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101. The CBC's ultimate challenge? To become a reality-TV power player; New series Canada's Ultimate Challenge turns the country into a giant obstacle course in hopes of garnering international acclaim

102. Documentary details fight for justice against sexual violence in India

103. Connie Britton offers another fascinating character study in Dear Edward; The actor continues to take on roles that impact women and help them better see themselves, and each other

104. Screechy football comedy 80 for Brady is an embarrassing fumble

105. Toronto producers are meeting the moment; Babe Nation's Katie Nolan and Lindsay Tapscott are soaking up buzz for Alice, Darling, their first film with a marquee star

107. For Andrea Constand, healing means moving forward with her trauma; New CBC documentary The Case Against Cosby centres on her story as the only Bill Cosby sexual-assault survivor to gain a conviction

108. Stars of Workin' Moms reflect on seven-season run; Reitman, her writers and cast have mined their personal lives to tell uncomfortable truths about working motherhood circa today

109. STORYTELLER OF THE YEAR: SARAH POLLEY

110. Fleishman is in Trouble writer examines whether we still need marriage

111. Louise Penny's Three Pines hits the screen; Based on the quintessentially Quebecois novels, the series centres Canadian talent and Indigenous storylines

112. Polley offers a new directorial vision with latest film Women Talking; The writer and director doesn't want to be 'the big, loud dictatorial man' on her sets - she wants to collaborate and make collective decisions

113. From Spielberg to Mendes, these films are steeped in directors' nostalgic backyards; Armageddon Time, Bardo, The Fabelmans and Empire of Light all put the filmmakers' lives on the big screen

115. The Swearing Jar is the Canadian rom-com success you didn't see coming

116. Davis says she's no longer dying of politeness; Actor and activist hopes her personal story will 'show women a potential path toward saying what they think'

117. Chastain eager to hone the truth of a story

118. How Chelsea McMullan crafted two of this year's most startling films

120. Is Don't Worry Darling bad or does it make us uneasy? Olivia Wilde's new feature film has been dragged through the mud by many critics

121. The best, worst and weirdest moments from TIFF; The Globe and Mail's four film-festival writers recap their experiences from this year's event, including Ticketmaster woes and must-see end credits

122. The Colour of Ink might just reveal the secret to happiness on Earth

123. Sharon Horgan wants more angry, flawed women on screen; Irish actress and creator of the new Apple TV+ series Bad Sisters aims to explore raw, recognizable characters

124. Lisa LaFlamme deserved better from Bell; The CTV reporter gave us 35 years of excellent work. The decision feels chillingly corporate

125. Full stream ahead; Streamers are making more content in Canada, but local talent may be missing out

126. The city of blights

127. Have movies run out of stories about 50-plus women? Despite on-screen successes, 'every inch is a battle,' says actress Lesley Manville

129. Star of Is God Is had to learn to 'de-role' with character that hits close to home; Oyin Oladejo is no stranger to challenging material, but she's never played the sustained tangle of rage and sorrow that is Racine, her character in Aleshea Harris's award-winning play

131. Eschew Marvel's multiverse of malpractice; This comic-book sequel's so insanely convoluted, any sense of fun is wasted

132. Knightley's first foray into animation tells the story of real-life Jewish painter; Charlotte Salomon's tale is poised to reach its widest audience yet with Canadian-French-Belgian co-production

133. Roar tells the stories we keep to ourselves; The new Apple TV+ anthology series is based on Cecelia Ahern's short-story collection of the same name

134. Towering work, from puny sorrows; What this film pulls off is a miracle of tone - the same tone in Miriam Toews's source novel

135. Meet Emmanuel Kabongo, the unstoppable force of Canadian film and TV; Since 2009, actor has risen steadily, from background player to network lead, and from indie and student films to a major sci-fi thriller

136. Will Smith's slap of Chris Rock shows toxic masculinity is still alive

137. Bridgerton returns to Netflix like a regrettable ex

138. How to rebuild the Academy Awards (and Hollywood, too); Ahead of Sunday night's spectacle, Barry Hertz and Johanna Schneller offer six simple (and fun!) steps to save the Oscars from its anxiety-wracked self

139. Fatal distraction; Deep Water, starring Ben Affleck and Ana de Armas, is so outdated in its view of women and relationships they should have just called it Male Gaze

141. 'The Porter' is an overdue win for representation in Canadian television; Canada's largest Black-led series, which centres on overlooked railway workers in 1920s Montreal, makes its debut Feb. 21

142. Michael Schur's guide to navigating 'consequence culture'; Television writer says tackling the issue of problematic artists was the biggest challenge of his new book

143. Severance star Patricia Arquette spills her own brand of tea

144. Anna Maria Tremonti is ready to share her abuse story in new podcast; BIGGER PICTURE

145. Harmless spy nonsense perfectly timed for the January doldrums; FILM REVIEW

146. Director Maggie Gyllenhaal delivers the mother of all dramas; FILM REVIEW

147. The Lost Daughter sheds light on topics that women aren't supposed to discuss; BIGGER PICTURE

148. Couple shares their love of the planet - and each other; BIGGER PICTURE

149. Bullock plays a different sort of hero in The Unforgivable; OPINION

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