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En el presente texto se analizan los procesos mutantes de las protagonistas de las novelas El animal sobre la piedra, de Daniela Tarazona, y Moho, de Paulette Jonguitud. A partir de una lectura hermenéutica se establece cómo el proceso de transformación posibilita salir del duelo, acceder a lógicas paralelas a la humana y dejar un legado que asienta la potencialidad de habitar lo mutante., This text analyzes the mutant processes of the protagonists of the novels The Animal on the Stone, by Daniela Tarazona, and Moho, by Paulette Jonguitud. From a hermeneutic reading, it is established how the transformation process makes it possible to get out of grieving, access parallel to human logics, and leave a legacy that establishes the potential of inhabiting the mutant.

The proposal of this study is to gather in a text the main ideas presented and discussed during the Research Seminar entitled “Philosophy of Violence: thinking about violence against women” of the University Rey Juan Carlos in Spain. The structure of the work has been developed as follows: initially we present a very significant episode of violence against women's bodies that occurred in Brazil in in 2016. Then, we contextualize, thinking about this violence by describing some actions and academic discussions developed within the study group on contemporary Brazilian literature at the University of Brasilia. Finally, we end with a brief comment on works by contemporary writers who fictionally rework the theme of femicide. Este texto reúne las principales ideas presentadas y discutidas durante el Seminario de Investigación “Filosofía de la Violencia: pensar las violencias contra las mujeres”, de la Universidad Rey Juan Carlos (España). La estructura del trabajo se ha desarrollado de la siguiente manera: inicialmente se presenta un episodio significativo de violencia sobre los cuerpos de las mujeres que ocurrió en Brasil en 2016. Después, se contextualiza el pensar sobre esa violencia describiendo algunas acciones y discusiones académicas desarrolladas en el interior del Grupo de Estudios sobre Literatura Brasilera Contemporánea, de la Universidad de Brasilia. Por último, y en concordancia, se realiza un breve comentario sobre obras de escritoras y escritores contemporáneos que reelaboran, ficcionalmente, el tema del feminicidio.

Text in Turkish ; Abstract: English and Turkish Includes bibliographical references (leaves 96-98) xiii 98, leaves 1990’lı yıllar ve sonrasında Türk sinemasında yaşanan değişim ve evrim ile birlikte Türk sinemasının bir dönüşüme girdiği, yeni bir üslup ve biçimin geliştiği görülmektedir. 1990 öncesi döneme ait kötü ve vasat koşullar, 1990’lı yılların değişim ve dönüşüm zeminini hazırlamış, bu dönüşüm bağımsız, modern ve çağdaş anlatıyı benimseyen yönetmenlerin keşfine destek sağlamıştır. Bu yönetmenlerden birisi olarak Çağdaş Türk Sineması’nda önemli bir yere sahip olan Zeki Demirkubuz ve onun sinema anlayışı, çağdaş anlatı ışığında ve anlatı yapısı bağlamında Masumiyet (1997) filmi literatür taraması yapılarak incelenmektedir. Bu bilimsel çalışmada, anlatı kavramı ve tarihsel devinimini, anlatı kuramı ve anlatı yapıları, öykü ve söylem’e dair temel öğeler baz alınarak Zeki Demirkubuz’un Masumiyet (1997) filmi detaylı bir şekilde öykü ve söylem, zaman, mekan ve karakterler bakımından incelenmektedir. Bununla birlikte yönetmenin biçemi, üslubu, filmlerindeki konu, tema ve karakterleri baz alınarak benzerlikler ve zıtlıklar tespit edilmektedir. Bu çalışmada auteur yönetmen yaklaşımının Türk sinemasındaki yansıması olan Demirkubuz sinemasının sergilediği üslup ve temsili anlatılmaktadır. Dolayısıyla konu, tema ve karakter motifleri bakımından incelendiğinde, Demirkubuz’un, filmlerinde oturmuş ve yer edinmiş bir tarzı olduğu da görülmektedir. Filmlerinde öykü zamanı, söylem zamanı ve karakterlerin bu zaman çerçevesindeki tutumları ve benzerlikleri de saptanılmıştır. Böylelikle anlatı yapısı bağlamında, yönetmenin filmlerinde kendine has bir üslup geliştirdiği, filmlerinin ortak bir yapı ve dil gibi unsurlar barındırdığı tespit edilmiştir. Bununla birlikte modern hayat, metropol ve kent insanın sıkışmışlığı, anlatı yapısı bağlamında anlatılıp aktarılmıştır. It is seen that Turkish cinema entered a transformation and a new style and form developed with the change and evolution experienced in Turkish cinema in the 1990s and later. The poor and mediocre conditions of the pre-1990 period prepared the ground for change and transformation in the 1990s, and this transformation supported the discovery of directors who adopted independent, modern and contemporary narratives. As one of these directors, Zeki Demirkubuz, who has an important place in Contemporary Turkish Cinema, and his cinematic understanding are examined in the light of contemporary narrative and in the context of its narrative structure, the film Masumiyet (Innocence- 1997) by literature review. In this scientific study, Zeki Demirkubuz's Masumiyet (Innocence- 1997) movie is analyzed in detail in terms of story and discourse, time, space and characters, based on the concept of narrative and its historical movement, narrative theory and narrative structures, basic elements of story and discourse. In addition, similarities and contrasts are determined based on the director's style, style, subjects, themes and characters in his films. In this study, the style and representation of Demirkubuz cinema, which is the reflection of the auteur director approach in Turkish cinema, is explained. Therefore, when the subject is examined in terms of themes and character motifs, it is seen that Demirkubuz has a well-established style in his films. In his films, story time, discourse time and the attitudes and similarities of the characters in this time frame were also determined. Thus, in the context of narrative structure, it has been determined that the director has developed a unique style in his films, and his films contain elements such as a common structure and language. In addition to this, modern life, metropolitan and urban people's stuckness has been explained and conveyed in the context of narrative structure. ANLATI KURAMINA TARİHSEL PERSPEKTİFTEN BİR BAKIŞ Anlatı Kavramı ve Tarihsel Devinimi Anlatı Kavramı Antik Yunan’da Anlatı: Aristoteles ve Poetika Roma Döneminde Anlatı: Latin Komedyası Üzerine Orta Çağ Karanlığından Rönesans’a Geçiş’te Anlatının Önemi Anlatının Şiirsel Dili Anlatının Yeni Bir Değer Anlayışı Anlatının Çağdaşlık Olgusu Anlatı Kuramı Öykü ve Söylem Bir Anlatı Kuramındaki Olaylar ve Zaman Bir Anlatı Kuramındaki Varlıklar ve Uzam Karakterler Anlatı Yapıları Klasik Anlatı Sineması Çağdaş Anlatı Sineması Klasik Anlatı ve Çağdaş Anlatıya Karşılaştırmalı Bir Bakış 1990 SONRASI TÜRK SİNEMASI VE ZEKİ DEMİRKUBUZ SİNEMASININ ÇAĞDAŞ ANLATI BAĞLAMINDA GELİŞİMİ Bağımsız Sinema 1990 Sonrası Türk Sinemasında Bağımsız Sinema Tartışmaları Bağımsız Sinema ve Çağdaş Anlatı İlişkisi Anlatı Yapısı Bağlamında Zeki Demirkubuz Sineması ÇAĞDAŞ ANLATI PERSPEKTİFİNDE MASUMİYET FİLMİ ANALİZİ Öykü ve Olay Örgüsü Zaman Mekan Karakterler

A presente tese objetiva analisar de que maneira a relação entre sujeito e espaço, nos romances O filho da mãe (2009) e Simpatia pelo demônio (2016), do escritor contemporâneo Bernardo Carvalho, explicita os conflitos em torno de questões identitárias. Partimos da hipótese de que o deslocamento, seja ele representado pelo trânsito, pela errância dos personagens, pela crise e fluidez das identidades, traz para o primeiro plano identidades desviantes que, sob vários aspectos, põem em questão a crise do masculino desafiando as fronteiras heteronormativas e seus arranjos dentro dos mecanismos discursivos. Nesse sentido, Bernardo Carvalho, nesses dois romances, apresenta personagens errantes/estrangeiros cuja representação gravita em torno das questões do homoerotismo e das demandas do desejo em diferentes contextos sociais e geográficos. A análise das obras, sob o prisma do desejo homoerótico, permitiu que se verificasse essa articulação entre espaço e identidade não heteronormativa, a partir de uma sociabilidade corpórea dos personagens implicando, assim, em uma literatura aberta à diferença. A metodologia desta pesquisa, que é de cunho bibliográfico, contempla os estudos teórico-críticos formulados por Stuart Hall (2003/2006/2014), Regina Dalcastagnè (2012), Néstor García Canclini (2016), Michel de Certeau (2014), Tim Cresswell (2006), Doreen Massey (2015), Marc Augé (1994/2006/2010), Judith Butler (2008/2015/2019), Michel Foucault (1981/2010/2014/2018/2019a/2019b/2020), Guacira Lopes Louro (2010/2020), dentre outros. Assim, esperamos que os resultados contribuam com a fortuna crítica da obra ficcional de Bernardo Carvalho, especificamente, sobre os romances O filho da mãe e Simpatia pelo demônio. The present thesis aims to analyze how the relationship between the subject and space, in the no-vels O Filho da Mãe (2009) and Simpatia pelo demônio (2016), by the contemporary writer Ber-nardo Carvalho, explains the conflicts around identity issues. We start from the hypothesis that displacement – whether represented by traffic, the wandering of characters, the crisis and fluidity of identities – brings to the forefront deviant identities that, in various aspects, call into question the crisis of the masculine, challenging heteronormative boundaries and their arrangements within discursive mechanisms. In this sense, Bernardo Carvalho, in these two novels, presents wandering/foreigner characters whose representation revolves around issues of homoeroticism and the demands of desire in different social and geographical contexts. Works analysis from the perspective of homoerotic desire, allowed this articulation between space and non-heteronormative identity to be verified, from a corporeal sociability of the characters, implying, therefore, in a literature open to difference. The methodology of this research, which is bibliogra-phical in nature, includes the theoretical-critical studies formulated by: Stuart Hall (2003/2006/2014), Regina Dalcastagnè (2012), Néstor García Canclini (2016), Michel de Certeau (2014), Tim Cresswell (2006), Doreen Massey (2015), Marc Augé (1994/2006/2010), Judith Bu-tler (2008/2015/2019), Michel Foucault (1981/2010/2014/2018/2019a/2019b/2020), Guacira Lo-pes Louro (2010/2020), among others. Thus, we hope that the results will contribute to the critical fortune of Bernardo Carvalho's fictional work, specifically, on the novels O filho da Mãe and Simpatia pelo demônio. Outro

Resumen Este es un artículo de carácter comparativo. Se estudian principalmente tres relatos breves de Franz Kafka y uno de Albert Camus. En ellos, los autores escogieron como temas centrales el arte y la vida de los artistas. Las similitudes estéticas encontradas se exponen a lo largo del artículo; las conclusiones subrayan que existen diferencias en la ética. Abstract This is a comparative article. Mainly three Kafka short stories are studied, as well as one by Albert Camus. In them, the authors chose as their central themes art and life of the artists. The aesthetic similarities found are exposed throughout the article; the conclusions emphasize that there are differences in ethics.

There are works that carry in themselves the germ of writing; they can draw, in an almost metaliterary game, the theoretical framework and the poetics of the author. This article aims to analyze the evolution of the narrative writing of Mario Vargas Llosa starting from one of his first novels, Aunt Julia and the writer. Although very successful, it has been unfairly considered as a secondary novel within his vast production. The book, however, contains several autobiographical and theoretical elements which are the key to understand the writing process of the author and the idea of novel of the Peruvian-Hispanic writer., Confluenze. Rivista di Studi Iberoamericani, Vol 11, No 2 (2019): Indigenous and Afrodescendant Spaces in Latin American Cities, Federica Morelli and Sofia Venturoli editors

Este trabajo pretende reflexionar sobre cómo el aburrimiento se ha convertido en un recurso estético en la novela contemporánea; cómo, a través de una serie de estrategias, los autores consiguen despertar en los lectores las sensaciones de hastío, fatiga, confusión, entre otros síntomas asociados históricamente al aburrimiento, de modo que pueden llegar a experimentar un extrañamiento que los obliga a mirar el texto de una forma diferente a la habitual y que les demanda una atención interpretativa que incluso podría volverse autorreflexiva. Tras un breve repaso de las principales manifestaciones del tedio en la narrativa occidental, estudiaremos cómo algunas de las experimentaciones formales de las vanguardias históricas sirvieron de base para convertir el aburrimiento en un artificio literario con el que provocar al lector, ya fuera a partir del recurso a la cotidianidad, la complejidad formal, la densidad lingüística o la anulación de la trama. The objective of this work is to reflect on how boredom became an aesthetic artifact in contemporary novels; how authors manage to awaken boredom in the readers arousing fatigue, confusion and other symptoms historically associated with this affect, so they experience an estrangement that forces them to look at the text in a different way than usual. This estrangement requires an interpretative attention that might even become self-reflexive. After briefly reviewing the main manifestations of boredom in Western narrative, we will study how some of the formal experimentations of the historical avant-gardes served as a basis for turning boredom into a literary artifice with which to provoke the readers, whether by recurring to the everydayness, formal complexity of the narrative structure, linguistic density, or the annulment of the plot.

[Resumen] Este Trabajo de Fin de Grado constituye un estudio de las novelas Hija del camino y El aroma de los mangos, obras de los autores Lucía Mbomío Rubio y Paulo Akam, respectivamente. El objetivo principal ha sido desarrollar las intersecciones de los constructos sociales de raza, etnia y género en el proceso de construcción identitaria de los protagonistas. En segundo lugar, he pretendido contextualizar las principales experiencias reflejadas dentro del discurso cultural internacional que rodea a la diáspora africana y a las producciones de los afrodescendientes. Por ello, he estructurado mi trabajo en cuatro apartados: una breve síntesis de la historia colonial entre Guinea Ecuatorial y España, con la que busco combatir el desconocimiento sobre este pasado reciente, y tres secciones temáticas basadas en la familia, el entorno español y el vínculo con África. Para la realización de este proyecto he empleado una metodología basada en el campo de los estudios poscoloniales, los estudios afroamericanos, la teoría de la interseccionalidad, acuñada por Kimberlé Crenshaw y el concepto del nuevo y la nueva mestiza de Gloria Anzaldúa. Las conclusiones alcanzadas como resultado de mi análisis revelan una discriminación multifacética que deja a los protagonistas en una situación de profundo desarraigo. Traballo fin de grao (UDC.FIL). Español estudios lingüísticos y literarios. Curso 2020/2021

Este artículo se centra en analizar la influencia del cine en la novela La noche de la Usina del escritor y guionista argentino Eduardo Sacheri. Tras exponer brevemente los mayores aportes en cuanto a las relaciones entre literatura y cine, comenzamos nuestro análisis mediante la comparación del prólogo de la novela y el tráiler cinematográfico, pues ambos funcionan como paratextos. Seguidamente, se analiza cómo es posible detectar la influencia de la escritura del guion en la construcción narrativa de la novela. Por último, estudiamos la presencia de los géneros cinematográficos del thriller y el western en la obra, pues ambos ayudan a construir el lenguaje de los personajes y el desarrollo de la trama. This paper focuses on analyzing the influence of film in the novel La noche de la Usina by the Argentinian writer and scriptwriter Eduardo Sacheri. After a brief exposition of the most important contributions to Film and Literature Theory, our analysis begins by comparing the novel’s prologue to the cinematographic trailer, since both communicative instances function as paratexts. Consequently, we analyze how the influence of script writing can be observed in the narrative construction of the novel. Finally, we study how both the thriller and the western as cinematographic genres are present in the novel, helping to build the character’s language and the development of the story.

Neste trabalho analisamos como certas fantasias acerca do relato na literatura estão associadas à escritura na narrativa contemporânea, por meio do investimento nas indefinições estruturais, na forma errante e na expansão do literário como forma cognitiva. Para isso, dialogamos com diferentes narrativas latinoamericanas pós-1990, centrando-nos em Shiki Nagaoka: una nariz de ficción, de Bellatin, 2666, de Bolaño, e El olvido que seremos, de Faciolince. I analyze how certain fantasies about story in literature are associated with writing, in contemporary narrative, through an investment towards structural indeterminations, wandering form and a sprawl of literary text as cognitive form. For that approach, the study dialogues with several Latin American narratives post-1990, focusing on Bellatin’s Shiki Nagaoka: una nariz de ficción, Bolaño’s 2666 and Faciolince’s El olvido que seremos.

O artigo estuda dois romances contemporâneos à luz de uma crítica política e estética à globalização, em favor de uma economia dos afetos. Em A maçã envenenada, de Michel Laub, discutiremos os componentes éticos em torno da questão do outro e das escolhas individuais no mundo da experiência. Com O filho da mãe, de Bernardo Carvalho, os processos de migração, mobilidade e clausura nos ajudam a pensar em que termos a narrativa carvaliana ficcionaliza o drama dos sujeitos no mundo contemporâneo. Em ambas as narrativas, mostraremos de que maneiras o campo literário se insere no circuito crítico que pensa os afetos e a questão da convivência em um mundo cada vez pautado pela “cultura do dinheiro”, conforme apontou Fredric Jameson, o que torna os “amores líquidos”, na acepção de Zygmunt Bauman, um dos sintomas das dificuldades de nossa época em relação às trocas interpessoais. Ao longo deste trabalho, discutiremos as relações entre escrita literária, mundo representado ficcionalmente e etnobiografia. The article studies two contemporary novels on the perspective of a political and aesthetical criticism of the so-called globalization on behalf of an economy of the affects. In A maçã envenenada, by Michel Laub, we will discuss the ethical components in the relations between subjectivity and experience. In our reading of O filho da mãe, by Bernardo Carvalho, migrational processes, mobility and closure will be the key issues that will help us inquire the limits and possibilities of the globalized process of living together. Both narratives contribute to insert the literary field in the critical circuits that understand the problems of the affect and the co-existence in a world characterized by “the culture of the money”, as Fredric Jameson once defined, thus enabling the emergence of the “liquid love”, expression used by Zygmunt Bauman to describe the difficulties concerning togetherness in our age. At the end, the article proposes an inquiry on the connections between literary writing and etnography in the world fictionally represented in the two novels investigated.

Resumo Neste artigo, analisamos o romance Meshugá (2016), de Jacques Fux, procurando compreender como, em sua textualidade, operam-se três movimentos fundamentais, a saber: a criação de uma persona de escritor, o diálogo com as indefinições genéricas típicas da literatura contemporânea, e uma reflexão ética sobre os desafios e as possibilidades atuais para as literaturas ligadas à memória do holocausto e da perseguição aos judeus ao longo da história. Abstract In this article, I analyze the novel Meshugá, by Brazilian writer Jacques Fux, looking for understand how are three main movements made in its literary constitution: a creating of an author’s mask, a dialogue with nonspecificities of literary genres, typical in contemporary literature, as well as an ethical thinking about the currently challenges and possibilities for the literature associated to memories of Holocaust and the persecutions to Jews throughout the history. Resumen En este artículo se analiza la novela Meshugá, del brasileño Jacques Fux, con lo que se busca deslindar los tres principales senderos que se despliegan en la obra: la creación de una figura de escritor, el diálogo con las indefiniciones típicamente contemporáneas de los género escriturales, así como la reflexión ética en torno a las literaturas relacionadas con la memoria del holocausto y la historia de persecuciones a los judíos.

This article presents an analysis of Veronica’s Stigger work, Opisanie Świata (2013), focusing on the construction of this narrative. The discussions are directed, first, around the theories of novel and romance, in order to perceive the characteristics of the narrative that link to these two genres. Then the idea of contemporary, developed by Agamben (2009), will be linked to work at the same time discussing the presence of the narrative in the era of multiplicity, based on the theoretical concepts of Resende (2008). This is a bibliographic research based on the postulates of Bakhtin (2010), Carneiro (2005), Eikhenbaum (1971), Soares (2007), among others. Through the analysis, the text presents the work of Stigger as a hybrid narrative resulting from the merger between romance and novel, and indicates the points that characterize the work as belonging to the era of multiplicity, along with aspects of contemporary idea. Este artigo apresenta uma análise da obra Opisanie Świata (2013), de Veronica Stigger, com enfoque para a construção dessa narrativa. As discussões são direcionadas, primeiramente, em torno das teorias sobre novela e romance, no intuito de perceber as características da narrativa que apontam igualmente para esses dois gêneros. Em seguida, a ideia de contemporâneo, desenvolvida por Agamben (2009), será vinculada à obra, ao mesmo tempo em que se discute a presença da narrativa na era da multiplicidade, baseada nas concepções teóricas de Resende (2008). Trata-se de uma pesquisa bibliográfica com base nos postulados de Bakhtin (2010), Carneiro (2005), Eikhenbaum (1971), Soares (2007), dentre outros. Por meio da análise, o texto apresenta a obra de Stigger como uma narrativa híbrida, resultante da fusão entre romance e novela, bem como indica os pontos que caracterizam a obra como pertencente à era da multiplicidade, juntamente com os aspectos da ideia de contemporâneo.