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Copyright of Annals of Gazi Husrev-Beg's Library / Anali Gazi Husrev-Begove Biblioteke is the property of Gazi Husrev-Begove Biblioteke (GHB) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog Fakulteta u Sarajevu is the property of Faculty of Philosophy in Sarajevo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Oriental Philology / Prilozi za Orijentalnu Filologiju is the property of Orijentalni institut and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contributions to Oriental Philology / Prilozi za Orijentalnu Filologiju is the property of Orijentalni institut and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Annals of Gazi Husrev-Beg's Library / Anali Gazi Husrev-Begove Biblioteke is the property of Gazi Husrev-Begove Biblioteke (GHB) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The late 19th century art in Western Europe was marked by Art Nouveau, or Secession on the territory o f the Austro-Hungarian Monarchy. Certainly this movement is extremely important for Europe, as well as for the entire World, with exceptional importance. At the same time, due to its size, other aesthetics that were his contemporary are rarely mentioned. The paper draws attention to the traditional Islamic calligraphy, which was present during the Austro-Hungarian period in Bosnia and Herzegovina. This calligraphy, though it never had the opportunity to be present in all the Monarchy, has a high aesthetic quality. After finding concrete examples it isobvious presence of the active calligraphers and organized schools of calligraphy. The main aim of this paper is to encourage art historians and art theorists to give more space on research Islamic art in the history o f art of the Austro-Hungarian Monarchy. [ABSTRACT FROM AUTHOR]