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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Llull: Revista de la Sociedad Espanola de Historia de las Ciencias y de las Tecnicas is the property of Sociedad Espanola de Historia de las Ciencias y de las Tecnicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia 396 is the property of Pontificia Universidad Catolica de Valparaiso, Instituto de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Educación Física y Ciencia is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper investigates the participation of the Argentine Navy in the repression of political dissidents abroad during State terrorism. Based on a historical reconstruction of the extraterritorial operations that involved the Navy, one of the three military forces that played a leading role in the last Argentine dictatorship (1976-1983), the paper questions the conditions and characteristics of its performance in transnational repression. It is hypothesized that the Navy developed an increasing degree of influence and autonomy in the deployment of the Argentine repressive apparatus beyond national borders. This type of development, observable in the case investigated, suggests a general key of analysis for studies on transnational repression: just as the action of the repressive agencies within the national territory was neither monolithic nor unidirectional, their cross-border action acquired a similar dynamic, characterized by a margin of relative autonomy of the forces involved, although without deviating from the strategic objective of persecuting political dissidents.

This paper seeks to approach the story that blames the Chilean left for the institutional breakdown that ended in the civil-military dictatorship led by Augusto Pinochet. If we take as a reference the Uruguayan case, in relation to the discussion on "who threw the first stone" (the left or the right), we do it to question and deepen our own case, by analyzing the arguments that justify representations of the past that criminalize, shame and dehumanize the identity pillars of the Chilean left. Thus, we will explore the responsibilities of the right wing not only in the institutional ruptures, but also in the dissemination and representation of common meanings that aim to see the actions of the left as a "cause" and the military irruption as a "consequence".

The article compares the modes of production and primary circulation of materials of the DIPPBA archive - an Argentine 'archive of repression' - before and after its public opening in 2003, specifically in academic research on Recent History. The DIPPBA was an intelligence service that operated between 1956 and 1998. Through a multidisciplinary approach that integrates semiotics, discourse analysis, and anthropology, the paper studies the transition of the DIPPBA archive from its origins as an intelligence service repository to its current status as a publicly accessible archive managed by the Provincial Commission for Memory. This transition prompted significant political, legal, functional, spatial, and symbolic transformations involving various management practices. The article examines the interaction between archival circulation and academic recognition by delineating these transformations and identifying regularities in academic historical discourse. Specifically, it investigates how alterations in circulation mechanisms shape the academic recognition of archival materials, influencing researchers' access and utilization. Additionally, it explores how academic recognition reciprocally informs and influences archival circulation, providing historical, political, and legal intelligibility to the process of archival opening. The findings shed light on the dynamic relationship between archival circulation and discursive recognition within the historiographical field. [ABSTRACT FROM AUTHOR]

Copyright of Archivos de Ciencias de la Educacion is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia Regional is the property of Historia Regional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Situated within the field of social conflict studies and focused on the local scale, this paper provides an overview of social conflict in the city of Mar del Plata (Buenos Aires, Argentina) between January 1997 and February 2002. It centres on two analytical dimensions: firstly, the paper delineates the topics of conflict; and secondly, it identifies what type of organisations participated, with particular emphasis on the ways state agencies were involved. The methodological approach is quantitative, based on the development of a database on conflict taking a local newspaper as its historical source. [ABSTRACT FROM AUTHOR]

Copyright of Confluenze. Rivista di Studi Iberoamericani is the property of Universita di Bologna, Dipartimento di Lingue, Letterature e Culture Moderne and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Maguaré is the property of Universidad Nacional de Colombia, Departamento de Antropologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Runa: Archivo para las Ciencias del Hombre is the property of Runa: Archivo para las Ciencias del Hombre and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aletheia (1853-3701) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

During the seventies and eighties, from Argentina and on a transnational scale, a territory of knowledge was built around the psychological effects caused by the last military dictatorship. This knowledge was the product of joint ties between psychologists, psychoanalysts and mental health workers who lived through different repressive experiences.This article aims to reconstruct and analyze the initial process of construction and accumulation of specific knowledge about State terrorism in Argentina, from the 1970s to 1985. To do this, it identifies which actors and which groups were formed to attend to the victims and relatives of state repression and what were its main characteristics regarding the work of psychological assistance. This investigation maintains that the work of attention to the victims of State terrorism in Argentina allowed the early delineation of a territory of knowledge about state repression that was linked, from exile and in the country, with the defense of subjugated human rights. This investigation is supported by written documents from human rights organizations and different interviews with the actors of the time.

Ş.Teoman Duralı was born in the period of Single-Party government as the son of a German mother and a Turkish father. His father, one of the first students that the republican generation had sent abroad for education, studied electrical engineering in Germany and worked in significant government institutions in Turkey. As a result of his family profile, Teoman Duralı grew up in a rich atmosphere from both economic and cultural aspects. In such wealth, the effect of his uncle, Hasan Amca, is an undeniable fact. Hasan Amca and his friends, famous names of the second constitutional era, frequently visited Duralı Family and were creating a rich cultural atmosphere, especially in economy and art. Another thing that affected the improvement of Duralı, whose ideas started to be shaped in such a rich cultural atmosphere, was his extraordinary skill of learning a language. The field of Geography, which Duralı who learned many foreign languages besides his mother tongues, German and Turkish, had been interested in with great curiosity since his childhood, guided him to learn about different countries and cultures closely through his travels. With these effects, after a period of inconstant childhood and adolescence, he started to study the philosophy "in order to reach the summit of the contemplation of a nation without contemplation" as his father claimed and he carried out important studies in this field. With the extraordinary personality he has, the impressions of Duralı, who directly witnessed Turkey's political, military, economic, cultural and social fractures, are historically very important regarding these witnesses. In our study, because of this importance of him, we try to examine the style of Teoman Duralı's approach which he put forward towards the moments of Türkiye's fractures. [ABSTRACT FROM AUTHOR]

Copyright of Sociohistórica: Cuadernos del CISH is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This bibliographic paper aims to reflect on incorporating recent history in Chilean school education based on educational policies and scientific literature on the subject. The theoretical proposals formulated by Tuithof et al. (2021) and Villalón-Gálvez and Zamorano-Vargas (2018) are examined to explore the obstacles that history educators face when teaching the subject. Three characteristics of the historiographical field Stand out: contemporaneity, historical sources, and conception of history related to teaching objectives identified in the teacher’s thinking from different perspectives of history teaching. Finally, teachers face challenges linked to the teaching of recent history due to their beliefs and knowledge on this subject, as well as to their citizenship experiences. [ABSTRACT FROM AUTHOR]

Copyright of Studia Historica. Historia Contemporánea is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Tempo e Argumento is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This review aims to bring together two private museums whose theme is largely similar: life in a communist country. The exhibition of the Museum of Memories from Communism in Braov responded to the shortcomings in Romanian state-owned museums to cover a timeframe from recent history. To put the exhibition into perspective, after I present it and consider its museological features, I briefly bring into discussion the DDR Museum from Berlin. I focus not only on the visible part of the two -- that is, the exhibition, but I also go backstage after connecting with those responsible for these two private museological endeavors, in order to discern the collecting undertakings and their role in the wider frame of museums landscape in a former communist country. Finally, after my visiting experience with both exhibitions and an unwilling / unfortunate entanglement with communist practices that are still up and running (the almost-failure of having a form stamped), I reflect on the role of a museum in providing deeper understanding of socio-cultural practices that affect our (not only institutional) lives up to our days. [ABSTRACT FROM AUTHOR]

Copyright of Annales Universitatis Mariae Curie-Skłodowska, Sectio F: Historia is the property of Maria Curie-Sklodowska University in Lublin and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The intention of this material is to follow how the identity process of the Republic of Moldova takes shape and changes, in relation to the linguistic tools, through public policies and programmatic documents. The subject is also updated by Law no. 52 of March 16, 2023 for the implementation of the considerations of some decisions of the Constitutional Court of the Republic of Moldova, which provides for the replacement of the phrase "Moldovan language" with the phrase "Romanian language" in the legislation of the Republic of Moldova, thus implementing a decision of the Constitutional Court from 2013, which attests to the fact that the state language is Romanian. Also, the status of a candidate country for the European Union obtained in June 2022 and the Russian War against Ukraine, which began in 2022, with successive escalations that directly influence the Republic of Moldova, are also taken into account in the analysis. The study continues the author's previous academic interests in the direction of research on the identity construction of different ethnic groups and deepens the conclusions from the projects "Moldarte" and "Culture Day in Romania and the Republic of Moldova: duplex of cultural policies" in which she was involved as a facilitator and cultural analyst respectively. [ABSTRACT FROM AUTHOR]

Copyright of Religación: Revista de Ciencias Sociales y Humanidades is the property of Religacion: Revista de Ciencias Sociales y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses various projects (in the real world or on the social media) to do with creating a museum in and about the unknown town of Mizil. The “Museum of the Unknown Town” is the memory of a non-existent town. This is because most museums reconstruct worlds that have ceased to exist. They reinvent them as part of a utopic exercise applied to the past, despite the overwhelming amount of information that they have at their disposal and which they employ. However, knowledge is not the same as storage, but rather, to an extent that differs from case to case, it is also imagination, which enables innovation. The unpredictable connections between images and the texts of different personal experiences have the power not only to sensitise local visitors to the town’s history, but also to make them aware that they are a part of that history, that they can enrich it by cultivating and practising memory. The article argues that the communist past of the town and of Romania in general might be viewed in a more nuanced way, as opposed to the use of clichés and a uniform viewpoint. The author makes use of creative writing as his technique, drawing inspiration from hand-picked images.

The Turkish novelist always takes great interest in recent history. In particular, he or she deals with the National Struggle and what happened both on the front and behind of this struggle in novels. What happened in various periods of history becomes the subject of works. The events have different effects and results. Artists, who shape the society and mirror the experiences, sometimes convey the experiences to the reader by narrating them and sometimes by reinterpreting them. Among these transfers, the National Struggle becomes the subject of the novels of its formation and results. Those who support the National Struggle, on the one hand, and those who oppose it, on the other, become the subject of the novel. Among these novels, Ercüment Ekrem in his novel "Kan ve İman" deal how to become unity in the face of the enemy. The age and the experiences are questioned through the characters. The author, in his novel "Mustafa Sagir", are focuses on how heedlessness will pave the way for betrayal, while in the novel "Ateş Kamçıları" the struggles of the Turkish nation on the fronts and the difficulties they face in these struggles are explained through the Bozan. The novel "Vatan Tutkusu", focuses on the heroism of the Nationalist Forces in the Aegean region and the role of the alliances and betrayals for this. The novel "Gemileri Yakmak", on the other hand, emphasize that today is also the work of yesterday, as well as taking lessons from history by considering yesterday and today together. Almost all the novelists try to explain how we came to the time we live in by making a recent history analysis. It is always possible for the novelist to be interested in and talk about history. The important thing is in which fiction he or she presents it to us. The novels chosen as examples and mentioned above, on the one hand are emphasize the depth of the effort spent for the struggle, on the other hand, the ground of betrayals and assassinations, the importance of sacrifice when it comes to the defense of the homeland, and understanding the ties of the past and the present. The perspectives of the novelists in the history and their analysis were evaluated with an analytical point of view. [ABSTRACT FROM AUTHOR]

This new (and not very new in some cases) best-seller narrative of the memory of the recent political violence has the neoliberal discourse on human rights as a very productive background curtain that uses, on the one hand, the different processes of transitional justice that have occurred in the continent, and, on the other hand, also uses the marketing strategies of the transnational publishing industry, which produces, spreads justifies and projects a particular set of novels that constitute the corpus of one of the most striking strands of the most recent Latinamerican literature. [ABSTRACT FROM AUTHOR]

Copyright of Zeszyty Wiejskie is the property of Wydawnictwo Uniwersytetu Lodzkiego and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociohistórica: Cuadernos del CISH is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This work, grounded in the perspective of new political history, analyzes and systematizes the most relevant contributions from the social sciences to the knowledge of Santa Fe (Argentina) province's recent history. We particularly focus on works that deal with the period that goes from the democratic transition to the present day (1983-2020), highlighting the most important lines of work, their contributions to the field and the observed vacancies. The article is organized around three central issues: the study of the province's electoral and political systems; works dealing with the characteristics and interplay dynamics between political-partisan actors; and contributions regarding other social actors as they relate to the local political system. The purpose of our work is to present a complete and thorough outlook of the current knowledge available regarding Santa Fe's recent political history. [ABSTRACT FROM AUTHOR]

This article attempts to reflect on the potentiality of the transnational perspective for the left studies in Argentina. In the first place it outlines a critical map of the transnational perspectives as methodologic tools. Secondly, a historiography balance is made to point the few contributions that exist from those perspectives in the field of the left studies in the post-dictatorship. In the third place, we propose a work agenda that involves lines of inquiry that go beyond the borders of the nation-state for the cases of the Movimiento al Socialismo and the Partido Comunista de la Argentina, taking into account internationalism as one of the constitutive aspects of the political culture of the left. [ABSTRACT FROM AUTHOR]

Copyright of Memorandum: Memória e História em Psicologia is the property of Memorandum: Memoria e Historia em Psicologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The complicate recent history of Eastern and Central Europe was and continue to be a varriable that must be take into account by every political or socio-economic analysis. The beginnings of democracy in this part of Europe meant, for a lot of nations who's past was under the rule of Communism, a tough battle with the reconsideration of their own history. To assume and to rewrite a history released by the remains of historiography, in different senses contaminated from the totalitarian regime represented an expedite. The way that the political, academic and cultural elite has treated this problem was not as expected. On the contrary, it gave birth to a factor and events complex that overlapped a political problem over an historical, memory one. The doctrinal ambiguity, the neopopulist trends, the reinforcement and the retirements of the political reforms have often transformed these political confrontations in veritable memory restorations, taken the form of certain reconstructions by the appeal to a continuous present, which is in a full progress. The overlapping levels – historical, political, electoral – arrived that way to generate surprising conotations and progresses, especially because that themselves have subsequent created large expectations, propelling veritable political mythologies. The new created spaces by this mix of recent history, of transition and memory helps us to understand the Post-Communist mythological confrontations.

The change of political regimes and the long period of transition that followed afterwards brought dramatic, even tragic shifts in common people's lives, who were born and raised in the Eastern Bloc. These experiences, which were strikingly common in Eastern European countries, have left significant marks in nowadays society, which historians and artists alike are trying to analyze and explain to their audiences, in a personal and accessible form. This article aims to analyze the manners in which recent history themes, like the period of transition, economy and the essential lifestyle changes which came as a consequence, are researched and handled in Romanian documentary theatre. As follows, two theatre productions of this kind will be presented. They were considered to be a real success in the independent theatre scene in the past five years and their specificity is the shared socio-political context between stage and audience. [ABSTRACT FROM AUTHOR]

Copyright of Revista del CESLA is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Iberian & Latin American Research is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sociohistórica: Cuadernos del CISH is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Los bulos o rumores se han difundido en el transcurso de la historia, según lo constatan Marc Bloch, Georges Lefebvre o Arlette Farge, entre otros. Los bulos siguen presentes hoy, aunque varían los medios y espacios por donde circulan: por ejemplo, internet. Como se demuestra en este artículo, los rumores mantienen una serie de elementos que nos permiten acercarnos a su estudio. Se analizan así los rumores que circularon por correo electrónico durante la epidemia de influenza en México de 2009. El artículo entra al debate sobre los documentos generados en internet como fuente de reflexión para el historiador. [ABSTRACT FROM AUTHOR]

The article discusses various projects (in the real world or on the social media) to do with creating a museum in and about the unknown town of Mizil. The "Museum of the Unknown Town" is the memory of a non-existent town. This is because most museums reconstruct worlds that have ceased to exist. They reinvent them as part of a utopic exercise applied to the past, despite the overwhelming amount of information that they have at their disposal and which they employ. However, knowledge is not the same as storage, but rather, to an extent that differs from case to case, it is also imagination, which enables innovation. The unpredictable connections between images and the texts of different personal experiences have the power not only to sensitise local visitors to the town's history, but also to make them aware that they are a part of that history, that they can enrich it by cultivating and practising memory. The article argues that the communist past of the town and of Romania in general might be viewed in a more nuanced way, as opposed to the use of clichés and a uniform viewpoint. The author makes use of creative writing as his technique, drawing inspiration from hand-picked images. [ABSTRACT FROM AUTHOR]

"Whose streets? Our streets!," a traveling exhibition that debuted at the Bronx Documentary Center in January 2017, brings together the work of 37 independent photographers who covered protests in New York City between 1980 and 2000. Collectively, they chronicle social justice struggles related to race relations and police brutality; war and the environment; HIV/AIDS and queer activism; abortion rights, feminism, and the culture wars; and housing, education, and labor. The exhibition and companion multimedia website demonstrate the role that photographers, activists, and ordinary people play in enacting democratic social change. They also highlight social protest photography as an important source for doing public history. [ABSTRACT FROM AUTHOR]

Copyright of Estudos Ibero-Americanos is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia 396 is the property of Pontificia Universidad Catolica de Valparaiso, Instituto de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)