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Uporaba obraznih slik je v današnjem času zelo razširjena. Z množično uporabo sistemov sledenja pogleda je področje analize gledanja obraznih slik postalo predmet številnih raziskav. Namen naše raziskave je bil razvoj nove kombinirane metode za analizo obraznih slik, s katero bi dodatno preverili rezultate analize obraznih slik, ki so bili pridobljeni po doslej znanih metodah. Prvi korak sta bila izbor in priprava obraznih slik iz ustreznih baz. Zaradi raznovrstnosti zadanih testiranj smo uporabili dve bazi obraznih slik: Minear and Park in Stirling. Najprej smo opravili časovno testiranje s štirimi različnimi časi in tremi različnimi dimenzijami sprednjih obraznih slik. Rezultate opazovanja obraznih slik v povezavi z uspešnostjo prepoznave smo predstavili s kombinirano metodo, ki je sestavljena iz doslej že poznane časovno dolžinske metode in novo zasnovane ploščinske metode. Dodatno smo uporabili metodo analize obraznih delov in metodo merjenja časov odgovorov pri razpoznavi. Vsi rezultati so nam pokazali točko spremembe pri opazovanju obraznih slik štiri sekunde in le pogojno uporabnost sistema sledenja pogleda pri majhnih dimenzijah obraznih slik. Te rezultate smo uporabili za pripravo testov profilnih obraznih slik, pri katerih smo posledično uporabili dve različni dimenziji obraznih slik (srednjo in veliko). Primerjava prepoznave sprednjih in profilnih obraznih slik nam je pokazala občutne razlike med sprednjimi in profilnimi obraznimi slikami le pri napačni prepoznavi. Uporaba kombinirane metode in metode analize obraznih delov pa nam je razkrila drugačen način opazovanja profilnih obraznih slik, saj se je ogled celotnega obraza zgodil v krajšem času kot pri sprednjih obraznih slikah. Naslednje testiranje smo izvedli na slikah obrazov, prikazanih pod različnimi koti, pri čemer so nam rezultati kombinirane metode pokazali različno dojemanje obrazov v odvisnosti od kota prikaza obraza. Na koncu smo kombinirano metodo testirali še pri prepoznavi čustev, pri čemer smo ugotovili veliko skladnost ploščinske metode in metode analize obraznih delov. Ker nam je analiza obraznih delov v večini potrdila rezultate prepoznave čustev, lahko to novo ploščinsko metodo uporabimo tudi pri prepoznavi čustev. Rezultat našega raziskovalnega dela je kombinirana metoda, katere del je novo razvita ploščinska metoda, ki služi kot podpora dosedanjim metodam pri analizah obraznih slik s sistemi sledenja pogleda. The use of facial images is widespread today. Popularization of the use of eye tracking systems, the field of observing facial images has become the subject of many researchers. The purpose of our research was development a new combined method for the analysis of facial images, which would further verify the results of the analysis of facial images obtained by other methods. The first step was selection and preparation of facial images from chosen facial databases. Due to the variety of tests we have chosen two facial image bases: Minear & Park and Stirling. At the beginning we performed time-spatial analyses with four different times and three different dimensions of the frontal facial images. The results of observing facial images in relation to recognition success were presented by combined method which consist previously known timespatial method and the newly designed area method. Additional results we obtained with facial features method and method of measuring response times in recognition process. All the results showed us the turning point in observing face images at four seconds observation time and indicated potential problems of use of eye tracking systems for small dimensions of facial images. These results were used for the preparation of profile facial image tests, where we used only two different dimensions of facial images (medium and large). Comparison of the recognition of front and profile facial images showed us a significant difference in results between frontal and profile facial images only in false recognition. The use of the combined method and the facial features method revealed a different way of observing profile facial images, where observing of whole face happened in a shorter time than that of the frontal facial images. Next testing was done on faces presented at different view angles, where the results of combined method showed us different perception of those facial images. The combined method was also tested in emotion recognition, where we found a great compliance of the area method and the facial features method. Since the facial features method has mainly confirmed the results of emotion recognition, we can also use the new surface method for emotion recognition. The result of our research work is a combined method, part of which is a newly developed area method, which results supported the methods used so far in the analysis of facial images with eye tracking systems.

Niobijev triselenid (NbSe$_3$) je anorganska spojina iz družine kvazi enodimenzionalnih trihalkogenidov prehodnih kovin. Njegovo zgradbo lahko opišemo s kolonami trigonalnih prizem, pri čemer halkogeni atomi zasedajo njihova oglišča, v središču pa najdemo kovinske atome. Ti stolpci so zloženi v plasteh, ki so med seboj povezane z relativno šibkimi van der Waalsovimi vezmi. Zaradi take strukture kažejo ti materiali eno- kot tudi dvo-dimenzionalno naravo, elektroni v njih pa tvorijo valove gostote naboja (VGN). Osnovna struktura NbSe$_3$ je sestavljena iz treh tipov kolon, ki se razlikujejo po dimenzijah osnovnih ploskev prizem, ki kolono sestavljajo. Med ohlajanjem materiala s sobne temperature pride do dveh Peierlsovih prehodov. Pri prehodu pri temperaturi $mathrm{Tp_1=144 K}$ pride do pojava prvega VGN z valovnim vektorjem $q_1 = left(0, 0.241b^{*},0right)$, pri prehodu pri temperaturi $mathrm{Tp_2=59 K}$ pa do pojava drugega VGN z valovnim vektorjem $q_2 = left(0.5a^{*}, 0.260b^{*},0.5c^{*}right)$, kjer so $a^{*}$, $b^{*}$ in $c^{*}$ inverzne vrednosti dimenzij osnovne celice kristala NbSe$_3$. V preteklosti je bilo določeno na katerih kolonah in v kakšnih kombinacijah se dejansko pojavita ta dva VGN, vendar pa so rezultati preliminarnih meritev na Institutu Jožef Stefan z navedbami v literaturi ne skladajo. Pred nadaljnjimi študijami materiala NbSe$_3$ je bilo zato potrebno nedvoumno določiti na katerih kolonah se pojavijo VGN ter ali in na katerih kolonah pride do pojava obeh VGN. Najprimernejše orodje za take preiskave je vrstični tunelski mikroskop (VTM), ki poleg atomske omogoča tudi elektronsko preiskavo površin materialov. Z VTM nam je uspelo posneti dovolj velike slike površine NbSe$_3$ na katerih je hkrati vidna atomska struktura in VGN. S Fourierovo transformacijo smo analizirali slike in identificirali posamezne kolone ter oba VGN. Ugotovili smo, da se na koloni $III$ pojavlja valovni vektor $q_{2b}$, na koloni $I$ pa se pojavljata oba, $q_{1b}$ in $q_{2b}$. Na kolonah III je bilo v nekaterih primerih šibko videti tako valovni vektor $q_{1b}$ kot tudi $q_{2b}$. Ti rezultati so v nasprotju z rezultati, objavljenimi v literaturi. Niobium triselenide (NbSe$_3$) is an inorganic compound from the family of quasi-one-dimensional transition metal trichalcogenides. Its structure can be described by columns of trigonal prisms, with chalcogen atoms occupying their corners and metal atoms in the centre. These columns are stacked in layers that are interconnected by relatively weak van der Waals bonds. Due to this structure, these materials exhibit one and two dimensional nature, and the electrons in them form charge density waves (CDWs). The basic structure of (NbSe$_3$) consists of three types of columns that differ in the dimensions of the basic prism surfaces that make up the column. During the cooling of these material from room temperature, two Peierls transitions take place. The first CDW with a wave vector $q_1 = left(0, 0.241b^{*},0right)$ is formed at the transition at temperature $mathrm{Tp_1=144 K}$, and the second CDW with $q_2 = left(0.5a^{*}, 0.260b^{*},0.5c^{*}right)$ is formed at the transition at temperature $mathrm{Tp_2=59 K}$. Here $a^{*}$, $b^{*}$ and $c^{*}$ are inverse values of unit cell dimensions. In the past, it was determined on which columns and in what combinations these two CDWs actually appear, but the results of preliminary measurements at the Jozef Stefan Institute do not correspond with the data in the literature. Prior to further studies of NbSe$_3$ material, it was therefore necessary to determine unambiguously on which columns the VGNs occur and whether and on which columns the two VGNs occur. The most appropriate tool for such investigations is a scanning tunneling microscope (STM), which can simultaniously reveal atomic as well as electronic structure of surfaces. With STM, we were able to record large enough images of the NbSe$_3$ surface on which both the atomic structure and the CDWs are visible. Using the Fourier transform, we analyzed the images and identified individual columns and both CDWs. We found that only wave vector $q_{2b}$ appears on column $III$ and both $q_{1b}$ and $q_{2b}$ appear on column $I$. In some cases both $q_{1b}$ and $q_{2b}$ wave vectors could be seen on columns $III$. These results are in contrast to the results reported in the literature.

Tridimenzionalni liki so sestavni del sodobne industrije zabave, še posebej razvoja video iger, ki je danes ločeno, tehnološko hitro razvijajoče se področje. Cilj diplomskega dela je seznaniti se s tem področjem in postopkom ustvarjanja digitalnih likov ter preučiti in preizkusiti najbolj uporabne metode in tehnike oblikovanja. Teoretični del je razdeljen na več poglavij in podpoglavij. Prva poglavja zajemajo stile in področja uporabe 3D likov ter opis tehnične strani procesa izdelave. Dalje so navedene in opisane osnovne tehnike modeliranja in faze izdelave modelov, opisani so najbolj priljubljeni in pogosto uporabljeni programi za ustvarjanje likov. V eksperimentalnem delu je opisan proces izdelave 3D lika. Začne se s predstavitvijo obstoječega fantazijskega lika in izbranih referenc, nadaljuje se s postopkom samega oblikovanja lika. Razdeljen je na več delov, najprej je opisan postopek modeliranja vsakega dela telesa posebej, nato sledi oblikovanje dodatkov za model. Naslednji del govori o retopologiji in ustvarjanju UV map za vsak element ločeno. Temu sledijo poglavja, ki opisujejo nastavitev in nanašanje materialov. Eksperimentalni del se konča s postopkom osvetljevanja in upodabljanja scene. Rezultati diplomskega dela so statične upodobitvene slike ustvarjenega 3D lika. Z njimi so zajete različne perspektive in različni pogledi na model. Three-dimensional characters are an integral part of the modern entertainment industry, especially video games development, which is a particularly technologically rapidly developing field nowadays. The main goal of the diploma is to get acquainted with this field, the process of creating digital characters and to study and test the most helpful design methods and techniques. The theoretical part is divided into several chapters and subchapters. The first chapters cover the styles and areas of use of 3D characters and a description of the technical side of the production process. Next, basic modelling techniques and stages of model creation are listed and described, as well as the most popular and frequently used character creation programs. The process of creating a 3D character is described in the experimental part. It begins with presenting an existing fantasy character and the selected references, then continues with the procedures for creating the character itself. It is divided into several parts, beginning with describing the process of modelling each part of the body, followed by designing accessories for the model. The next part concerns retopology and creating UV maps for each element separately followed by chapters that describe setting up and applying materials. The practical part ends with the process of lighting and rendering the scene. The diploma results are static rendering images of the created 3D character. They cover different perspectives and views on the model.

Raziskava govori o piksel art animaciji, ki je bila uporabljena za videospot pesmi 2210 skupine Dravle Records. Namen raziskave je bilo preučiti splošno področje animacij, področje piksel art animacij in njihovega izvora, predstaviti našo animacijo, ter podrobno analizirati postopek njene izdelave in ugotoviti morebitne izboljšave. Animacija je bila narejena v dveh programih. Program Adobe Photoshop smo uporabljali za pripravo grafičnih elementov, medtem ko je bil za animiranje uporabljen program Adobe After Effects. Za pripravo grafičnih elementov smo si pomagali z grafično tablico, celotna animacija pa je bila animirana na prenosniku Dell. Izdelava je trajala približno pol leta, v tem času pa smo ročno narisali vse like, ozadja in dodatne grafike, ter jih animirali z uporabo številnih osnovnih in naprednejših tehnik animiranja. Cilji raziskave so bili predvsem bolje spoznati področje animacije, podrobno preučiti našo animacijo, in odkriti morebitne napake pri procesu, ter predlagati izboljšave. Hkrati je bil eden izmed večjih ciljev izboljšati osebno znanje animiranja4 in se bolje pripraviti na prihodnje projekte. Cilji so bili v veliki meri doseženi. Kot posledica natančno preučenega področja animacij in postopka njihovih izdelav, smo med ponovnim preučevanjem naše animacije opazili veliko nepravilnosti v njeni izdelavi ter izpuščenih postopkov. V raziskavi so omenjene predlagane izboljšave in metode, s katerimi bi do teh izboljšav prišli. The research is about a pixel art animation, that was used for a music video of a song called 2210 from the group Dravle Records. The purpose of the research was to examine the general field of animations, pixel art animations and their origin, present our animation, and thoroughly analyse the animation's making and its potential improvements. The animation was made in two programs. Adobe Photoshop was used to prepare the graphic elements, while Adobe After Effects was used for the animation part. We used a graphic tablet to prepare the graphic elements. The whole animation was made on a Dell laptop. The production took about half a year, during which time we manually drew all the characters, backgrounds and additional graphics. We animated them with the use of many basic and advanced techniques. The main objectives of the research were to get to know the field of animation better, study our animation in detail, discover possible mistakes in the process, and suggest improvements. At the same time, one of the primary goals was to improve personal animation skills and better prepare for future projects. The goals were largely achieved. As a result of a carefully studied field of animations and the production process, during the re-examination of our animation we noticed many irregularities in its production and omitted procedures. The research mentions proposed improvements and methods to achieve these improvements.

Blender je prosto dostopen program za 3D modeliranje, ki omogoča profesionalno uporabo orodji za modeliranje, teksturiranje, osvetljevanje in upodabljanje. Vizualizacije, ki jih naredimo, lahko prikažemo kot statične slike ali pa jih interaktivno nadgradimo. Cilj diplomskega dela je bila prav interaktivna nadgradnja 3D modeliranega stanovanja v virtualni sprehod. V teoretičnem delu smo opisali oblikovanje interierja in miniaturna stanovanja. Večji del teorije smo posvetili podkrepitvi eksperimentalnega dela. Opisali smo uporabljeni program, tehnike modeliranja, razložili uporabo materialov in tekstur ter definirali pomen osvetlitve. Na koncu smo opisali tudi upodabljanje vizualizacij in njihovo pretvorbo v virtualni sprehod. V eksperimentalnem delu smo najprej predstavili reference izbranega stanovanja, nato pa opisali ves proces izdelave virtualnega sprehoda. Začeli smo z modeliranjem, kjer smo za vsak del stanovanja opisali postopke modeliranja. Nato smo opisali še postopke teksturiranja in osvetljevanja. Sledil je opis upodabljanja in predstavitev nastavitev. Na koncu pa smo razložili, kako smo naredili virtualni sprehod. Rezultati diplomskega dela so statične vizualizacije, panoramske slike in virtualni sprehod. V razpravi smo analizirali naše delo in težave ter opisali vizualizacije. Blender is a freely available 3D modeling software that enables the use of professional modeling, texturing, highlighting, and rendering tools. The visualisations we make can be displayed as static images or interactively enhanced. The thesis aimed to upgrade a 3D modeled apartment into a virtual tour interactively. Much of the theory was devoted to underpinning the experimental work. In the theoretical part, we describe the interior design and tiny apartments. We described the software and modeling techniques, explained the use of materials and textures, and defined the importance of lighting. Finally, we describe how to render the visualisations and convert them into a virtual tour. In the experimental part, we first presented the references of the chosen apartment and then described the whole process of creating the virtual tour. We started with modeling, describing the modeling procedures for each part of the apartment. We then describe the texturing and highlighting processes. This was followed by a description of the rendering and a presentation of the settings. Finally, we explained how we made the virtual tour. The thesis results are static visualisations, panoramic images, and a virtual tour. In the discussion, we analyze our work, the problems we had, and describe the visualisations.

Za cilj svoje diplomske naloge smo si zadali narediti interaktiven 3D interier našega bodočega stanovanja. Namen je bil, da nadgradimo svoje znanje, saj nam bo tako lažje opremiti stanovanje (barvna usklajenost, materiali, velikost, itd). V teoretičnem delu diplomsko delo zajema opis prvin in posameznih korakov, ki jih zajema teorija 3D modeliranja ter celoten postopek od začetka do konca izdelave produkta v programu. Opisane so možnosti postopkov, modeliranja, materialov, luči, kamer, upodobitev, itd. Pri modeliranju prostora je bila uporabljena programska oprema Blender, ki je v teoretičnem delu na kratko opisana. V drugem delu smo se najprej lotili ogleda stanovanja, izmere prostorov, skic, načrtov vseh možnih postavitev (glede na elektriko, vodo). Z opisom in slikovnim gradivom je prikazan postopek modeliranja posameznih prostorov in objektov. Po končanem modeliranju smo pričeli z dodajanjem materialov in tekstur. V raznih trgovinah smo našli predmete, ki so nam bili všeč in bi jih potencialno imeli v stanovanju. Te predmete smo na podlagi slik narisali v programu. Za teksturo smo uporabili blago, les, steklo, marmor, kovino, plastiko, itd. Nanos teksture smo podrobno opisali. Primarna osvetlitev je sonce, saj daje mehko svetlobo, in nekaj dodatnih luči, ki so tudi kasneje opisane. Nato je sledila upodobitev, kjer smo opisali nastavitve posameznih parametrov upodabljanja. Diplomsko delo smo zaključili s slikami in videom prostora ter z dodano interaktivnostjo, kjer se lahko premikamo po prostoru in kliknemo na nekatere predmete. Pri tem se nam odpre povezava do spletnega mesta, kjer smo ta predmet kupili. The aim of the thesis was the interactive 3D interior of my future apartment. The purpose was to upgrade my knowledge and to make it easier for me to equip the apartment with colors, materials, sizes, etc. In the theoretical part the diploma thesis includes a description of the first and individual steps, which includes the theory of 3D modeling and the entire process from the beginning to the end of the production of products in the program. The possibilities of procedures, modeling, materials, lights, cameras, renders are described, etc.The software used in space modeling was Blender, which is briefly described in the theoretical part. In the second part, we first went on a tour of the apartment, measurements of rooms, sketches, plans of all possible layouts (with regard to electricity, water). The process of modeling individual rooms and objects is shown with a description and pictorial material. After finishing the modeling, we started adding materials and textures. In some stores i found items that I like and maybe able to have in the apartment. I used those pictures of possible objects to draw them in the program. For material we used fabric, wood, glass, marble, metal, plastic, etc. We applied the texture in detail. The primary illumination is sun, as it gives soft light and some additional lights, which are also described later. This was followed by rendering, where we wrote the settings of individual rendering parameters. We finished our degree with pictures and video of the appartment and with added interactivity, where we can move around the space and click on some objects and a link opens from where we bought this object.

Cilj diplomskega dela je seznaniti se s 3D tehnologijo, tehniko poligonskega modeliranja, kiparjenja in izdelava 3D znanstveno - fantastičnega lika, v odprtokodnem programu za oblikovanje računalniške grafike. Teoretični del zajema opis in zgodovino pojma »znanstvena - fantastika« in zgodovino ter razvoj obstoječega znanstveno - fantastičnega lika. Podrobneje sta opisana nastanek in razvoj obstoječega lika v razmahu popularnosti videoiger. Prav tako so navedeni in opisani še nekateri najpogosteje uporabljeni programi za 3D modeliranje ter podrobneje opisan odprtokodni program Blender, v katerem je bil v praktičnem delu izdelan lasten znanstveno – fantastičen 3D lik. V eksperimentalnem delu so predstavljene izbrane reference in opis procesa izdelave lastnega 3D lika. Razdeljen je na več delov: v prvem delu so predstavljene preference uporabljene za naš lik in navedeni razlogi za izbiro. V drugem je opisan in upodobljen postopek izdelave lika po posameznih delih telesa v programu Blender. Sledi opis postopka izdelave oblačil, dodatkov in orožja z upodobitvami. V zadnjem delu je opisan proces nanašanja tekstur in materialov na končni lik s pripadajočimi dodatki. Končni rezultat diplomskega dela je upodobitev lika in animacija lika na vrteči plošči. The main goal of diploma is to get acquainted with 3D technology, the technique of polygon modeling, sculpting and the production of 3D science fiction character in an open program for the design of computer graphics. The theoretical part covers the description and history of the term "science fiction" and the history and development of the existing science – fiction character. The origin and development of the existing character in the spread of video game popularity are described in more detail. There are also listed and described some of the most commonly used programs for 3D modeling and a more detailed description of the open source program Blender, in which, in the practical part, our own science fiction 3D character was created. References and a description of the process of making our own 3D character are presented in the experimental part that is divided into several parts. The first part presents the preferences that were used for our character and given reasons for those choice. The second describes and depicts the process of making a character for individual body parts in the Blender program. Following by description of the process of making clothes, accessories and weapons with depictions. The last part describes the process of applying textures and materials to the final character with the associated accessories. The final result of the diploma is a depiction of a character and animation of a character on a spinning plate.

Namen diplomskega dela je prenova blagovne znamke Action Coach v novo znamko Growth Idea. Prenova je zahtevala novo ime podjetja in logotip, posledično tudi novo spletno stran, vizitko, dopisni list in nov promocijski video. V teoretičnem delu je predstavljen proces prenove blagovne znamke, našteti so razlogi in vrste. Prav tako je predstavljen proces snemanja in produkcije promocijskega videa, ki se uporablja za namen promocije podjetja na spletnem mestu YouTube. Razloženi so koraki snemanja, opisana je potrebna oprema in predstavljeni so programi, s pomočjo katerih je omogočena realizacija. Podrobneje je opisana platforma YouTube, ki se uporablja za distribucijo posnetkov. V eksperimentalnem delu naloge je opisan proces prenove blagovne znamke, priloženi so tudi končni izdelki. Z novim izgledom blagovne znamke so bili nadgrajeni tudi videi na YouTube kanalu podjetja, kar je pripomoglo k večji prepoznavnosti podjetja. S pomočjo opcije analize kanala na spletnem mestu YouTube je bila narejena raziskava, kjer smo izvedeli, da je bila nadgradnja promocijskih videov več kot uspešna. Spremljali smo število ogledov, naročnikov, všečkov in komentarjev. K izboljšavi sta pripomogla tudi uvodna in zaključna špica, ki sta bili dodani videom. Rezultati analize so predstavljeni v preglednici, kjer je razvidno, da je prenova blagovne znamke in nadgradnja promocije videov dosegla pričakovanja. The purpose of the diploma work was to renovate the Action Coach brand into the new Growth Idea brand. The rebranding required a new company name and logo, a new website, business card, letterhead, and a new promotional video. In the theoretical part, the process of rebranding was presented, listed were reasons and types of rebranding. Presented was also the process of recording and producing a promotional video, that was used for the purpose of promoting a company on YouTube. The steps of recording are explained, the necessary equipment is described and the programs that helped with realization are presented. The YouTube platform used to distribute the footage is described in more detail. Using the channel analysis option on YouTube, a report was done where we learned that the upgrade of promotional videos was more than successful. We tracked the number of views, subscribers, likes and comments. The intro and outro, which were added to the video, also contributed to the improvement. The results of the analysis are presented in a table, where it can be seen that the rebranding and the upgrade of the video promotion met expectations.

Cilj diplomske naloge je bil izdelati paket 3D modelov za uporabo v računalniških igrah. Tema paketa je stilizirano naravno okolje, ki vključuje drevesa, gobe, trave, rože in skalovje. Na začeteku diplomskega dela je opisan zgodovinski pregled 3D iger. Sledijo mu osnove modeliranja, kjer je bilo več pozornosti namenjeno modeliranju s krivuljami, kiparjenju in retopologiji. Vse kar lahko vidimo, vidimo zaradi svetlobe. Posledično je bilo celo poglavje namenjeno svetlobi v 3D svetu. Torej kako se svetloba v 3D svetu obnaša in kakšne vrste virov svetlobe poznamo. Za uporabo v realno časovnih aplikacijah je pri izdelavi takšnih modelov izredno pomembna optimizacija. Zaradi želje po prikazu lastnih detajlov, so bili nekatere izmed njih ročno digitalno kiparjeni. S tem nastane kompleksna mreža, katero kasneje se kasneje prikaže na enostavnem modelu. To se izdela s pomočjo pečenja tekstur ali map. Celotno poglavje je namenjeno opisovanju posameznih map. Večina izmed opisanih map je bilo uporabljenih tudi na izdelanih modelih. Sledi pregled programskih orodij Blender in Unity, ter kompatibilnosti med njima. V eksperimentalnem delu je opisana izdelava od idejne zasnove pa vse do končnega izdelka. Ker so bili modeli izdelani na dva različna načina, je tudi pozamezen način izdelovanja podrobneje opisan. Sledila je izdelava materialov in na koncu integracija modelov skupaj z materiali v pogon Unity. Iz tam je bil celoten skupek modelov izvožen za uporabo v drugih projektih. Tako je nastal paket 3D modelov za uporabo v računalniških igrah. The objective of this diploma thesis was to create a package of 3D game assets. The theme of the asset pack is a stylised natural environment which includes foliage, trees, mushrooms and rocks. Thesis starts with a quick overview of 3D graphics in games history. This chapter is followed by basics of modeling where we focus mainly on modeling with curves, digital sculpting and retopology. Everything that is visible to us, is visible due to light hitting and reflecting off materials. Due to that there is a chapter on light in 3D. How light behaves in 3D and which types of light sources exist. Due to use in real-time rendering, optimisation is crucial in such work. Due to wanting custom details on 3D models, some of them were digitally sculpted. By sculpting a very dense mesh is formed, which needed to be retopologized and then the details needed to be baked on the newly created simple mesh. Baking creates maps or textures that are later used in materials. An entire chapter was devoted to describing individual maps. Most of them were also used on created models. In the next chapter follows a quick overview of Blender and Unity software and compatibility between the two. Experimental part describes the whole pipeline of making 3D game assets. Creating foliage and solid objects require two different methods of creating models. Next comes making materials and then integration of models in Unity software. Lastly, the models were exported from Unity as a Unity Package File for use in other scenes and projects. This is how our 3D game assets were created.

Diplomsko delo Izdelava promocijske animicije zagonskega podjetja je razdeljeno na dva dela, na teoretični del in na praktični del. Njegov namen je predstaviti postopke, ki so potrebni za izdelavo 2D animacije s programoma Adobe Illustrator in Adobe After Effects. V teoretičnem delu smo na kratko opisali zgodovino animacije. Na splošno smo predstavili najpomembnejše vrste animacij ter njihov razvoj in uporabo. Predstavili smo tudi najbolj uporabljene, plačjive in neplačljive programe za izdelavo animicije. Bolj podrobno smo se posvetili programoma Adobe Illustrator CC in Adobe After Effects, s katerima smo izdelali animacijo. Opisali smo kreativni proces izdelave animacije in trende za letošnje leto na področju animacij. Pojasnili smo, kakšna je psihologija barv v promociji, in podali nasvete za pravilno uporabo tipogarfije. V zadnjem razdelku v teoretičnem delu smo opisali promoviranje na družbenih omrežjih. V praktičnem delu smo najprej na kratko predstavili podjetje 2030 Builders za katerega je bila izdelana animacija. Predstavili smo njihove barve in tipografijo, nato pa smo se posvetili celotnemu postopku izdelave animacije in vsak posamezni postopek podrobno podprli s slikovnim gradivom. Natančno smo opisali naslednje postopke: scenarij, ilustriranje grafik, snemalno knjigo, priprave ilustracij za uvoz v program Adobe After Effects, uvoz datotek v program, animiranje ilustracij ter na koncu še dodajanje podnapisov, zvokov in zvočne podlage. Rezultat diplomskega dela je 2D animacija, ki smo jo izdelali za promocijo zagonskega podjetja. Z njo smo želeli na zanimiv in opazen način predstaviti podjetje ter jo objaviti na družbenih omrežjih in na spletni strani. Developing a promotion animation for a start-up company is a thesis, composed from two main parts teoretical and practical. The aim of thesis was to introduce special proceedings, which are crucial for creating 2D animation with help of Adobe Illustrator and Adobe After Effects programmes. Theoretical part is consisted from a short overview of animation history the main types of animation, their development and usage, from the most used type of animation to the economical overview (cost of programmes). But most interest in the thesis is based on Adobe Illustrator CC and Adobe After Effects, with which, the animation was originally created. Furthermore, creative process of making the animation is described, following by presenting the trends for this year in the field of animation. Theory also touches the psychological aspect of using variable colours in marketing and tips for correct application of typography. The practical part of the thesis contains a short describtion of a company 2030 Builders, for which the animation, colours and typography was created, following by a detailed explanation of creating the animation. Every step is thoroughly explained and supported by pictorial material the scenario, illustration of the graphics, recording book, making the illustrations ready for exporting into the Adobe After Effects programme, the export of files into the document, animation process of illustrations and adding procedure of subtitles, sound and sound base. The result of the thesis is the completed 2D animation, used for promoting a start-up company. The aim is to introduce the company and publishing, as on the social media and website.

Diplomska naloga predstavlja celoten proces izdelave animiranega filma za otroke od začetka do konca. Namen diplomske naloge je bil izdelati animacijo za otroke na podlagi knjižne predloge in tako spoznati celoten proces izdelave animiranega filma. Prav tako je bil namen spoznati dotično programsko opremo in se jo naučiti uporabljati. V teoretičnem delu je najprej na grobo predstavljena zgodovina animiranega filma v Sloveniji, ki je javnosti v večji meri nepoznana. Nato so opisani razvoj računalniške animacije in različne vrste animacij. Sledi predstavitev dvanajstih načel animiranja, ki so ključni za uspešno animacijo. Na koncu teoretičnega dela sledijo obširna razlaga pojma filmskega plana, predstavitev lestvice planov in kratka splošna predstavitev uporabljenih programov in pripomočkov. Na začetku praktičnega dela je opisana uporaba programov in pripomočkov, ki smo jih potrebovali za izdelavo animiranega filma. Sledi opis vseh postopkov načrtovanja animacije, vključno z izbiro ustrezne pravljice, sinopsisa, izdelavo scenarija in snemalne knjige. Detajlno so opisani postopki razvoja scen, likov in njihovega govora. Sledi najobširnejše poglavje o animiranju, kjer so predstavljeni ključni postopki animiranja, ki so bili skozi animacijo večkrat uporabljeni. Poglavje zajema animiranje hoje, govora, skoka in tranzicije, večnivojsko animacijo ter uporabo kamere. Posebej sta predstavljena razvoj in animiranje uvodne in zaključne špice. Praktični del se zaključi s poglavjem o zvoku, kjer so opisani postopki snemanja in dodajanja govora ter izbire glasbe in zvočnih učinkov. Rezultat diplomske naloge je uspešno izdelana štiriminutna animacija za otroke, ki je skupaj s scenarijem in snemalno knjigo dodana v prilogi. Thesis presents entire process of making animated film for children from beginning to end. The purpose of thesis was to create an animation for children based on a book template and to get to know the whole process of making an animated film. It was also intended to get to know the software in question and learn how to use it. In theoretical part, first, the history of animated film in Slovenia, which is largely unknown to public, is roughly presented. Then, the development of computer animation and different types of animations are described. Next is a presentation of principles of animation, that are key to successful animation. At the end of the theoretical part, there is an extensive explanation of the concept of a film plan, a presentation of scale of plans and a short general presentation of used programs and tools. At the beginning of practical part use of programs and tools we needed to make the animated film is described. Next is description of all animation planning procedures, including selection of appropriate fairy tale, synopsis, scriptwriting, and storyboard. The processes of developing scenes, characters and their speech are described in detail. What follows is the most extensive chapter on animation, where the key animation procedures, which were used several times throughout the animation, are presented. The chapter covers animation of walking, speech, jumping and transition, multilevel animation and use of camera. The development and animation of overture and credits are especially presented. Practical part concludes with a chapter on sound, which describes the procedures for recording and adding speech and also selection of music and sound effects. The result of thesis is successfully created four-minute animation for children, which is added to annex together with script and storyboard.

IZVLEČEK Namen diplomskega dela je oblikovati dve vrsti avtomobilskih platišč, ki bi se izdelovali s postopkom vlivanja in kovanja aluminija. Izhodišče praktičnega dela je stanje industrije avtomobilizma, ki se širi in razvija, tehnologija napreduje in ustvarja vse bolj učinkovite postopke za izdelavo. Teoretični del naloge zajema pregled splošnih informacij o avtomobilskih platiščih, postopke izdelave, uporabo, osnovne materiale za platišča, opis prednosti in slabosti aluminijastih platišč v primerjavi z drugimi materiali, nato pa sta podana opis in slikovna predstavitev detajlov, ki sestavljajo platišče, pa tudi podroben opis postopkov izdelave platišča. Celoten postopek oblikovanja platišč se je izvajal v programu za industrijsko 3D-oblikovanje Autodesk Inventor, za katerega sta na kratko predstavljeni namembnost in uporabnost. V praktičnem delu diplomskega dela je opisan celoten postopek izdelave modela avtomobilskega platišča. Delo temelji na predhodno lastnoročno narisanih skicah avtomobilskih platišč. Glede na dimenzije in narisane skice izdelkov smo kasneje postopek za postopkom ustvarili avtomobilsko platišče, kot končni izdelek. Nato je sledilo animiranje. Končni rezultat diplomskega dela je animacija avtomobilskih platišč. The purpose of the diploma is to design two types of alloy wheels, which are made by the casting and forging process. As the automotive industry expands and evolves, technology is moving forward and creating ever easier processes to carry out production. The theoretical part includes an overview of general information about alloy wheels, production processes, use, basic materials for alloy wheels, a description of the advantages and disadvantages of aluminum alloy wheels compared to other materials, following by a description and pictorial presentation of the details that make up the wheel and a detailed description of wheel manufacturing processes. The entire wheel design process was performed in the program for industrial 3D design Autodesk Inventor, along with a brief presentation of the purpose and use of the program. In the practical part there is a description of the entire process of making a alloy wheel model. The work is based on a previously hand-drawn sketches of an automobile alloy wheel. Based on the dimensions and the drawn sketches of the products, step by step an alloy wheel was created as a final product. The final result of diploma work is an animation.

Problematika vizualne konsistence je že dlje časa eden glavnih dejavnikov pri načrtovanju in oblikovanju uporabniških vmesnikov. Cilj diplomske naloge je izdelati dovršen in enoten sistem oblikovanja, ki omogoča implementacijo na vseh področjih vizualnega komuniciranja ter na podlagi sistema oblikovanja oblikovati različne uporabniške vmesnike aplikacij za namizne in mobilne naprave. V teoretičnem delu diplomske naloge so opisani in definirani pojmi uporabniške izkušnje, informacijske arhitekture, uporabniškega vmesnika, načel oblikovanja, celostne grafične podobe in sistema oblikovanja, ki so sestavni del digitalnega oblikovanja, v eksperimentalnem delu pa sta prikazana razvoj in implementacija sistema oblikovanja na praktičnem primeru. Rezultati diplomske naloge so izdelan sistem oblikovanja in oblikovani uporabniški vmesniki aplikacije. Za sistem oblikovanja smo izdelali celostno grafično podobo, slogovne smernice, ikone in nabor komponent. Izdelani sistem smo nato implementirali na primerih. Oblikovali smo uporabniški vmesnik aplikacije za prijavo in registracijo, aplikacije s koledarjem in glasbene aplikacije, ki smo jo tudi prototipirali. The problem of visual consistency has long been one of the main factors in planning and design of user interfaces. The goal of the thesis is creating a uniform design system which allows for implementation in all areas of visual communication, and designing various user interfaces of mobile and desktop applications, based on the design system. The theoretical part of the thesis describes and defines concepts of user experience, information architecture, user interface, design principles, branding and design system, which are integral part of digital design. The experimental part of the thesis shows the development and implementation of a design system in a practical case. The result of the project is a finished design system and application user interfaces. For the design system, we have designed brand identity, style sheet, icons and component library. The system has then been implemented in various examples. We have designed user interfaces of login application, calendar application and music application, which we have also prototyped.

Cilj diplomskega dela je bil razvoj lika in pripadajoče okolice za aplikacijo, ki je namenjena otrokom, in prikaz delokroga razvoja lika, od idejne zasnove do končne implementacije na različna področja vizualne komunikacije. Ciljna skupina so otroci iz prve šolske triade, zato je bil cilj diplomskega dela ustvariti lik, ki ga bodo otroci v tej starosti pravilno razumeli. V teoretičnem delu diplomsko delo zajema opis prvin in posameznih korakov, ki jih zajema teorija razvijanja likov. Izpostavili smo vizualni in psihološki vpliv, ki ga ima na nas oblika, ter naredili raziskavo fizičnega in psihološkega vpliva barve. Razumevanje prvin teorije razvijanja lika je ključnega pomena pri razvoju lika, od katerega pričakujemo, da bo imel želeno vizualno sporočilnost. Sledi opis delokroga razvoja 3D-lika. Uporabljena programska oprema pri modeliranju lika je bila Blender, ki je v teoretičnem delu na kratko opisan. V drugem delu smo se najprej lotili idejne zasnove. Predstavili smo osnutek lika in okolice. Z opisom in slikovnim gradivom je prikazan postopek modeliranja posameznih delov lika in pripadajoče okolice. Po končanem modeliranju smo pričeli z dodajanjem materialov in tekstur. Določili smo barvno shemo in teksturo ter izbrano nanesli na objekte. Za teksturo smo določili videz gline, torej videz prstnih odtisov na objektih. Nanos teksture smo podrobno opisali. Izbrali smo primerno kompozicijo, ki smo jo osvetlili z mehko svetlobo. Nato je sledila upodobitev, kjer smo opisali nastavitve posameznih parametrov upodabljanja. Diplomsko delo smo zaključili s primeri uporabe lika in pridobitvijo mnenj ciljne skupine. The intention of diploma thesis was to present the development of a 3D character for implementation in all visual communications tools. In addition to character development the development of the surroundings is also shown, which consists of houses, trees and clouds. The target group are the children of the first school triad, the aim of the diploma thesis was to create a character that children at this age will understand correctly. In the theoretical part, the diploma thesis includes a description of the elements and individual steps covered by the theory of character development. We highlighted the visual and psychological impact that form has on us, and we did research on physical and psychological impact of colour. Understanding the elements of character development theory is crucial in developing a character from which we expected to have desired visual message. The following is a description of the 3D character development pipeline. The software used to model the character and surroundings is Blender, which is briefly described in the theoretical part. In the second part, we first tackled the conceptual design. We presented a draft of the character and the surroundings. The description and pictorial material show the process of modelling individual parts of the character and the surrounding. After finishing the modelling, we started adding materials and textures. We determined the colour scheme and texture and applied the selected to the objects. For the texture, we determined the appearance of the clay, i.e. the appearance of the fingerprints on the objects. The application of the texture is described in detail. We selected a suitable composition that was illuminated with soft light. This was followed by rendering, where we described the settings of individual rendering parameters. We completed the diploma thesis with examples of the use of the character and obtaining the opinions of the target group.

V diplomskem delu je predstavljen celoten proces izdelave 3D upodobitev, ki se kot vsaka stvar, začnejo s skico, nato se oblikuje 3D model, aplicirajo materiali in teksture, dodajo luči in kamere in šele nato sledi 3D upodabljanje. Na koncu je bila izvedena tudi spletna anketa o primerjavi upodobitev. Namen diplomskega dela je bilo raziskovanje in primerjava funkcionalnosti in delovanja dveh različnih upodobljevalnikov, Arnold Render in V-Ray. Primerjale so se tudi končne upodobitve in njihova kakovost. Teoretični del obsega hiter prelet 3D modeliranja, opisana so programska orodja za 3D oblikovanje, specifično Blender in Autodesk Maya, prav tako pa je nekaj besed namenjeno tudi Arnold in V-Ray upodobljevalniku. V eksperimentalnem delu je na hitro predstavljen celoten postopek modeliranja 3D prostora (spalnica), dodajanja tekstur/materialov, luči in kamer na sceno. Bolj obširno so predstavljene najpomembnejše nastavitve posameznega upodobljevalnika in uporabljene nastavitve za končne upodobitve. Rezultati diplomskega dela vključujejo predstavitev analize ankete o primerjavi kakovosti končnih upodobitev. Prav tako je opisano, kateri izmed upodobljevalnikov je po osebnem mnenju boljši, vendar pa je to stvar okusa vsakega posameznika. Vse končne upodobitve so dodane v prilogi. The diploma thesis presents the whole process of 3D rendering, which, like every thing, begins with a sketch, then a 3D model is created, materials and textures are amplified, lights and cameras are added, and then 3D rendering is followed. Finally, an online survey comparing the renderings was conducted. The purpose of the thesis was to research and compare the functionality and performance of two different renderes, Arnold Render and V-Ray. The final renderings and their quality were also compared. The theoretical part includes a quick breakthrough of 3D modeling, describes 3D design software tools, specifically Blender and Autodesk Maya, as well as some words for Arnold and V-Ray rendering. The experimental work briefly presents the entire process of modeling 3D space (bedroom), adding textures/materials, lighst and cameras to the scene. The most important settings for each renderer and the settings for the final renderings are presented in greater detail. The results of the diploma thesis include the presentation of the analysis of the quality comparison of the final images. It also describes which renderer is better in personal opinion, but this is, of course, a matter of everyone's taste. All final renderings are appended.

Namen tega diplomskega dela je bila izdelava kratkega risanega filma s tehniko klasične animacije, ki je širom sveta ena izmed najbolj prepoznavnih in zahtevnih tehnik animiranja. Zgodba risanke z naslovom Pridem za veliko noč govori o nenavadni družinski zagati dveh zajcev, ki pa se na koncu razreši in se, kljub nenavadni raznolikosti njune družine, srečno konča. Teoretični del zajema pregled splošnih informacij o animaciji, njen izvor, predhodnike, nastanek, različne tehnike in njihovo najpogostejšo rabo, ter vlogo na slovenskih tleh. Temu sledi podrobnejši opis vseh principov animacije, ki so splošno uporabljeni s strani vsakega ustvarjalca na tem področju. Delujejo kot vodila, ki omogočajo čim bolj naraven videz gibanja, pri tem pa ohranjajo igrivost, ki je potrebna za atraktiven končni izgled. V praktičnem delu pa je opisan celoten postopek izdelave lastnega animiranega filma. Delo je temeljilo na izdelavi sinopsisa po idejni predlogi ter zgodborisa. Na podlagi teh dveh načrtovanih izdelkov smo kasneje ustvarili podobo likov, ki nastopajo, ter izris prostorov, šele nato je temu sledilo animiranje. Za njim pa še končni popravki svetlobe, barve, snemanje zvoka in montaža. The purpose of the diploma thesis was to produce a short animated film with the technique of classical animation, one of the most recognizable and demanding animation techniques in the world. The cartoon titled Coming for Easter, tells a story of the unusual family turmoil of two rabbits, which ultimately resolves and ends happily, despite the unusual diversity of their family. The theoretical part covers an overview of general information about animation, its origin, predecessors, formation, various techniques and their most common use, and the role on the Slovenian soil. This is followed by a more detailed description of all the principles of animation that are commonly used by every creator in the field. They act as guides, which allow for a natural appearance of movement, while maintaining the playfulness required for an attractive final appearance. In the practical part, the entire process of creating our own animated film is described. The work was based on the making of a synopsis after the idea and the storyboard. Depending on these two planned products, we designed characters, the sculpture of the rooms, and only after that the animation was followed. Later followed final corrections of light, colour, sound recording and editing.

V tej nalogi se primerjata Pixel Art in 3D grafika, namen pa je bila izvedba pretvorbe 3D modela v Pixel Art grafiko z uporabo dveh metod. Prva metoda poteka v programu za 3D modeliranje, druga pa s pomočjo zunanjega programa, imenovanega kar Pixel Art Shader. Najprej smo raziskali samo zgodovino in lastnosti Pixel Arta. Zatem smo pojasnili še razvoj 3D grafike, njeno delovanje ter našteli še nekaj načinov njene izdelave. Ker je bil za potrebe naloge izbran 3D modelirni program Blender, je nekaj besed namenjenih tudi njemu. Oblikovati je bilo potrebno dva testna modela za pretvorbo, to sta bila fantazijski čajnik ter skodelica. Sam postopek oblikovanja smo, bolj na splošno seveda, tudi predstavili. Oba modela smo oblikovali s pomočjo poligonskega modeliranja, za osnovo pa je služil primitivni objekt, imenovan valj. Nato je sledila pretvorba s pomočjo obeh metod, kar je seveda dalo različne rezultate. Pričakovano je bilo, da se bo druga metoda odrezala dosti bolje, v primerjavi s prvo, čeprav je bila dosti bolj težavna. Druga metoda je ponudila vrsto različnih prednosti. A kljub temu smo na koncu prišli do zaključka, da bi se moral sam Pixel Art Shader še poenostaviti, da bi lahko bil uporabnejši v širšem smislu. Zgled bi mu lahko bil shader, ki se uporablja pri programu Unity. This thesis presents a comparison between Pixel Art and 3D graphics. Its goal is conversion of 3D model into Pixel Art graphics, with the use of two methods. The first method is achieved in 3D modelling program, while the second one uses an external program, called simply Pixel Art Shader. At first we delved into history and characteristics of Pixel Art. Afterwards we explained the development of 3D graphics, its characteristics and presented the methods of its creation. We also dedicated some words to 3D modelling program, called Blender, because it was used to achieve the goal of this thesis. We created two models for its purpose. Those were fantasy styled mug and a cup. We also described the creation of those models, albeit in a more simplified fashion. Both models were created with polygon modelling method and were based on cylinder object. The next step became conversion with the help of before mentioned methods, which gave us different results. That being said, it was expected for the second method to perform much better than the first, despite being harder to achieve. It offered many advantages, compared to the first one. Despite that however, we concluded that Pixel Art Shader will still have to be immensely improved in order to be more useful on a larger scale. A good example for it could be shader that is currently being used in Unity.

Diplomsko delo zajema celoten postopek izdelave stop motion animacije od začetka do konca. Teoretični del zajema zgodovino animacije, prvo uporabo animacije, njen razvoj, vrste animacije in njihov krajši opis ter razlago in različne vrste stop motion animacije. Praktični del diplomskega dela najprej zajema obrazložitev snovanja ideje in scenarija. Opišemo potek razvoja likov od skice do končnega lika in kakšne materiale in postopke smo uporabili za izvedbo, na kakšne težave smo naleteli pri izdelavi in kako smo jih rešili. Nato obrazložimo potek snovanja animacijske knjige in pomembnost le-te. Pregledamo, kakšna je postavitev scene in luči ter opišemo opremo, ki smo jo uporabili za izdelavo animacije. Nadaljujemo z opisom postopka animiranja in opisom težav, na katere smo naleteli ob njem, kako smo rešili napake in kakšne so rešitve problemov. Opišemo potek postprodukcije in kako smo se je lotili, opišemo postopek montaže video dela animacije ter kakšne učinke smo uporabili. Razložimo potek izdelave grafik in njihovo umeščanje, potek izdelave uvodne in zaključne špice ter potek snemanja in urejanja zvoka ter kakšno glasbo smo dodali animaciji ter zakaj. Na koncu obrazložimo še kako je potekala predstavitev otrokom, kakšni so bili njihovi odzivi ter kakšno je bilo njihovo mnenje o animaciji. Zaključimo s tem, kaj smo se naučili z izdelavo diplomskega dela in kaj bi spremenili pri nadaljnjem ustvarjanju stop motion animacij. The paper deals with the production process of stop-motion animation from beginning to end. In the theoretical part we discuss the history, first use and development of animation furthermore, different types of animation and stop-motion animation are presented and briefly described. The empirical part first presents our idea and the screenplay development process. We describe the development of the characters—from the first sketch to the final product—as well as the materials and procedures used in the production. Furthermore, we also discuss some problems we faced and explain how we solved them. In the empirical part, we likewise portray the designing process and the importance of an animation book. Additionally, we review the scene composition and lighting and describe the equipment, used in animation production. The animation process, problems that occurred in our work and solutions are presented. We introduce the post-production process, the video editing process and list the effects that were used in the production. We go on to explain how the graphics were created and used and then discuss how the opening and end credits were designed. The process of filming and sound editing was also presented. In the end, we discuss the presentation of our animation to children, what their reaction was and what they thought of the animation. In the conclusion, we review our work process and provide some suggestions on what we would change in the production process of stop-motion animation in the future.

Namen diplomskega dela je bil izdelati čim bolj realistično 3D-simulacijo agregatnih stanj vode in prehodov med njimi. Začeli smo z idejami ter skicami, s poskusi taljenja ledenih kock in segrevanjem vode, da smo analizirali, kako se ta obnaša. Nato smo izdelali kratko snemalno knjigo, v kateri smo določili lokacijo in smeri pogleda kamer. To nam je kasneje omogočalo lažjo realizacijo in izdelavo animacij. Za izdelavo simulacij smo uporabili odprtokodni program Blender, s katerim smo najprej izdelali enostavno kuhinjo s štedilnikom in z loncem, kjer se je celotna simulacija odvijala. Nato pa smo pričeli z izdelavo ledene kocke, nadaljevali z njenim taljenjem ter animirali vrenje vode, da smo dobili vodno paro. Za simulacijo pare smo nato animirali njeno kondenzacijo na neki površini, tako da smo prikazali kapljice, ki padajo nazaj v lonec, tam pa je voda zopet zmrznila. Analizirali smo tudi težave, ki so se pojavile pri izdelavi videov. Končni izdelek je bil video, ki smo ga pregledali za napake. Ugotovili smo, da bi se lahko še bolj približali realnosti, če bi bili zelo pozorni na podrobnosti, vendar pa je za začetek video izgledal precej dobro. The aim of the diploma thesis was to create realistic 3D simulation of physical states of the water and its transitions. We started with ideas and drawing the easy concept for it, with experiments of melting ice cubes and boiling the water to see how it would act. Then we created a short script, where we determined the locations and view direction of the cameras. Later that made it easier for us to create the real animations. For creating the simulations we used the open source program Blender. We first created easy kitchen with a stove and a pot, where the whole animation was happening. Then we started creating our ice cube, continued with its melting, then we animated boiling of the water so we got the steam. After the simulation of the steam we animated its condensation on a surface, by showing how the drops are falling back into the pot where the water froze again. We analized the problems, while we were creating the videos. The final product was a video, which we checked for mistakes. We figured we could make it more reallistic, if we were very focused on the details, but for a start it looked pretty good.

Za diplomsko delo smo se odločili preučiti obrazne lastnosti čustev in jih upodobiti v obliki animacij. Pri tem smo se seznanili z načinom in postopki animiranja za boljšo in lažjo prepoznavo čustev. V teoretičnem delu smo podrobno opisali, kaj so čustva, kakšen je njihov pomen in na kakšen način nam pomagajo, da se znamo prilagoditi v različnih situacijah. Poudarili smo, da so čustva zelo pomembna pri komunikaciji in pri odnosih z ljudmi, saj nam čustveni izrazi dajo informacijo, na podlagi katere uravnavamo svoje vedenje do posameznika. Omenili smo, da so lahko čustva pozitivna ali negativna, močna ali šibka, dolgotrajna ali kratkotrajna ter da poznamo osnovna in sestavljena čustva. Omenili smo tudi dva pomembna znanstvenika, ki sta se ukvarjala z raziskovanjem obraznih izrazov in čustev. Prvi je bil Charles Darwin, drugi in obenem pomembnejši pa je bil dr. Paul Ekman, čigar študije o izražanju čustev so danes ene najpomembnejših. V nadaljevanju smo se osredotočili na osnovna čustva in vsako posebej podrobno opisali. Opisali smo šest osnovnih čustev: veselje, žalost, presenečenje, strah, gnus in jezo. Za vsako čustvo smo povedali, v kakšnih situacijah ga doživljamo ter kakšen je njihov pomen in namen v našem življenju. Opisali smo tudi glavne značilnosti posameznih čustev, določene medsebojne razlike in podobnosti ter za vsako čustvo posebej opredelili značilnosti obraznih vzorcev. V praktičnem delu diplomskega dela smo opisali, na kakšen način je potekalo naše delo animacij čustev, in sicer vse od ideje do končnega izdelka. Opisali smo delo v vseh programskih orodjih, ki smo jih uporabili, najbolj pa smo se osredotočili na samo animiranje obraznih čustev. V eksperimentalnem delu diplomskega dela smo raziskali, ali so animacije čustev prepoznavne. Opisali smo potek testiranja in rezultate, ki smo jih na podlagi testiranja ugotovili. Omenili smo morebitne težave, ki bi lahko bile posledica neprepoznave ali zamenjave posameznih čustev, in navedli rešitev, kako bi te težave preprečili. In the theoretical part of the thesis we defined the emotions, described their meanings and the ways in which they help us adapt to different situations. Emotions are important in communication and in relationships with other people, considering that expressing emotions gives us information on which we base our behaviour towards others. We also explained that the feelings can be positive or negative, how they can last for either a long or a short period of time, and that we know basic and complex emotions. We mentioned two important scientists who researched facial expressions and emotions. The first one is Charles Darwin and the second is Dr. Paul Ekman, whose research on expressing emotions is today one of the most important ones on this topic. Next, we described the basic emotions. These are happiness, sadness, surprise, fear, disgust and anger. We described the situations in which they are experienced, and their meanings and purposes in our lives. The main characteristics of the emotions were described and their differences and similarities were analysed. We also defined which facial features are used to express each of the emotions. In the practical part of the thesis we described the process of animating emotions, from an idea to a finished product. The steps in different computer programs were described with a focus on animating facial expressions. In the experimental part of the thesis, a research was made on whether the animations of the emotions are recognizable. We described the experiment itself and the results. We also mentioned that certain problems can be encountered when recognizing the emotions and gave possible solutions.

Cilj diplomskega dela je seznanitev s tehniko poligonskega modeliranja in digitalnega kiparjenja ter izdelava 3D lika, oblikovanega po ženskih proporcih, v računalniških programih za oblikovanje računalniške grafike. Teoretični del zajema kratek opis začetkov računalniške grafike ter predstavitev 3D modeliranja. Natančneje sta predstavljeni dve metodi modeliranja: poligonsko modeliranje in digitalno kiparjenje. Predstavljena sta programa Blender in ZBrush, s pomočjo katerih je v praktičnem delu izdelan 3D lik. Ker model oblikujemo po ženskih proporcih, sledi predstavitev zgradbe človeškega telesa, kjer si podrobneje ogledamo proporce, skeletno zgradbo, mišičevje in maščobno tkivo. Eksperimentalni del opisuje proces izdelave lastnega 3D modela. Razdeljen je na tri dele: v prvem delu je po korakih predstavljeno modeliranje ženskega telesa in orožja v odprtokodnem programu Blender, sledi pa predstavitev oblikovanja oblačil v programu ZBrush. V tretjem delu je opisan proces nanašanja materialov in tekstur na model. Končni rezultat diplomskega dela je upodobitev lika. The purpose of the diploma thesis is to get acquainted with the technique of polygonal modeling and digital sculpting and to create a 3D character shaped by female proportions using 3D computer software. The theoretical part includes a brief description of the beginnings of computer graphics and a presentation of 3D modeling. Two methods polygonal modeling in digital sculpting, are presented in greater detail. Two programs Blender and ZBrush are presented, as we will use them to design our character. Because our 3D character will be shaped by female proportions, we will look more closely at structure of the human body. We will examine the proportions, skeletal structure, muscles and fat tissue. The experimental part describes the process of creating our own 3D character. It is divided into three part: in the first part, modeling of the female body and weapon, using Blender is presented. It is followed by presentation of designing clothes in ZBrush. The third part describes the process of applying materials and textures on the character. The final result of the diploma thesis is a rendered image of the character.

Področje klasične animacije ima bogato zgodovino, ki sega daleč nazaj v čas. Mnogi avtorji so po njej posegali z najrazličnejšimi nameni: od predstavitve pravljičnih zgodb za otroke, do animiranih filmov s propagandno vsebino. Kot cilj naše naloge smo se odločili raziskati njen potencial za uprizoritev kompleksnega besedilnega odlomka klasične literature. Na podlagi naših ugotovitev smo izdelali kratki animirani film, ki služi kot vizualna interpretacija poglavja iz kratke zgodbe argentinskega pisatelja Jorgeja Louisa Borgesa, imenovane Nesmrtni. Začenjajoč s teorijo, prvi del naše naloge služi predstavitvi zgodovine in temeljnih principov zahodne animacije. Eksperimentalni del naloge je namenjen opisu procesa, skozi katerega je nastal naš končni izdelek kratkega animiranega filma. Od same interpretacije literarnega dela, do procesov iskanja ustreznega likovnega izraza, načrtovanja dela, uporabljene programske opreme in metod animacije, po katerih smo posegali. Poseben poudarek pri opisu programske opreme sloni na uporabi programa Adobe Photoshop, ki sicer ne velja za konvencionalno sredstvo animacije, a v zadnjih letih vseeno postaja vedno bolj priljubljen v skupnosti animatorjev. The field of Classical Animation has a rich and far reaching history. It has been used to represent several different thematic fields, ranging from children's cartoons to films of political propaganda. In our thesis, we decided to research its potential as a means of representation in the field of classical literature. Based on our results we created a short animated movie which, serves as an interpretation of a single chapter from a short story of the Argentinian writer Jorge Louis Borges called The Immortal. First part of our thesis serves to describe history and the basic principles of Western animation. While second, experimental part delves into the process, through which our animated short came to existence. Starting with the very process of literary interpretation, working it's way through the main stages of creation. It describes the search for an original visual expression, planning of the project, software we used and the methods of classical animation itself. Special emphasis is put on explaining our use of software Adobe Photoshop, which while not a tool conventionally associated with animation, is becoming increasingly popular amongst the animation community.

Osrednja tema diplomskega dela je predstaviti delokrog pri pripravi in izvedbi informativne oddaje Občinski informator pri televizijski hiši BK TV. Predstavljeni so splošna podoba televizije, njena pokritost in delovanje ter razvoj televizije skozi leta. Opisan je postopek snemanja in izdelave informativne oddaje, od zbiranja informacij, dela na terenu do dela v studiu. Pri opisu oddaje so razložene njena vsebina in zadolžitve ljudi, ki sodelujejo pri njeni izdelavi. Navedena je tudi oprema, potrebna za snemanje in montažo oddaje. Opisala sem tudi svoje delo pri televizijski hiši BK TV. The central theme of the thesis is to present a range of activities in the preparation and implementation of informative broadcasts Občinski informator on television house BK TV. Represented is a general image of television, its coverage and operation and development of the television house through the years. Describes the method of recording and producing news programs all from the information gathering, field work and the work of people in the studio. In the description of broadcast it is explained the content of broadcast and the responsibilities of the people involved in the making.The equipment wichis needed for recording and editing is also listed. I also described my work on the television house BK TV.