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Image composition involves extracting a foreground object from one image and pasting it into another image through Image harmonization algorithms (IHAs), which aim to adjust the appearance of the foreground object to better match the background. Existing image quality assessment (IQA) methods may fail to align with human visual preference on image harmonization due to the insensitivity to minor color or light inconsistency. To address the issue and facilitate the advancement of IHAs, we introduce the first Image Quality Assessment Database for image Harmony evaluation (HarmonyIQAD), which consists of 1,350 harmonized images generated by 9 different IHAs, and the corresponding human visual preference scores. Based on this database, we propose a Harmony Image Quality Assessment (HarmonyIQA), to predict human visual preference for harmonized images. Extensive experiments show that HarmonyIQA achieves state-of-the-art performance on human visual preference evaluation for harmonized images, and also achieves competing results on traditional IQA tasks. Furthermore, cross-dataset evaluation also shows that HarmonyIQA exhibits better generalization ability than self-supervised learning-based IQA methods. Both HarmonyIQAD and HarmonyIQA will be made publicly available upon paper publication.

With the rapid development of eXtended Reality (XR), egocentric spatial shooting and display technologies have further enhanced immersion and engagement for users. Assessing the quality of experience (QoE) of egocentric spatial videos is crucial to ensure a high-quality viewing experience. However, the corresponding research is still lacking. In this paper, we use the embodied experience to highlight this more immersive experience and study the new problem, i.e., embodied perceptual quality assessment for egocentric spatial videos. Specifically, we introduce the first Egocentric Spatial Video Quality Assessment Database (ESVQAD), which comprises 600 egocentric spatial videos and their mean opinion scores (MOSs). Furthermore, we propose a novel multi-dimensional binocular feature fusion model, termed ESVQAnet, which integrates binocular spatial, motion, and semantic features to predict the perceptual quality. Experimental results demonstrate the ESVQAnet outperforms 16 state-of-the-art VQA models on the embodied perceptual quality assessment task, and exhibits strong generalization capability on traditional VQA tasks. The database and codes will be released upon the publication., Comment: 7 pages, 3 figures

With the development of eXtended Reality (XR), photo capturing and display technology based on head-mounted displays (HMDs) have experienced significant advancements and gained considerable attention. Egocentric spatial images and videos are emerging as a compelling form of stereoscopic XR content. The assessment for the Quality of Experience (QoE) of XR content is important to ensure a high-quality viewing experience. Different from traditional 2D images, egocentric spatial images present challenges for perceptual quality assessment due to their special shooting, processing methods, and stereoscopic characteristics. However, the corresponding image quality assessment (IQA) research for egocentric spatial images is still lacking. In this paper, we establish the Egocentric Spatial Images Quality Assessment Database (ESIQAD), the first IQA database dedicated for egocentric spatial images as far as we know. Our ESIQAD includes 500 egocentric spatial images and the corresponding mean opinion scores (MOSs) under three display modes, including 2D display, 3D-window display, and 3D-immersive display. Based on our ESIQAD, we propose a novel mamba2-based multi-stage feature fusion model, termed ESIQAnet, which predicts the perceptual quality of egocentric spatial images under the three display modes. Specifically, we first extract features from multiple visual state space duality (VSSD) blocks, then apply cross attention to fuse binocular view information and use transposed attention to further refine the features. The multi-stage features are finally concatenated and fed into a quality regression network to predict the quality score. Extensive experimental results demonstrate that the ESIQAnet outperforms 22 state-of-the-art IQA models on the ESIQAD under all three display modes. The database and code are available at https://github.com/IntMeGroup/ESIQA., Comment: 9 pages, 12 figures

In recent years, the rapid advancement of Artificial Intelligence Generated Content (AIGC) has attracted widespread attention. Among the AIGC, AI generated omnidirectional images hold significant potential for Virtual Reality (VR) and Augmented Reality (AR) applications, hence omnidirectional AIGC techniques have also been widely studied. AI-generated omnidirectional images exhibit unique distortions compared to natural omnidirectional images, however, there is no dedicated Image Quality Assessment (IQA) criteria for assessing them. This study addresses this gap by establishing a large-scale AI generated omnidirectional image IQA database named AIGCOIQA2024 and constructing a comprehensive benchmark. We first generate 300 omnidirectional images based on 5 AIGC models utilizing 25 text prompts. A subjective IQA experiment is conducted subsequently to assess human visual preferences from three perspectives including quality, comfortability, and correspondence. Finally, we conduct a benchmark experiment to evaluate the performance of state-of-the-art IQA models on our database. The database will be released to facilitate future research.

In HTTP adaptive live streaming applications, video segments are encoded at a fixed set of bitrate-resolution pairs known as bitrate ladder. Live encoders use the fastest available encoding configuration, referred to as preset, to ensure the minimum possible latency in video encoding. However, an optimized preset and optimized number of CPU threads for each encoding instance may result in (i) increased quality and (ii) efficient CPU utilization while encoding. For low latency live encoders, the encoding speed is expected to be more than or equal to the video framerate. To this light, this paper introduces a Just Noticeable Difference (JND)-Aware Low latency Encoding Scheme (JALE), which uses random forest-based models to jointly determine the optimized encoder preset and thread count for each representation, based on video complexity features, the target encoding speed, the total number of available CPU threads, and the target encoder. Experimental results show that, on average, JALE yield a quality improvement of 1.32 dB PSNR and 5.38 VMAF points with the same bitrate, compared to the fastest preset encoding of the HTTP Live Streaming (HLS) bitrate ladder using x265 HEVC open-source encoder with eight CPU threads used for each representation. These enhancements are achieved while maintaining the desired encoding speed. Furthermore, on average, JALE results in an overall storage reduction of 72.70 %, a reduction in the total number of CPU threads used by 63.83 %, and a 37.87 % reduction in the overall encoding time, considering a JND of six VMAF points., Comment: 2024 Mile High Video (MHV)

In video streaming applications, a fixed set of bitrate-resolution pairs (known as a bitrate ladder) is typically used during the entire streaming session. However, an optimized bitrate ladder per scene may result in (i) decreased storage or delivery costs or/and (ii) increased Quality of Experience. This paper introduces a Just Noticeable Difference (JND)-aware per-scene bitrate ladder prediction scheme (JASLA) for adaptive video-on-demand streaming applications. JASLA predicts jointly optimized resolutions and corresponding constant rate factors (CRFs) using spatial and temporal complexity features for a given set of target bitrates for every scene, which yields an efficient constrained Variable Bitrate encoding. Moreover, bitrate-resolution pairs that yield distortion lower than one JND are eliminated. Experimental results show that, on average, JASLA yields bitrate savings of 34.42% and 42.67% to maintain the same PSNR and VMAF, respectively, compared to the reference HTTP Live Streaming (HLS) bitrate ladder Constant Bitrate encoding using x265 HEVC encoder, where the maximum resolution of streaming is Full HD (1080p). Moreover, a 54.34% average cumulative decrease in storage space is observed., Comment: 2023 IEEE International Conference on Multimedia and Expo (ICME)

In the past years, AI has seen many advances in the field of NLP. This has led to the emergence of LLMs, such as the now famous GPT-3.5, which revolutionise the way humans can access or generate content. Current studies on LLM-based generative tools are mainly interested in the performance of such tools in generating relevant content (code, text or image). However, ethical concerns related to the design and use of generative tools seem to be growing, impacting the public acceptability for specific tasks. This paper presents a questionnaire survey to identify the intention to use generative tools by employees of an IT company in the context of their work. This survey is based on empirical models measuring intention to use (TAM by Davis, 1989, and UTAUT2 by Venkatesh and al., 2008). Our results indicate a rather average acceptability of generative tools, although the more useful the tool is perceived to be, the higher the intention to use seems to be. Furthermore, our analyses suggest that the frequency of use of generative tools is likely to be a key factor in understanding how employees perceive these tools in the context of their work. Following on from this work, we plan to investigate the nature of the requests that may be made to these tools by specific audiences., Comment: 14 pages (bibliography inclued), 6 figures, preprint submitted to Work-In-Progress session of ACM IMX'23 Interactive Media Experience

Point clouds have become increasingly prevalent in representing 3D scenes within virtual environments, alongside 3D meshes. Their ease of capture has facilitated a wide array of applications on mobile devices, from smartphones to autonomous vehicles. Notably, point cloud compression has reached an advanced stage and has been standardized. However, the availability of quality assessment datasets, which are essential for developing improved objective quality metrics, remains limited. In this paper, we introduce BASICS, a large-scale quality assessment dataset tailored for static point clouds. The BASICS dataset comprises 75 unique point clouds, each compressed with four different algorithms including a learning-based method, resulting in the evaluation of nearly 1500 point clouds by 3500 unique participants. Furthermore, we conduct a comprehensive analysis of the gathered data, benchmark existing point cloud quality assessment metrics and identify their limitations. By publicly releasing the BASICS dataset, we lay the foundation for addressing these limitations and fostering the development of more precise quality metrics., Comment: Published in IEEE TMM, 14 pages, 8 figures

The human eye cannot perceive small pixel changes in images or videos until a certain threshold of distortion. In the context of video compression, Just Noticeable Difference (JND) is the smallest distortion level from which the human eye can perceive the difference between reference video and the distorted/compressed one. Satisfied-User-Ratio (SUR) curve is the complementary cumulative distribution function of the individual JNDs of a viewer group. However, most of the previous works predict each point in SUR curve by using features both from source video and from compressed videos with assumption that the group-based JND annotations follow Gaussian distribution, which is neither practical nor accurate. In this work, we firstly compared various common functions for SUR curve modeling. Afterwards, we proposed a novel parameter-driven method to predict the video-wise SUR from video features. Besides, we compared the prediction results of source-only features based (SRC-based) models and source plus compressed videos features (SRC+PVS-based) models.

Just Noticeable Difference (JND) model developed based on Human Vision System (HVS) through subjective studies is valuable for many multimedia use cases. In the streaming industries, it is commonly applied to reach a good balance between compression efficiency and perceptual quality when selecting video encoding recipes. Nevertheless, recent state-of-the-art deep learning based JND prediction model relies on large-scale JND ground truth that is expensive and time consuming to collect. Most of the existing JND datasets contain limited number of contents and are limited to a certain codec (e.g., H264). As a result, JND prediction models that were trained on such datasets are normally not agnostic to the codecs. To this end, in order to decouple encoding recipes and JND estimation, we propose a novel framework to map the difference of objective Video Quality Assessment (VQA) scores, i.e., VMAF, between two given videos encoded with different encoding recipes from the same content to the probability of having just noticeable difference between them. The proposed probability mapping model learns from DCR test data, which is significantly cheaper compared to standard JND subjective test. As we utilize objective VQA metric (e.g., VMAF that trained with contents encoded with different codecs) as proxy to estimate JND, our model is agnostic to codecs and computationally efficient. Throughout extensive experiments, it is demonstrated that the proposed model is able to estimate JND values efficiently.

To open up new possibilities to assess the multimodal perceptual quality of omnidirectional media formats, we proposed a novel open source 360 audiovisual (AV) quality dataset. The dataset consists of high-quality 360 video clips in equirectangular (ERP) format and higher-order ambisonic (4th order) along with the subjective scores. Three subjective quality experiments were conducted for audio, video, and AV with the procedures detailed in this paper. Using the data from subjective tests, we demonstrated that this dataset can be used to quantify perceived audio, video, and audiovisual quality. The diversity and discriminability of subjective scores were also analyzed. Finally, we investigated how our dataset correlates with various objective quality metrics of audio and video. Evidence from the results of this study implies that the proposed dataset can benefit future studies on multimodal quality evaluation of 360 content., Comment: 6 pages, 5 figures, International Conference on Multimedia and Expo 2022

The widespread image applications have greatly promoted the vision-based tasks, in which the Image Quality Assessment (IQA) technique has become an increasingly significant issue. For user enjoyment in multimedia systems, the IQA exploits image fidelity and aesthetics to characterize user experience; while for other tasks such as popular object recognition, there exists a low correlation between utilities and perceptions. In such cases, the fidelity-based and aesthetics-based IQA methods cannot be directly applied. To address this issue, this paper proposes a utility-oriented IQA in object recognition. In particular, we initialize our research in the scenario of underwater fish detection, which is a critical task that has not yet been perfectly addressed. Based on this task, we build an Underwater Image Utility Database (UIUD) and a learning-based Underwater Image Utility Measure (UIUM). Inspired by the top-down design of fidelity-based IQA, we exploit the deep models of object recognition and transfer their features to our UIUM. Experiments validate that the proposed transfer-learning-based UIUM achieves promising performance in the recognition task. We envision our research provides insights to bridge the researches of IQA and computer vision.

With the development of multimedia technology, Augmented Reality (AR) has become a promising next-generation mobile platform. The primary value of AR is to promote the fusion of digital contents and real-world environments, however, studies on how this fusion will influence the Quality of Experience (QoE) of these two components are lacking. To achieve better QoE of AR, whose two layers are influenced by each other, it is important to evaluate its perceptual quality first. In this paper, we consider AR technology as the superimposition of virtual scenes and real scenes, and introduce visual confusion as its basic theory. A more general problem is first proposed, which is evaluating the perceptual quality of superimposed images, i.e., confusing image quality assessment. A ConFusing Image Quality Assessment (CFIQA) database is established, which includes 600 reference images and 300 distorted images generated by mixing reference images in pairs. Then a subjective quality perception study and an objective model evaluation experiment are conducted towards attaining a better understanding of how humans perceive the confusing images. An objective metric termed CFIQA is also proposed to better evaluate the confusing image quality. Moreover, an extended ARIQA study is further conducted based on the CFIQA study. We establish an ARIQA database to better simulate the real AR application scenarios, which contains 20 AR reference images, 20 background (BG) reference images, and 560 distorted images generated from AR and BG references, as well as the correspondingly collected subjective quality ratings. We also design three types of full-reference (FR) IQA metrics to study whether we should consider the visual confusion when designing corresponding IQA algorithms. An ARIQA metric is finally proposed for better evaluating the perceptual quality of AR images.

The goal of most subjective studies is to place a set of stimuli on a perceptual scale. This is mostly done directly by rating, e.g. using single or double stimulus methodologies, or indirectly by ranking or pairwise comparison. All these methods estimate the perceptual magnitudes of the stimuli on a scale. However, procedures such as Maximum Likelihood Difference Scaling (MLDS) have shown that considering perceptual distances can bring benefits in terms of discriminatory power, observers' cognitive load, and the number of trials required. One of the disadvantages of the MLDS method is that the perceptual scales obtained for stimuli created from different source content are generally not comparable. In this paper, we propose an extension of the MLDS method that ensures inter-content comparability of the results and shows its usefulness especially in the presence of observer errors., Comment: Difference scaling, supra-threshold estimation, human perception, subjective experiment

Over the past decade, 3D graphics have become highly detailed to mimic the real world, exploding their size and complexity. Certain applications and device constraints necessitate their simplification and/or lossy compression, which can degrade their visual quality. Thus, to ensure the best Quality of Experience (QoE), it is important to evaluate the visual quality to accurately drive the compression and find the right compromise between visual quality and data size. In this work, we focus on subjective and objective quality assessment of textured 3D meshes. We first establish a large-scale dataset, which includes 55 source models quantitatively characterized in terms of geometric, color, and semantic complexity, and corrupted by combinations of 5 types of compression-based distortions applied on the geometry, texture mapping and texture image of the meshes. This dataset contains over 343k distorted stimuli. We propose an approach to select a challenging subset of 3000 stimuli for which we collected 148929 quality judgments from over 4500 participants in a large-scale crowdsourced subjective experiment. Leveraging our subject-rated dataset, a learning-based quality metric for 3D graphics was proposed. Our metric demonstrates state-of-the-art results on our dataset of textured meshes and on a dataset of distorted meshes with vertex colors. Finally, we present an application of our metric and dataset to explore the influence of distortion interactions and content characteristics on the perceived quality of compressed textured meshes.

How to robustly rank the aesthetic quality of given images has been a long-standing ill-posed topic. Such challenge stems mainly from the diverse subjective opinions of different observers about the varied types of content. There is a growing interest in estimating the user agreement by considering the standard deviation of the scores, instead of only predicting the mean aesthetic opinion score. Nevertheless, when comparing a pair of contents, few studies consider how confident are we regarding the difference in the aesthetic scores. In this paper, we thus propose (1) a re-adapted multi-task attention network to predict both the mean opinion score and the standard deviation in an end-to-end manner; (2) a brand-new confidence interval ranking loss that encourages the model to focus on image-pairs that are less certain about the difference of their aesthetic scores. With such loss, the model is encouraged to learn the uncertainty of the content that is relevant to the diversity of observers' opinions, i.e., user disagreement. Extensive experiments have demonstrated that the proposed multi-task aesthetic model achieves state-of-the-art performance on two different types of aesthetic datasets, i.e., AVA and TMGA., Comment: 5 pages

Human is able to conduct 3D recognition by a limited number of haptic contacts between the target object and his/her fingers without seeing the object. This capability is defined as `haptic glance' in cognitive neuroscience. Most of the existing 3D recognition models were developed based on dense 3D data. Nonetheless, in many real-life use cases, where robots are used to collect 3D data by haptic exploration, only a limited number of 3D points could be collected. In this study, we thus focus on solving the intractable problem of how to obtain cognitively representative 3D key-points of a target object with limited interactions between the robot and the object. A novel reinforcement learning based framework is proposed, where the haptic exploration procedure (the agent iteratively predicts the next position for the robot to explore) is optimized simultaneously with the objective 3D recognition with actively collected 3D points. As the model is rewarded only when the 3D object is accurately recognized, it is driven to find the sparse yet efficient haptic-perceptual 3D representation of the object. Experimental results show that our proposed model outperforms the state of the art models., Comment: 5 pages

Nowadays, with the vigorous expansion and development of gaming video streaming techniques and services, the expectation of users, especially the mobile phone users, for higher quality of experience is also growing swiftly. As most of the existing research focuses on traditional video streaming, there is a clear lack of both subjective study and objective quality models that are tailored for quality assessment of mobile gaming content. To this end, in this study, we first present a brand new Tencent Gaming Video dataset containing 1293 mobile gaming sequences encoded with three different codecs. Second, we propose an objective quality framework, namely Efficient hard-RAnk Quality Estimator (ERAQUE), that is equipped with (1) a novel hard pairwise ranking loss, which forces the model to put more emphasis on differentiating similar pairs; (2) an adapted model distillation strategy, which could be utilized to compress the proposed model efficiently without causing significant performance drop. Extensive experiments demonstrate the efficiency and robustness of our model., Comment: 5 pages

With the proliferation of various gaming technology, services, game styles, and platforms, multi-dimensional aesthetic assessment of the gaming contents is becoming more and more important for the gaming industry. Depending on the diverse needs of diversified game players, game designers, graphical developers, etc. in particular conditions, multi-modal aesthetic assessment is required to consider different aesthetic dimensions/perspectives. Since there are different underlying relationships between different aesthetic dimensions, e.g., between the `Colorfulness' and `Color Harmony', it could be advantageous to leverage effective information attached in multiple relevant dimensions. To this end, we solve this problem via multi-task learning. Our inclination is to seek and learn the correlations between different aesthetic relevant dimensions to further boost the generalization performance in predicting all the aesthetic dimensions. Therefore, the `bottleneck' of obtaining good predictions with limited labeled data for one individual dimension could be unplugged by harnessing complementary sources of other dimensions, i.e., augment the training data indirectly by sharing training information across dimensions. According to experimental results, the proposed model outperforms state-of-the-art aesthetic metrics significantly in predicting four gaming aesthetic dimensions., Comment: 5 pages

In this paper, we propose a novel framework to characterize a wide color gamut image content based on perceived quality due to the processes that change color gamut, and demonstrate two practical use cases where the framework can be applied. We first introduce the main framework and implementation details. Then, we provide analysis for understanding of existing wide color gamut datasets with quantitative characterization criteria on their characteristics, where four criteria, i.e., coverage, total coverage, uniformity, and total uniformity, are proposed. Finally, the framework is applied to content selection in a gamut mapping evaluation scenario in order to enhance reliability and robustness of the evaluation results. As a result, the framework fulfils content characterization for studies where quality of experience of wide color gamut stimuli is involved.

Objective image quality metrics try to estimate the perceptual quality of the given image by considering the characteristics of the human visual system. However, it is possible that the metrics produce different quality scores even for two images that are perceptually indistinguishable by human viewers, which have not been considered in the existing studies related to objective quality assessment. In this paper, we address the issue of ambiguity of objective image quality assessment. We propose an approach to obtain an ambiguity interval of an objective metric, within which the quality score difference is not perceptually significant. In particular, we use the visual difference predictor, which can consider viewing conditions that are important for visual quality perception. In order to demonstrate the usefulness of the proposed approach, we conduct experiments with 33 state-of-the-art image quality metrics in the viewpoint of their accuracy and ambiguity for three image quality databases. The results show that the ambiguity intervals can be applied as an additional figure of merit when conventional performance measurement does not determine superiority between the metrics. The effect of the viewing distance on the ambiguity interval is also shown.

Confinement during COVID-19 has caused serious effects on agriculture all over the world. As one of the efficient solutions, mechanical harvest/auto-harvest that is based on object detection and robotic harvester becomes an urgent need. Within the auto-harvest system, robust few-shot object detection model is one of the bottlenecks, since the system is required to deal with new vegetable/fruit categories and the collection of large-scale annotated datasets for all the novel categories is expensive. There are many few-shot object detection models that were developed by the community. Yet whether they could be employed directly for real life agricultural applications is still questionable, as there is a context-gap between the commonly used training datasets and the images collected in real life agricultural scenarios. To this end, in this study, we present a novel cucumber dataset and propose two data augmentation strategies that help to bridge the context-gap. Experimental results show that 1) the state-of-the-art few-shot object detection model performs poorly on the novel `cucumber' category; and 2) the proposed augmentation strategies outperform the commonly used ones., Comment: 6 pages

The development of rigorous quality assessment model relies on the collection of reliable subjective data, where the perceived quality of visual multimedia is rated by the human observers. Different subjective assessment protocols can be used according to the objectives, which determine the discriminability and accuracy of the subjective data. Single stimulus methodology, e.g., the Absolute Category Rating (ACR) has been widely adopted due to its simplicity and efficiency. However, Pair Comparison (PC) is of significant advantage over ACR in terms of discriminability. In addition, PC avoids the influence of observers' bias regarding their understanding of the quality scale. Nevertheless, full pair comparison is much more time-consuming. In this study, we therefore 1) employ a generic model to bridge the pair comparison data and ACR data, where the variance term could be recovered and the obtained information is more complete; 2) propose a fusion strategy to boost pair comparisons by utilizing the ACR results as initialization information; 3) develop a novel active batch sampling strategy based on Minimum Spanning Tree (MST) for PC. In such a way, the proposed methodology could achieve the same accuracy of pair comparison but with the compelxity as low as ACR. Extensive experimental results demonstrate the efficiency and accuracy of the proposed approach, which outperforms the state of the art approaches., Comment: 8 pages, 11 figures

Spatial trajectories are ubiquitous and complex signals. Their analysis is crucial in many research fields, from urban planning to neuroscience. Several approaches have been proposed to cluster trajectories. They rely on hand-crafted features, which struggle to capture the spatio-temporal complexity of the signal, or on Artificial Neural Networks (ANNs) which can be more efficient but less interpretable. In this paper we present a novel ANN architecture designed to capture the spatio-temporal patterns characteristic of a set of trajectories, while taking into account the demographics of the navigators. Hence, our model extracts markers linked to both behaviour and demographics. We propose a composite signal analyser (CompSNN) combining three simple ANN modules. Each of these modules uses different signal representations of the trajectory while remaining interpretable. Our CompSNN performs significantly better than its modules taken in isolation and allows to visualise which parts of the signal were most useful to discriminate the trajectories., Comment: 5 pages, 9 figures, submitted to Eusipco2020 conference

In the big data era, data labeling can be obtained through crowdsourcing. Nevertheless, the obtained labels are generally noisy, unreliable or even adversarial. In this paper, we propose a probabilistic graphical annotation model to infer the underlying ground truth and annotator's behavior. To accommodate both discrete and continuous application scenarios (e.g., classifying scenes vs. rating videos on a Likert scale), the underlying ground truth is considered following a distribution rather than a single value. In this way, the reliable but potentially divergent opinions from "good" annotators can be recovered. The proposed model is able to identify whether an annotator has worked diligently towards the task during the labeling procedure, which could be used for further selection of qualified annotators. Our model has been tested on both simulated data and real-world data, where it always shows superior performance than the other state-of-the-art models in terms of accuracy and robustness.

Deep neural networks are vulnerable to adversarial attacks., Comment: Accepted by AAAI2020

Stereoscopic image quality measurement (SIQM) has become increasingly important for guiding stereo image processing and commutation systems due to the widespread usage of 3D contents. Compared with conventional methods which are relied on hand-crafted features, deep learning oriented measurements have achieved remarkable performance in recent years. However, most existing deep SIQM evaluators are not specifically built for stereoscopic contents and consider little prior domain knowledge of the 3D human visual system (HVS) in network design. In this paper, we develop a Predictive Auto-encoDing Network (PAD-Net) for blind/No-Reference stereoscopic image quality measurement. In the first stage, inspired by the predictive coding theory that the cognition system tries to match bottom-up visual signal with top-down predictions, we adopt the encoder-decoder architecture to reconstruct the distorted inputs. Besides, motivated by the binocular rivalry phenomenon, we leverage the likelihood and prior maps generated from the predictive coding process in the Siamese framework for assisting SIQM. In the second stage, quality regression network is applied to the fusion image for acquiring the perceptual quality prediction. The performance of PAD-Net has been extensively evaluated on three benchmark databases and the superiority has been well validated on both symmetrically and asymmetrically distorted stereoscopic images under various distortion types.

Data size is the bottleneck for developing deep saliency models, because collecting eye-movement data is very time consuming and expensive. Most of current studies on human attention and saliency modeling have used high quality stereotype stimuli. In real world, however, captured images undergo various types of transformations. Can we use these transformations to augment existing saliency datasets? Here, we first create a novel saliency dataset including fixations of 10 observers over 1900 images degraded by 19 types of transformations. Second, by analyzing eye movements, we find that observers look at different locations over transformed versus original images. Third, we utilize the new data over transformed images, called data augmentation transformation (DAT), to train deep saliency models. We find that label preserving DATs with negligible impact on human gaze boost saliency prediction, whereas some other DATs that severely impact human gaze degrade the performance. These label preserving valid augmentation transformations provide a solution to enlarge existing saliency datasets. Finally, we introduce a novel saliency model based on generative adversarial network (dubbed GazeGAN). A modified UNet is proposed as the generator of the GazeGAN, which combines classic skip connections with a novel center-surround connection (CSC), in order to leverage multi level features. We also propose a histogram loss based on Alternative Chi Square Distance (ACS HistLoss) to refine the saliency map in terms of luminance distribution. Extensive experiments and comparisons over 3 datasets indicate that GazeGAN achieves the best performance in terms of popular saliency evaluation metrics, and is more robust to various perturbations. Our code and data are available at: https://github.com/CZHQuality/Sal-CFS-GAN.

Nowadays, 360{\deg} video/image has been increasingly popular and drawn great attention. The spherical viewing range of 360{\deg} video/image accounts for huge data, which pose the challenges to 360{\deg} video/image processing in solving the bottleneck of storage, transmission, etc. Accordingly, the recent years have witnessed the explosive emergence of works on 360{\deg} video/image processing. In this paper, we review the state-of-the-art works on 360{\deg} video/image processing from the aspects of perception, assessment and compression. First, this paper reviews both datasets and visual attention modelling approaches for 360{\deg} video/image. Second, we survey the related works on both subjective and objective visual quality assessment (VQA) of 360{\deg} video/image. Third, we overview the compression approaches for 360{\deg} video/image, which either utilize the spherical characteristics or visual attention models. Finally, we summarize this overview paper and outlook the future research trends on 360{\deg} video/image processing., Comment: Submitted to IEEE J-STSP SI of Perception-driven 360-degree video processing as an Invited Overview Paper

Currently, a plethora of saliency models based on deep neural networks have led great breakthroughs in many complex high-level vision tasks (e.g. scene description, object detection). The robustness of these models, however, has not yet been studied. In this paper, we propose a sparse feature-space adversarial attack method against deep saliency models for the first time. The proposed attack only requires a part of the model information, and is able to generate a sparser and more insidious adversarial perturbation, compared to traditional image-space attacks. These adversarial perturbations are so subtle that a human observer cannot notice their presences, but the model outputs will be revolutionized. This phenomenon raises security threats to deep saliency models in practical applications. We also explore some intriguing properties of the feature-space attack, e.g. 1) the hidden layers with bigger receptive fields generate sparser perturbations, 2) the deeper hidden layers achieve higher attack success rates, and 3) different loss functions and different attacked layers will result in diverse perturbations. Experiments indicate that the proposed method is able to successfully attack different model architectures across various image scenes.

Virtual viewpoints synthesis is an essential process for many immersive applications including Free-viewpoint TV (FTV). A widely used technique for viewpoints synthesis is Depth-Image-Based-Rendering (DIBR) technique. However, such techniques may introduce challenging non-uniform spatial-temporal structure-related distortions. Most of the existing state-of-the-art quality metrics fail to handle these distortions, especially the temporal structure inconsistencies observed during the switch of different viewpoints. To tackle this problem, an elastic metric and multi-scale trajectory based video quality metric (EM-VQM) is proposed in this paper. Dense motion trajectory is first used as a proxy for selecting temporal sensitive regions, where local geometric distortions might significantly diminish the perceived quality. Afterwards, the amount of temporal structure inconsistencies and unsmooth viewpoints transitions are quantified by calculating 1) the amount of motion trajectory deformations with elastic metric and, 2) the spatial-temporal structural dissimilarity. According to the comprehensive experimental results on two FTV video datasets, the proposed metric outperforms the state-of-the-art metrics designed for free-viewpoint videos significantly and achieves a gain of 12.86% and 16.75% in terms of median Pearson linear correlation coefficient values on the two datasets compared to the best one, respectively., Comment: 13 pages

In this paper, we proposed a no-reference (NR) quality metric for RGB plus image-depth (RGB-D) synthesis images based on Generative Adversarial Networks (GANs), namely GANs-NQM. Due to the failure of the inpainting on dis-occluded regions in RGB-D synthesis process, to capture the non-uniformly distributed local distortions and to learn their impact on perceptual quality are challenging tasks for objective quality metrics. In our study, based on the characteristics of GANs, we proposed i) a novel training strategy of GANs for RGB-D synthesis images using existing large-scale computer vision datasets rather than RGB-D dataset; ii) a referenceless quality metric based on the trained discriminator by learning a `Bag of Distortion Word' (BDW) codebook and a local distortion regions selector; iii) a hole filling inpainter, i.e., the generator of the trained GANs, for RGB-D dis-occluded regions as a side outcome. According to the experimental results on IRCCyN/IVC DIBR database, the proposed model outperforms the state-of-the-art quality metrics, in addition, is more applicable in real scenarios. The corresponding context inpainter also shows appealing results over other inpainting algorithms.

In this paper we present a hybrid active sampling strategy for pairwise preference aggregation, which aims at recovering the underlying rating of the test candidates from sparse and noisy pairwise labelling. Our method employs Bayesian optimization framework and Bradley-Terry model to construct the utility function, then to obtain the Expected Information Gain (EIG) of each pair. For computational efficiency, Gaussian-Hermite quadrature is used for estimation of EIG. In this work, a hybrid active sampling strategy is proposed, either using Global Maximum (GM) EIG sampling or Minimum Spanning Tree (MST) sampling in each trial, which is determined by the test budget. The proposed method has been validated on both simulated and real-world datasets, where it shows higher preference aggregation ability than the state-of-the-art methods., Comment: NIPS 2018

Free-Viewpoint Video (FVV) systems allow the viewers to freely change the viewpoints of the scene. In such systems, view synthesis and compression are the two main sources of artifacts influencing the perceived quality. To assess this influence, quality evaluation studies are often carried out using conventional displays and generating predefined navigation trajectories mimicking the possible movement of the viewers when exploring the content. Nevertheless, as different trajectories may lead to different conclusions in terms of visual quality when benchmarking the performance of the systems, methods to identify critical trajectories are needed. This paper aims at exploring the impact of exploration trajectories (defined as Hypothetical Rendering Trajectories: HRT) on perceived quality of FVV subjectively and objectively, providing two main contributions. Firstly, a subjective assessment test including different HRTs was carried out and analyzed. The results demonstrate and quantify the influence of HRT in the perceived quality. Secondly, we propose a new objective video quality assessment measure to objectively predict the impact of HRT. This measure, based on Sketch-Token representation, models how the categories of the contours change spatially and temporally from a higher semantic level. Performance in comparison with existing quality metrics for FVV, highlight promising results for automatic detection of most critical HRTs for the benchmark of immersive systems., Comment: 11 pages, 7 figures

Assessment of multimedia quality relies heavily on subjective assessment, and is typically done by human subjects in the form of preferences or continuous ratings. Such data is crucial for analysis of different multimedia processing algorithms as well as validation of objective (computational) methods for the said purpose. To that end, statistical testing provides a theoretical framework towards drawing meaningful inferences, and making well grounded conclusions and recommendations. While parametric tests (such as t test, ANOVA, and error estimates like confidence intervals) are popular and widely used in the community, there appears to be a certain degree of confusion in the application of such tests. Specifically, the assumption of normality and homogeneity of variance is often not well understood. Therefore, the main goal of this paper is to revisit them from a theoretical perspective and in the process provide useful insights into their practical implications. Experimental results on both simulated and real data are presented to support the arguments made. A software implementing the said recommendations is also made publicly available, in order to achieve the goal of reproducible research.

A depth image provides partial geometric information of a 3D scene, namely the shapes of physical objects as observed from a particular viewpoint. This information is important when synthesizing images of different virtual camera viewpoints via depth-image-based rendering (DIBR). It has been shown that depth images can be efficiently coded using contour-adaptive codecs that preserve edge sharpness, resulting in visually pleasing DIBR-synthesized images. However, contours are typically losslessly coded as side information (SI), which is expensive if the object shapes are complex. In this paper, we pursue a new paradigm in depth image coding for color-plus-depth representation of a 3D scene: we pro-actively simplify object shapes in a depth and color image pair to reduce depth coding cost, at a penalty of a slight increase in synthesized view distortion. Specifically, we first mathematically derive a distortion upper-bound proxy for 3DSwIM---a quality metric tailored for DIBR-synthesized images. This proxy reduces interdependency among pixel rows in a block to ease optimization. We then approximate object contours via a dynamic programming (DP) algorithm to optimally trade off coding cost of contours using arithmetic edge coding (AEC) with our proposed view synthesis distortion proxy. We modify the depth and color images according to the approximated object contours in an inter-view consistent manner. These are then coded respectively using a contour-adaptive image codec based on graph Fourier transform (GFT) for edge preservation and HEVC intra. Experimental results show that by maintaining sharp but simplified object contours during contour-adaptive coding, for the same visual quality of DIBR-synthesized virtual views, our proposal can reduce depth image coding rate by up to 22% compared to alternative coding strategies such as HEVC intra., Comment: 13 pages, submitted to IEEE Transactions on Circuits and Systems for Video Technology