both genres have a strong influence in this industry, Caipira music has a slightly bigger influence on a person's upbringing than Sertanejo music. [ABSTRACT FROM AUTHOR]

This study seeks to discuss the formation of narcissistic culture from two theoretical perspectives, Freud's psychoanalysis and the concept of Cultural Industry of Critical Theory by Horkheimer and Adorno ([1947] 2002). The approximation of these aspects is due to the historical-social context of the last decades marked by contemporary malaise (anguish, depression, anxiety, panic, etc.). It is understood that the constant fabrication of desires and fetishes contributes to the formation of a narcissistic culture. Thus, there is also the challenge of interpreting a society, more and more, related to the rearrangements of the subjectivities of individuals produced from the media. [ABSTRACT FROM AUTHOR]

The current article presents a section of an investigation dedicated to researching the construction of children's subjectivity within the prevailing capitalist social model. The considerations here are aimed at discussing the existing relations between the Cultural Industry and the process of child reification. The contemporaneity has produced a childhood that expresses a more and more fragmented child: sometimes self-assured, sometimes dependent; sometimes autonomous; sometimes tutored; sometimes an individual who exists here and now; sometimes a being to be prepared for the future. The research in question, of a qualitative nature, took as sources of analysis journalistic articles published by the print and digital media that present how the little ones have been inserted, in a frenetic way, in the logic of consumption. From the theoretical-methodological standpoint we take as reference the Frankfurt critical theory, in particular, the reflections of the first generation researchers of the Frankfurt school. The analysis of the material made it possible to identify how the presence of mechanisms created by the Cultural Industry has operated in favor of the universalization of subjects, contributing, from the point of view of childhood, to the annulment of singularities and to the reification of children. It was also possible to bring to light the ways in which the little ones look at reality beyond the debris it accumulates, indicating to us possible paths of resistance. [ABSTRACT FROM AUTHOR]

Copyright of Pensamiento, Palabra y Obra is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Saeculum - Revista de História (0104-8929) is the property of Saeculum - Revista de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The objective of this work is to detect the elements influencing the success of the South Korean cultural industry, known as "Hallyu", focusing on Korean soap operas, or "K-Dramas", which have experienced a considerable rise in the last 30 years. A recount of its origins, evolution and current moment was performed, using the documentary research method Three models highlight the characteristics of its success and may be used as a reference for Latin American cultural industries, once large producers of soap operas, which have decreased their presence in international markets in recent years. Some of the characteristics that are observed for the "Hallyu" to enjoy international popularity is the use of information technologies and the quality of their work, thereby reaching new regions with little cultural relationship with Korea. These successes are the product of cultural diffusion through the Korean government and the private industry, which have implemented joint strategies for their products to achieve international success, while improving the perception of Korea abroad. [ABSTRACT FROM AUTHOR]

In this essay some ideas are presented to analyze the incipient sportsmanship of video games and their entry into the sports arena, in relation to digital technology, to the body and to the production of a subjectivity in late modern society. Electronic sports or esports can be thought both as entertainment and body training, differently from other traditional sports. The organic body seems to have found its' great limitations, becoming more and more obsolete and outdated in the age of digital technology. Electronic sports, as practices and products of the cultural industry, are bound to social acceleration and must bet on the principles of faith in progress, updating, technologization, massiveness and spectacularization typical of the sports phenomenon. In this way, they seem to find their success and legitimacy in the new production of sensitivities that serve those of seduction and excitement of the senses, and that are determined to fight against boredom, upholding the individual's constant obligation to enjoyment. This short essay aims to establish some minimum theoretical coordinates, as well as possible empirical ways to explain how electronic sports work, which new elements they provide, and which are still mere reproduction of logics and senses previously investigated. [ABSTRACT FROM AUTHOR]

This is a socio-economic study on the state of cultural industries and entertainment in Spain during the confinement mandated by Covid-19. An analysis is carried out on what type of cultural offer has been consumed, as well as the way of doing it. To do this, a group of citizens were interviewed, using a questionnaire, where they were asked about the type of cultural products and services used as entertainment during confinement. Also, the channels managed were investigated, with special attention to streaming platforms and the most used digital tools. Finally, there is a global review. [ABSTRACT FROM AUTHOR]

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Copyright of Economía Creativa is the property of Centro de Diseno y Comunicacion, S.C. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Soletras is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Desarrollo Gerencial is the property of Universidad Simon Bolivar (USB) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this article is to explore the experience of some young men related to Hip Hop culture within a neoliberal context that restricts educational and employment opportunities. This context limits the construction of significant projects outside the market and consumption logics. Through a field research that includes in-depth interviews with five youngsters, as well as informal conversations, participant observation, analysis of the movement's cultural productions, and the involvement of one of the authors of this text as a member of the movement, we found a tension between resistance and criticism of the system and the necessary linkage to the cultural market in order to publicize their messages and practices. There are some way outs to this tension, which lead to an entrepreneurship that does not deny criticism and resistance. [ABSTRACT FROM AUTHOR]