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Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objective: Media centralism and the lack of attention to the preferences and demands of local audiences is an obvious reality that must be faced by those who live outside large cities and capitals, understanding that there are audiences that demand local content, but that must settle for a programming produced from and for the capital, even more so when it comes to the Chilean television system. This article characterizes the tensions of local audiences in northern Chile in relation to their local television, also called proximity. Materials and methods: The study carried out a qualitative methodology, since it seeks to understand human behavior in a given territory and historical moment. The data collection was carried out using the technique of focus groups in order to explain and deepen the situations of people as local audiences and their feelings and thoughts on various problems. The focus groups discussed their local television and their link with national television considering the informational centralism and political centralism within the Coquimbo Region. The sample corresponds to the audience of cities belonging to urban and rural communes of the Coquimbo Region, in Chile, where there are local television media and that have declared their intention to migrate to digital television. The cities that are part of the study are: Andacollo, La Serena, Los Vilos, Illapel and Salamanca. For recruitment, the snowball method was used, with a total of 52 participants. All the participants were over 18 years of age with a residence of more than 10 years in the city. There was gender balance. Six focus groups were held in neighborhood offices in each city. The sessions were recorded and later transcribed, being systematized using the Atlas.ti software, version 9. Resulted: The results are described through three categories of analysis, regarding the opinions of the audiences: 1) Local information 2) National television: positive and negative aspects and 3) Information centralism and media demands. 1) Local information as a center of interest: Audiences place local news among their preferences. In each focus group, the informative genre of these media was highly valued and required. It represents a fundamental demand when evaluating local television positively. 2) Link with national television coverage: Along with the preference for local news, there is also an unfavorable opinion towards national news and towards the journalistic routines of the capital television stations whose coverage privileges the events that occurred in the Metropolitan Region in the information guidelines, often falling into sensationalism, especially when it comes to police court facts. 3) Information centralism and media demands: in the opinion of the participants, the tensions between the local and the capital are not only appreciated at the country level, but also between regional capitals, provinces and communes, following the political-administrative division of Chile. Conclusions: Regarding the characteristics of local television consumption, a first conclusion was the confirmation of the interest and consumption of local audiences in content that addresses issues related to their environment, an issue that is in line with previous studies on communication and local television. Similar to national television consumption, local news represented the preferred content. If there is a fire or a traffic accident in the city, audiences want to see it on their local television and, hopefully, live or as instantly as possible. This is informative content that does not compete in any case with national television, as it deals with local news events. Unless something out of the ordinary happens, whose connotation is national and in this case -the fewest times-the city, province or region makes news and appears nationally. A very important link was detected between local audiences with their own territories. The link was verified through two factors: a) the expectations of seeing local content not only on themes about their cities, but also from geographically broader places, such as communes, provinces or the Coquimbo Region itself; b) a large part of the social demands that underlie the opinions of the audiences surround feelings of belonging, desire for decentralization and local development. The need for representation of local audiences is verified, that is, seeing their territories on the screen, feeling reflected on national TV through their cultural, territorial, geographical, touristic, or other particularities is the cause that is associated Local (non-capital) audiences are part of a marginalized sector from a political and economic point of view. In this sense, there is a glimpse of a disconnection between the political/public world that promotes actions that should benefit the community, but that fail to reach potential users in a good way. In the same line of discussion, social demands for access to public information that benefits them and brings them closer to local political actors are detected. Know and understand the territorial public policies that result in a better quality of life. These social/political demands are intermingled with the media needs that could be channeled into more spaces to debate, talk and express their opinions to participate in the local public debate. [ABSTRACT FROM AUTHOR]

Som & fúria é uma minissérie brasileira produzida pela O2 Filmes, com coprodução do Núcleo Guel Arraes da Rede Globo de Televisão. Exibida entre 7 e 24 de julho de 2009, a minissérie foi adaptada por Fernando Meirelles, a partir da série canadense Slings and arrows, e só recentemente chegou às plataformas digitais, via Globoplay. O objetivo principal do presente artigo é compreender a discrepância entre a recepção crítica favorável da obra e a baixa receptividade do público durante sua veiculação na TV aberta, considerando o contexto de exibição da minissérie, enquanto procura atualizar alguns pontos do fenômeno para o estágio atual do consumo televisivo – sobretudo com o espraiamento do streaming/on demand e respectiva segmentação da audiência.

Se parte de la importancia de los personajes en la construcción de la narrativa audiovisual seriada y la adhesión del público a través de la identificación y la conexión empática con los mismos, diferenciando sus aspectos cognitivos y emocionales. Seguidamente se expone el concepto de los nuevos malos de las series, como personajes complejos multideterminados, antihéroes humanizados, en contraposición con los estereotipados viejos malos de las películas. Se analiza el conflicto de las audiencias por mantener su adhesión a estos personajes, a medida que crecen sus miserias y presentan conductas contrarias a los estándares morales del espectador. Se propone la teoría sociocognitiva de la Desconexión Moral Selectiva como hipótesis explicativa de los procesos psicológicos operantes en la resolución la disonancia cognitiva operada en el espectador. Se mencionan y explican los ocho mecanismos válidos para justificar las conductas dañosas y se aplican, a modo de ejemplo, principalmente, a una escena paradigmática de la serie Breaking Bad.

Copyright of Index.Comunicación is the property of Index.comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

With the expansion of the digital culture, deep reflection on how to research audiences is necessary. If before the individual was placed in a social category determining cultural tastes, now technology identifies patterns of behavior from the direct record of their actions. This text explores the type of knowledge that can be gained on audience participation in TikTok. We propose a methodology that consist in the analyse of usage metadata. Fieldwork has focused on «A2ality», an information account with 4.4 million followers in Spain. We analyzed all videos shared during six weeks of the first quarter of 2023 (n=173). The purpose was to know (a) the degree of the linear correlation between the metadata of the same piece and (b) the existence of correlations between metadata and type of video/ content. For each metadata available in open (comments, likes, saves, shares and very high), four activity levels have been established (low, medium, high and top). The majority trend indicates that the levels obtained by the metadata of the same content are not coincident, that is, a video will have more or less scope according to the observed metadata. The homogeneity of the videos has caused that only clear correlations between topic and metadata are detected. Topics with less presence can reach high levels of activity. [ABSTRACT FROM AUTHOR]

El presente trabajo tiene como principal objetivo identificar las características de la audiencia radiofónica universitaria de Radio Universidad. Es una investigación de enfoque cuantitativo, de diseño tipo descriptivo, la población estuvo constituida por miembros de la comunidad educativa de la Universidad Nacional de Pilar, la selección de la muestra se realizó por muestreo intencional. Entre los resultados se destacan que la mayoría de la audiencia son de sexo femenino, si bien tienen preferencia de frecuencia de escuchar la 100.7 también escuchan otras emisoras, el horario de escucha es la mañana y la tarde, la mayoría tienen noción de existencia de la radio en la UNP. Surgen planteamientos que podrían ayudar a definir acciones de intervención, en la programación del medio.

Women's football had in the last World Cups, in 2019 and 2023, in addition to the recent editions of the Brazilian Women's Championship, symbolic milestones of advances in relation to the past of invisibility, consolidating the theme as an object of study that has been gaining strength in the academic and media debate in Brazil. There are still large gaps for the desired gender equality, but we can suggest that the key to the discussion involving the sport has gained a new chapter since then. If visibility has been gradually conquered, questions about how the market will deal with this new consumer culture have been gaining strength, especially regarding the media, audience and professionalization triad. The purpose of this article is to bring a critical reflection on the paths, advances and maintenance that are leading the sport to break audience records and begin to overcome the past of silencing to aim for new and greater flights. [ABSTRACT FROM AUTHOR]

The Count Duke of Olivares was aware that the «valimiento» was an unpopular figure in Spanish opinion. Thanks to a group of writers in his service, he managed to dignify this figure by entering into (controversy with his detractors. Prominent among these authors was Francesco Lanario, a Neapolitan historian who served him effectively until the «Valido» dispensed with his services because he did not understand what was to be contained in a reatise on Patience that he had commissioned from him. In deciding to suppress the paronage of certain writers, the Count-Duke was very attentive to the «opinion of the world», to public opinion, to being an object of ridicule. [ABSTRACT FROM AUTHOR]

Copyright of Comunicar (English Edition) is the property of Oxbridge Publishing House and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The decline of local journalism, which has lost resources and influence, is reflected in phenomena such as "news deserts" that are increasingly prevalent worldwide. A recent study suggests that over half of the municipalities lack local news coverage in Portugal. This article proposes an analysis and reflection on the issues and challenges currently affecting local journalism, drawing on a review of recent literature. It is presented as the weakest link in the global media crisis, grappling with traditional business bankruptcies and platform competition. However, it is also uniquely adaptable to endure in an adverse context. The closure of local media, the struggle for survival among the remaining outlets, and the reluctance of journalists to involve audiences in defining news contribute to the erosion of proximity, albeit with some positive signs. Among these signs is a widespread acknowledgement of the significance of local journalism and a growing academic interest in this domain. [ABSTRACT FROM AUTHOR]

Willy Dante: “desde mis inicios, la cantidad de oyentes en mi programa ha aumentado considerablemente. Originalmente, en Radio Universidad, el alcance era limitado, lo que se traducía en una audiencia reducida. Sin embargo, en la actualidad, con la proliferación de plataformas de streaming e internet, todo ha cambiado. Cada vez más personas optan por escuchar la radio a través de la web. Este cambio se refleja en el desafío que enfrentan aquellos que no cuentan con un receptor tradicional. La solución es sencilla: escuchar por internet. La experiencia auditiva mejora significativamente, especialmente con dispositivos móviles y auriculares. Personalmente, debo ser más consciente de lo que digo, ya que mi audiencia ahora proviene de lugares tan distantes como Colombia o México. Los mensajes que recibo a través de mi página web o correo electrónico son un recordatorio constante de esta realidad. Willy Dante ex Locutor de Radio Universidad. Actualmente conduce Ritmos y sones del caribe.

Carlos Carrizo destaca que hace unos años, pensábamos que la radio estaba destinada a desaparecer. No queríamos aceptarlo, no creíamos que fuera posible, pero parecía ser una tendencia inevitable. Sin embargo, hoy en día, la radio se reinventa y se multiplica. Buscamos audiencia a través de las redes sociales, una estrategia que considero permanente. Utilizamos, agrega el periodista, el streaming para alcanzar a más oyentes y también mostramos nuestro trabajo a través de cámaras, compartiendo cómo hacemos radio. Creo que esta es la clave para mantener y, en nuestro caso, aumentar nuestra audiencia radiofónica día a día.

O enfraquecimento do jornalismo local, que tem perdido meios e influência, é traduzido por fenómenos como os “desertos de notícias”, em mapeamento num número crescente de países. Em Portugal, um estudo recente aponta para que mais de metade dos municípios se encontrem carentes de cobertura noticiosa sedeada no território. Este artigo propõe um balanço e uma reflexão em torno das questões e desafios que enfrenta atualmente o jornalismo local, a partir da revisão da literatura recente. É apresentado como o elo mais fraco na crise global dos média, sendo o mais afetado pela falência do negócio tradicional e pela concorrência das plataformas. Contudo, é-lhe também reconhecida uma flexibilidade singular para singrar num contexto de adversidade. O encerramento de meios locais, a difícil sobrevivência dos que ficam e a resistência dos jornalistas em deixar os públicos serem parceiros na definição do que é notícia são alguns dos fatores a contribuir para um momento de erosão da proximidade, com alguns sinais positivos. Entre esses sinais, está o consenso em torno da importância do jornalismo local e um crescente interesse da academia por este campo de estudos.

El Tribunal debe resolver sobre la constitucionalidad de la orden de ingreso hospitalario de una gestante para el control de la etapa final del embarazo y, en su caso, la inducción del parto, a razón de un aumento del riesgo de muerte fetal intrauterina. Se trata de una decisión contraria a su voluntad de llevar a cabo un parto domiciliario. Este contexto pone de manifiesto la existencia de un conflicto entre los derechos fundamentales de la mujer a la libertad personal y a la intimidad personal y familiar y de un bien constitucionalmente protegido, la vida y la salud del nasciturus. Su solución resulta en la limitación de los derechos de la gestante, aun sin haberle otorgado trámite de audiencia. Ello recibe el respaldo del Tribunal Constitucional por tratarse de una medida con fundamento legal, proporcional al fin de protección perseguido y justificada en una situación de extrema urgencia.

Notre travail se donne pour tâche se donne pour objectif de mettre en perspective les fondements communicationnels de la théorie de l'argumentation de Perelman. Après avoir montré le regain d'intérêt de la rhétorique dans le champ des sciences de la communication, nous nous pencherons sur la critique du rationalisme occidental comme préalable nécessaire aux nouvelles perspectives de Perelman sur la rhétorique comme théorie de l'argumentation. Nous aborderons ensuite le rôle de l'auditoire dans l'échange argumentatif. Dans un dernier point, nous montrerons l'aspect éthique de la nouvelle rationalité que Perelman propose dans le débat contemporain sur l'espace public. [ABSTRACT FROM AUTHOR]

Copyright of Drama Therapy Review is the property of Intellect Ltd. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Mientras las tiradas de los periódicos de papel no dejan de reducirse, su influencia se traslada al ámbito digital iniciando nuevas formas de relacionarse con sus lectores. Con el objetivo de determinar la relevancia en el entorno digital de las grandes cabeceras españolas con décadas de tradición en papel, el presente trabajo mide el engagement obtenido mediante un análisis detallado de la presencia en la red social Twitter de los veinte diarios más leídos en España. Como principal conclusión destaca la comprobación de que el mayor engagement aparece en cabeceras locales, pese a que el mayor alcance corresponde a la prensa nacional. Los resultados constatan la necesidad de incorporar nuevas medidas para el control de la eficacia empresarial de la industria de la información.

Resumen La presente investigación tiene como objetivo debatir y delimitar el concepto de audiencia y su caracterización en el fenómeno de la radio universitaria. Para estas estaciones conocer el perfil de sus públicos, sus espacios de circulación y sus intereses resulta fundamental para que logren cumplir con su rol en la sociedad y en la ecología mediática de la radio. A raíz de una revisión bibliográfica a través de la realización de búsquedas booleanas sugerimos nuevos enfoques que permitan adaptar el concepto de audiencia al fenómeno de la radiodifusión universitaria. Con este fin proponemos posibles enfoques a partir de la designación de dimensiones y parámetros para comprender la audiencia en las radios universitarias como un aporte teórico-metodológico que busca sistematizar y construir el debate sobre la identidad de la audiencia en las estaciones universitarias en el actual contexto marcado por grandes desafíos (plataformización, mirada multidimensional o cultura de conexión) que complican el proceso de caracterización de la misma.

El amor romántico y sus mitos son factores de riesgo cuando de violencia de género se trata; un amor idealizado, todopoderosos, basado en mandatos de género y en la idea de la pareja como propiedad privada, por lo que se entiende mejor en términos liberales y capitalistas. Ante esto, y conociendo la función educativa de los medios, la sociedad occidental, donde este modelo de amor ha arraigado, debe plantearse si la audiencia comulga con dichos mitos e ideología. Tras el éxito de La isla de las tentaciones, el presente estudio tiene como objetivo analizar la audiencia del programa en relación con dos aspectos: (1) mitos asumidos y rechazados e (2) ideología con la que se autodefinen los televidentes. Para ello, se ha aplicado una metodología compuesta por un focus group y una encuesta; permitiendo vislumbrar, por ejemplo, cómo el mito de la fidelidad o el de la omnipotencia son primordiales para los televidentes.

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios sobre el Mensaje Periodistico is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Ciencias Sociales (13159518) is the property of Revista de Ciencias Sociales de la Universidad del Zulia Venezuela and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Sports journalism behaves with daring, capable of challenging certain basic rules of the profession to become a kind of experimentation laboratory, exploring new narrative paths (TORRIJOS, 2022). In this sense, this article proposes a bibliographic review to address some of the concepts related to newsworthiness, news values and news selection, especially from the perspective of Traquina and Wolf, to perform a correlation of how these classifications dialogue with sports journalism and how this field gives a new meaning to certain values and makes others appear, being a fertile producer of debates that dialogue with the objective and the subjective. In addition, this work also proposes new news values that have arisen, essentially, through social changes, the impact of the powerful audience (MESQUITA, 2022), and technological evolution. [ABSTRACT FROM AUTHOR]

The information published through the Geoportal of Madrid City Council can be freeely consulted, viewed and downloaded free of charge from anywhere in the world. Its data sets, series and map services are described with standardized metadata which define in detail the information published. However, the Laboratory for Geographic Information Technologies considered in 2020 the need to extend the use of its resources to profiles with little or no familiarity with Geographic Information Systems. The communication strategy of the General Subdirectorate for Innovation and Urban Information of the Governement Area for Urban Development is then put into action. Based on an ambitious communication plan, which becomes the backbone of the communicative work activity of the entire subdirectorate, the strategy developed from the professionalization of communication has made the technical information of the Geoportal to reach unimagined levels of diffusion. This article explains in detail how this communication strategy begins in a system that counts everything by itself, the relevance it has acquired over time and, ultimately, how the communication of georeferenced data in Madrid is currently managed. [ABSTRACT FROM AUTHOR]

Los canales de televisión lineal se han visto obligados a replantear su estrategia de difusión ante la llegada de nuevos actores emisores. Esta investigación aborda el estudio de la oferta y consumo de vídeos en YouTube procedentes de las cadenas autonómicas que conforman FORTA (Federación de organismos de radio televisión autonómicos) y que están condicionadas por unos presupuestos y recursos muy diferentes a otros actores audiovisuales. En una primera fase se realiza un estudio de la oferta de estos canales en dicha plataforma. Posteriormente se monitoriza el consumo y se contrasta con los datos de audiencia que recoge comScore, con el fin de comprobar la estrategia de estos emisores tradicionales hacia la apertura de nuevas ventanas de visionado. Los resultados indican que existe una gran variedad de modelos de oferta, con una ausencia de contenido exclusivo. El acceso desde el smartphone es mayoritario.

Pensar en los programas de la defensoría del televidente hace que se remita a la labor del defensor del pueblo. La televisión, es una alternativa para proteger los derechos de las audiencias, autorregular las producciones del canal y contribuir en la construcción de una televisión de calidad con un espacio de participación ciudadana para el análisis y la comunicación de las opiniones. El objetivo de esta investigación fue analizar el tratamiento de la opinión de las audiencias en el programa doble vía del canal Caracol-Colombia, específicamente comprender cómo son tratadas las opiniones de las audiencias y mecanismo de participación usados. La metodología es cualitativa que pretende, mediante el método etnometodológico y el modelo tridimensional de Fairclough (1989), analizar el discurso lingüístico y social de las emisiones seleccionadas del mes de enero del 2021 y 2022. Los resultados dan cuenta que la forma en que el defensor modera las opiniones de los televidentes y las respuestas de las fuentes oficiales, como, académicos, productores, directores, periodistas, guionistas, actores, son vías para la participación ciudadana. En conclusión, las audiencias generan consumo a los medios desde las alternativas de comunicación y los programas abren espacio para el desarrollo de la participación ciudadana con propósito.

La transformación del sector televisivo en la última década (2010-2020) se ha visto potenciada por el desarrollo tecnológico, como la aparición de la televisión digital y la transmisión de imágenes a través de la banda ancha. Los espectadores han adquirido un papel protagonista en la elección y creación del contenido audiovisual. En este escenario, los jóvenes no renuncian a la televisión lineal, apostando principalmente por los informativos y programas de entretenimiento. Tras la realización de un estudio cualitativo mediante un focus group y un cuestionario a 400 jóvenes, se demuestra que su consumo es cada vez menor por ser considerada como anticuada y sujeta a un horario y la ficción es vista, casi en su totalidad, a través de las plataformas de contenido en streaming. La Generación Z prefiere visionar contenidos dónde y cómo quieren y, además, la comparten con otros usuarios gracias a las redes sociales. Esta evolución audiovisual provoca una hiperfragmentación de la audiencia y una brecha generacional entre el consumo de la televisión tradicional y los contenidos por streaming.

O prólogo de Édipo Tirano de Sófocles pode ser considerado como uma peça perfeita de engajamento de público e produção de movimentação de palco. A implicação da audiência pelo tragediógrafo é produzida por sua habilidade em mesclar fatos e mitos nesta peça, sem extrapolar os limites das convenções do teatro ateniense. Ademais, a utilização de um aparato linguístico preciso reforça o engajamento do público e ao mesmo tempo denuncia toda a movimentação de palco dos atores em cena. A partir disso, pretende-se analisar neste artigo o texto do prólogo da peça a fim de demonstrar com que expedientes o tragediógrafo alcança os seus fins.

¿Sabemos realmente qué es un influencer? Según Manuel Alburquerque, un «influencer es cualquier persona que cree un contenido relevante para una audiencia». ¿Cómo podemos saber cuáles son los influencers más rentables? ¿Debemos valorar a un influencer únicamente por su número de seguidores? ¿Deberán subir o bajar las remuneraciones de los influencer durante el 2023? Son preguntas muy interesantes a la que que esta guía de marketing pretende dar respuesta.

This research article aims to study the influence and changes that information and communications technologies (ICT) have generated in the judicial process regarding the correction of the claim and testimonial evidence, as well as the effects of digital justice to hold judicial hearings in person or virtually studied in the constitutionality Statement C-134 of May 3, 2023 issued by the Constitutional Court of Colombia in which the constitutionality of the bill that modifies the law is reviewed statutory regulation of the administration of justice —Law 270 of 1996—. It is concluded that by applying technology and virtuality to the judicial process, the correction of the claim must be integrated into a single document and the testimonial evidence has been modified in the way in which the spontaneity of the witness is protected and the inconveniences of being ruled out due to inability when the witness has a relative inability to testify virtually. Likewise, the Constitutional Court's affinity for virtual hearings, whether or not they involve evidence, and the judge's determination to define the modality of the hearing, stand out. For its preparation, the dogmatic method of legal research has been used, which takes into account the legal provisions, doctrine and jurisprudence of the high courts in Colombia. [ABSTRACT FROM AUTHOR]

Given that electoral campaigns are spaces for citizenship construction and children are interested in politics, recognizing them as a political communication audience would promote their rights. With an approach from cultural studies and qualitative methodology, the relationship of knowledge and expectations with assessments and proposals is analyzed as part of their process of making sense about the 2018 Mexican presidential campaign. There is evidence of self-recognition about the agency of girls and boys aged 10 to 12 years as political communication audience. [ABSTRACT FROM AUTHOR]

Against the backdrop of the new attention economy (Giraldo-Luque & Fernández Rovira, 2020), which is based on attracting audience interest, this research analyses the production and distribution of media content through the emerging Telegram platform. Attracting the attention of the audience has become the main objective of the media in the digital environment. To achieve this aim, more personalised content is now being produced, and attempts are being made to reach the user in a more direct and personal way through instant messaging platforms, especially Telegram. Through a methodology based on data triangulation, documentary analysis, interviews, registration techniques, analysis sheets, as well as direct and indirect observation (Fernández-Ballesteros, 2004), this study addresses the rise of Telegram in journalism, in addition to the way in which the Spanish media distribute, produce, and use the information, as well as interaction with the audience. To this end, a strategic sample has been used, the results of which are applicable to the media analysed. The results of this research show that nearly half of the media analysed produce content and inform the user without considering interaction, while others try to approach the user with language that is informal and friendly, or through multimedia content such as videos, emoticons, and others. The media have suddenly appeared on Telegram in search of new market niches where they can produce content for new users, thereby pursuing the rationale of the attention economy. [ABSTRACT FROM AUTHOR]

The article discusses the recent economic-political transformations in the organization of football over the last 20 or 30 years: the former non-profit sports "clubs" have been transformed into profit-oriented companies, commanded by mediatic-financial capital. The article suggests a theoretical approach relating the category "spectacle" in Debord's terms to categories of the Political Economy of Information and Communication. It concludes by considering football today as an industry that still mobilizes the emotions of millions of people but needs to be understood and regulated as it has become an important economic sector in the process of capital accumulation. [ABSTRACT FROM AUTHOR]

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Copyright of Revista FAMECOS - Mídia, Cultura e Tecnologia is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Mediterranean Journal of Communication / Revista Mediterránea de Comunicación is the property of Revista Mediterranea de Comunicacion / Mediterranean Journal of Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Estudios sobre el Mensaje Periodistico is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Este artículo presenta los resultados de una encuesta realizada a 719 seguidores de The Newsroom (HBO) en España. El estudio examina la identificación con los personajes favoritos y el reconocimiento de roles periodísticos en la ficción audiovisual. Los resultados presentan seis perfiles diferenciados de fans en función de su opinión sobre la serie (realista, idealista, critica o didáctica) y su ocupación laboral (comunicadores, estudiantes o público general). Entre los seguidores, que tienen una implicación emocional fuerte y positiva con la serie, predomina la percepción de que ésta ofrece una visión idealizada de la profesión. Los roles más reconocidos en el relato serial son los de periodista participativo, periodista como perro guardián y movilizador de la ciudadanía.

This paper presents a retrospective analysis of the free press from its origins to the present day. It is based on the hypothesis that advertising occupied an essential place in the evolution of the free press in Spain. For this reason, the role that advertising had in the origin, consolidation and decline of the free general information press in Spain is analyzed. The data reflects how unstable it is to subordinate the survival of the media to advertising revenue alone. The interest of this work lies in the importance that financing models are having in the media with the arrival of the Internet. [ABSTRACT FROM AUTHOR]

The increasingly complex relationship between conventional media, digital platforms, political actors and audiences merits an exhaustive analysis of the functions and relationships between them and the perceptions about media and media manipulation from youth audiences. This research addresses the manipulation of Bolivian television news content by commercial and political interests. The analysis has a Latin American theoretical-critical foundation, in which the qualitative technique of Group Discussion (GD) was applied to four groups of high school students in the main cities of Bolivia: El Alto-La Paz, Santa Cruz, Cochabamba and Oruro. The originality of this work is based on considering the opinions of young people, primary consumers of audiovisual media, giving prominence to their concerns and ideas. As the main findings, it was evidenced that young students highlight the excessive political manipulation of information from public and community media, recognizing the need to develop media competencies to face the alleged social control. On the other hand, they propose citizen interpellation through the use of Information Technologies to democratize communication. [ABSTRACT FROM AUTHOR]

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)