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1. Taneční rytmy v lidových písních a jejich uplatnění v aktivitách připravujících na poslech hudby na 1. stupni ZŠ.

2. Processual Form in Sufi Dhikr Ritual.

4. Features of Songs Rhythmic Organization by E. Sabitoglu

5. Flexible Ostinati, Groove, and Formal Process in Craig Taborn's Avenging Angel.

6. Do tempo medido ao tempo sentido: a rítmica de Gramani em uma perspectiva africanista

7. Performance review.

8. JUVENIS CONCERT ДЛЯ ФОРТЕПИАНО С ОРКЕСТРОМ ВЛАДИМИРА ЧОЛАКА: ЧЕРТЫ ЖАНРА И ФОРМЫ

9. Do tempo medido ao tempo sentido: a rítmica de Gramani em uma perspectiva africanista.

10. Ostinato.

11. Counterpoint of Imitation and Ostinato in Polyphonic Form (at the example of Georgian Music).

12. Остинато как жанр

14. Stylistic Features of the Processing Genre in the Piano Work of Zhang Zhao

15. Traditional and innovative in the orchestration of Ivan Karabyts‘ third concerto for orchestra «Lamantation»

16. 'Follow My Voice'

17. The East in the Works of Charles Griffes

18. Glazba u horor filmovima

19. Kompositorische Effizienz und dramaturgische Vielfalt. Der Fabelzusammenhang in der Filmmusik Ennio Morricones und die Beziehungen zu narrativ wirksamen Topik-Reihen

20. Processual Form in Sufi Dhikr Ritual

21. Ostinato rigore: establishing methodological rigour in quantitative research.

22. ЗВУКОВОЕ ВОПЛОЩЕНИЕ ФОРТЕПИАННЫХ ЦИКЛОВ РЕНЕ ЭЕСПЕРЕ: ОПЫТ ИСПОЛНИТЕЛЬСКОГО АНАЛИЗА

23. Features of Songs Rhythmic Organization by E. Sabitoglu

24. Особенности ритмической организации песен Э. Сабитоглу

25. Features of Songs Rhythmic Organization by E. Sabitoglu

26. The National Origins of the Creative Work of Eugene Ysaye and the Influence of Belgian Artists in the Formation of a Distinct Performing and Composing Style

27. Francisco Guerrero héritier de la tradition franco-flamande: onze pièces basées sur un ostinato

28. Choral with Variations by Vincent Dandy - The Problem of Building a ХХ Century Viola's Repertoire

29. Egzotizmin Romantik Dönem Operaları ve Senfonik Süitleri Üzerindeki Etkisi

31. Singing Polyphony: An Asian Experience.

32. TIME'S ARROW, TIME'S CYCLE: Globalization in Southeast Asia over la Longue Durée.

33. Ostinato Rigore: the essence of scientific work

34. Canonic techniques in the caccia: compositional strategies and historical development.

35. MELODY, RHYTHM, COLOR. A GENUINE VISION UPON ORFF METHOD.

36. Motivic cohesion and parsimony in three songs from Gentle Giant's Acquiring the Taste (1971).

38. 7. 'Jazz means the blues'

39. «Обертоны» романтической баллады в творчестве современных композиторов Кубани (на примере произведений Константина Пашкова)

40. ORPHEUS AND THE VANISHING NOTE

41. Marimba Levels, Part 2.

42. Composing for a latency-rich environment

43. ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU.

44. Less is More: The Role of Expectation in Emotional Responses to Simeon Ten Holt's Canto Ostinato.

45. Takt och Otakt

46. SONATA FOR CLARINET SOLO BY TIBERIU OLAH.

47. Composing with Types and Flexible Modules: John Williams' Two-Note Ostinato for Jaws and its Use in Film-Music History.

48. GRAPHISM AND ORGANISATION IN LES OISEAUX. CHACONNE POUR ORGUE. HOMMAGE À MESSIAEN BY EDUARD TERÉNYI.

49. TODUŢĂ'S "ANTIQUES".

50. WHAT IS HIDDEN BETWEEN THE ACTS?

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